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39 result(s) found.

How Do I Get Useful Feedback from My Beta Readers?

 Dear Editor…

I’d like to know what guided questions a writer can give to beta readers to get the best feedback from a manuscript.

Thanks,
Beth

Dear Beth…

Most beta readers aren’t writers, so ask about their impressions. Which of the characters seemed like they could be real people? Which did not? What would you change about any of them? Did any of their actions seem unbelievable? Did you feel confused at any time in the story? Did your mind wander at any point? At what point did you start to care about the main character? What scene first pulled you into the story? Did the main character’s problem seem important to you? Could you predict the ending? Did it satisfy you? Did the characters talk like real people? Which settings could use more description? Ask your readers open-ended questions or follow-up with questions like “Why?” or “When?” to encourage them to expand. And while you want to be thorough, too many questions can overwhelm a beta and shut them down. This is a good starter set. Readers, do you have favorite questions that you ask your readers?

Happy writing!
The Editor

What Does This Rejection Wording Mean?

Dear Editor…

I’m trying to decipher the meaning of vague feedback I received in a rejection letter. The agent said that even though my premise is “fascinating,” the agent did not “feel myself fully connecting with the writing here. Ultimately, I do not feel I’m the right agent for it.” Any thoughts about what message I should take away from this?

Sincerely,
Puzzled Writer

Dear Puzzled Writer…

Shrug this one off. Sometimes an agent just isn’t enamored with a piece of writing. Is it the narrative voice, the sentence styling, the dialogue? Who knows? Maybe the agent doesn’t even know—and it’s not their job to figure it out, so you don’t get any details you could use to strategize a revision. I know that’s frustrating. But consider this: It’s just as likely the agent thought, “It’s good…I’m just not wild about it”—which is a fair Subjective Reaction. I’m sure you’ve read books that your friends raved about and thought, “It’s good, but I’m not wild about it like they are.” Don’t let this response seed doubt. Log it in the “Not the Agent For Me” column and move on. After all, you’ve got a project with a fascinating premise—there’s an agent out there just waiting to rave about it to publishers.

Happy writing!
The Editor

The Editor, Deborah Halverson, has been editing books for over 25 years and specializes in Middle Grade/Young Adult fiction and nonfiction, New Adult fiction, and picture books. For her editorial guidance in making your manuscript ready for submission to agents and publishers or for self-publishing, click Editorial services. Learn more in her books: Writing Young Adult Fiction for Dummies and Writing New Adult Fiction.

Best Twitter Name Strategy?

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Dear Editor…

For Twitter, do people generally use their own name or come up with something catchy if they are an author?

Sincerely,
Elle

Dear Elle…

Keep things easy for readers. More important than being clever is that you be found and recognized. Twitter is a discoverability tool in your marketing toolbox, after all. Think of your Twitter handle as an extension of your author brand. With that in mind, go with a close variation of your name so that readers and industry colleagues can find you easily and learn to recognize your name as they scroll their feeds. You can be catchy within that restriction: @ElleDoeWrites, for instance. When folks retweet your catchy tweets, or reply to your great engagements, their followers will easily read your author name in the retweet. The key is to be identifiable as the author you are for the fans you do and will have.

Happy writing!
The Editor

Revision Week: Chanel Cleeton

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Dear Readers… Day 3 of DearEditor.com’s Revision Week brings us Chanel Cleeton, author of four popular thriller and romance series, including the brand new Wild Aces. Please join Chanel and The Editor for Day 3 of Revision Week, and enter to win today’s “Free Partial Edit” from The Editor.

Chanel CleetonChanel Cleeton writes contemporary romances, women’s fiction, and thrillers. She is the author of the International School series and the Capital Confessions, both contemporary romance, as well as the New Adult thriller series Assassins. Her newest novel, Fly with Me, is the first in the new Wild Aces contemporary romance series and pubs next month, with the second book, Into the Blue, following in July. Chanel is published by Harlequin HQN, Penguin/InterMix, and Penguin/Berkley.

Chanel’s interview follows the Rafflecopter form/entry link for today’s Free Partial Edit by the Editor Giveaway. Scroll down for her full interview.

a Rafflecopter giveaway

How many drafts does it typically take before you feel confident about the character and story choices you made? Each manuscript varies for me, but I typically feel pretty good about major arcs fairly early on and then I go through many, many drafts cleaning up the manuscript until I can read though it without finding anything I want to fix. I’m a pantser, but I spend a lot of time thinking about my characters and developing them and the story threads in my head, so by the time I start writing I’m familiar with the world I’m building and am able to follow the threads as they unspool. I spend a lot of time tweaking my manuscripts for things like dialogue, sentence construction, etc., but big picture items usually don’t change very much from first draft to final.

Fly with MeDo you use critique partners or beta readers? I typically don’t. I tend to work best in my head so I like to finish the draft and then send it off to my agent and editor to get their thoughts. My traditional publishing schedule often makes it tough to get feedback from critique partners or beta readers if I’m on a tight turnaround for a book.

I+SEE+LONDON+COVERWhich draft typically gets shown to your editor? How much revising happens after the editor sees that draft? This varies by book, but I would say at an absolute minimum, I go through four drafts before I send a book to my editor. Sometimes the number is higher. Once I’m through with the first draft, I ALWAYS edit once on my computer, once on a printed draft, and once on an e-reader because changing formats always helps me to catch new things. Sometimes I’ll go through this process a few more times if I’m still catching things. My editor can see anywhere from my fourth to twelfth draft. When I get edits back, I typically like to go through each stage of edits (developmental, copy, and proofreading) three times to make sure I’ve caught everything.

Flirting with ScandalCan you share an experience of having a story problem you didn’t think you could solve but eventually did? I find a lot of writing solutions when I step away from my computer so I’ll often find that some of my best ideas come when I’m doing something else. For some reason, I seem to be super productive when washing my hair. 🙂 I think about my characters and story all the time when drafting and often letting the story live in my head a bit helps me to think outside the box and come up with a solution for whatever might be stumping me.

Between ShadowsWould your ideal writing day consist of original drafting or revising? Why? That’s a great question! It definitely depends on my mood. I LOVE revising because there’s something rewarding about polishing your manuscript and whipping it into shape. At the same time, I love the magic of drafting and watching my story unfold and take me in unexpected directions.

How do you know you’ve got the final draft? I try to read through my manuscript as a reader would and flag anything that pulls me out of the story or doesn’t flow properly. When I can read through the manuscript without flagging anything and I’m happy with it, I consider it my final draft. From the first moment I sit down at my computer to the moment a reader has my book in their hands, I’ve typically gone through about fifteen drafts of the story.

Thank you, Chanel!

 Fly with Me

 

 

 

 

 

 

 

 

 

 

 

 

Why Does My Action “Read Slow”?

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Dear Editor…

The feedback on my mystery manuscript was that it has lots of action but “reads slow.” The reader gave one bit of elaboration: “Some of the paragraphs ‘feel’ long even though they aren’t.” I’m not sure what to do with that. Suggestions?

Sincerely,
Confused

Dear Confused…

You might be overstuffing sentences to get it all in quickly. The action. The info. The setting. The revelations. This can lead to long, complex sentences with multiple actions, heavily modified nouns, interruptions, and copious commas, em-dashes, and parentheses. Example: “Digging my hand into my pocket, I ran to the huge, double-bolted, metal doors—just installed last week by my ultra-paranoid, hippie parents—hoping desperately that I could dig out the ancient bronze key in time.”  That might be fine amongst a variety of sentence lengths and styles (such as a direct statements or fragments). But sentence after sentence, page after page…. It’s a lot of work for a reader. Slow work. And it’s hard to pick out the most important action; everything has the same weight. Thus, dense text can feel flat. Increase sentence variety to create rhythmic ups/downs. Make some things stand out while others float in the background, creating depth. If a detail isn’t vital, ditch it. When using opening clauses, avoid repeatedly piling action upon action. Lastly, go easy on the adjectives. Inform, don’t bury.

Happy writing!
The Editor

BLOG TOUR: Writing New Adult Fiction

WritingNewAdultFiction

Writer’s Digest Books, ISBN 978-1-59963-800-3
Amazon | B&N | IndieBound | Goodreads | Writer’s Digest Books

Thanks for your support of the blog tour celebrating the publication of Writing New Adult Fiction! You can read all the fun and informative interviews and guest blog posts by The Editor – covering craft, promotion, and the business of publishing New Adult fiction by clicking on the links below.

NA Alley blog:Four Steps for Writing a Tantalizing Hook for Your Book Excerpt from review: “An amazing resource, specifically for New Adult writers.” Excerpt from guest post: “Work through those and you’ve got your hook. Informative, tantalizing, and concise—even Tweetable in its entirety if you can really pare it down. Put it on your back cover, use it to lead your e-retailer descriptions, throw it into social media play, use it at conferences or when networking one-on-one. Hook in hand, now it’s time to tell the world about your story.

My Book Fairy blog: “NA Writers Have Storytelling Needs, Too (and Free Manuscript Edit Giveaway)” Excerpt: “Each group of storytellers may tap into the same foundational elements like plot and dialogue and characterization, but they use them to tell different kinds of stories for different audiences with different needs—and those differences deserve our attention. I set out to write a book that can support and guide NA writers.

Fiction Notes blog:3 Ways to Know If Your YA Is Really New Adult fiction (And Free Manuscript Edit Giveaway)” Excerpt: “[Writers say,] ‘Tell me what NA is, Deborah, and then I’ll know what I’ve got.’ Happy to help! Here are three ways to determine if you’re writing a story about a young adult or a new adult.”

Writing Belle blog: What Is the Future of New Adult Fiction? (And Book Giveaway)” Excerpt from review: “A fantastic how-to.” Excerpt from guest post: “As we move into NA’s future, then, I expect we’ll see a wider range of storylines, settings, and genres that explore every aspect of the new adult experience, and we’ll expand the NA audience as a result.”

It’s a Matter of Moments blog review & free book/manuscript edit giveaway: Excerpt: “A masterpiece to budding new adult writers like us…. If we had more space, we could showcase useful tools and nuggets of wisdom in every chapter, but you will be much better served to get your own copy and discover the magic yourself. Writers: GO GET THIS BOOK!

Quirk & Quill blog: review & free book giveaway: Excerpt from review: “I became a huge fan of her how-to-write-YA book, WRITING YOUNG ADULT FICTION FOR DUMMIES. It is my number one go-to-craft-writing-resource in the courses I teach at UC Berkeley and Stanford.… Like she does in her YA writing craft book, [Deborah] breaks down just what you need and want to know about writing NA fiction in the same clear manner with full engagement.”

Coffee and Characters blog: spotlight & free manuscript edit giveaway: Excerpt from review: “Stock full or information and a worth while read!”

eBook Addict review & free manuscript edit giveaway: Excerpt from review: “If you’re a writer, and you want to try your hand at writing new adult, I strongly suggest reading this novel!

Blogcritics review: “With her conversational, engaging style, Halverson demystifies the process of plotting, writing, and marketing a NA novel…. If you’re serious about writing a NA novel you can be proud of, one that is also marketable, you’ll add this indispensable title to your permanent reference shelf.

KIDLit411 interview & free book giveaway  Excerpt: “Figure out how to get past any fears you have and just go for it. That’s what got me writing that first novel, and that’s what gets me past the infamous Blank Page with every new project. Be bold. And then stay bold, because publishing isn’t just writing—it’s about writing for others…. Everyone has opinions—use the positive and contructive feedback to bolster yourself and then build on your strengths.”

Hot Guys in Books review & free book/manuscript edit giveaways: Excerpt: “This book is awesome! It’s so seamlessly written so following her is no problem. The book it thorough in every aspect. It explains from what New Adult Fiction is to how to publish your book. I learned so much from it. I really didn’t know how to define the genre of New Adult until this book. I’m not exaggerating when I say it made me EXCITED to write because know I have a more clear idea of what others are expecting.This book will definitely be referenced multiple times when I’m writing my novel.

Christy Herself! spotlight: Stop in to enter the tourwide free manuscript edit giveaway!

Book Bumblings Interview & giveaway  Excerpt: “I believe traditional publishers will help curate NA titles for those readers who need curation, and they will be there for those writers who want a partnership that brings greater promo/distribution opportunities and professional expertise, but ultimately the independent writers will continue running the NA show.”

Literary Agent Jill Corcoran’s blog: “What’s the difference between ‘new’ adult and ‘young’ adult? PLUS a contest!” Excerpt: “What’s the difference between ‘new’ adult and ‘young’ adult? My answer usually starts with a single word: sensibility.

Literary Agent Erzsi Deak’s Hen and Ink Blots blog: New Adult: “Sexed” up YA or Bona Fide Literary Movement? An interview with Deborah Halverson, author of Writing NA Fiction. Excerpt: “If you know you have a great story, and you just haven’t made that connection with a big audience yet, for whatever reason, you can keep submitting and not hurt yourself by self-publishing. The only way you can hurt yourself is if you do it poorly and you get bad reviews, because that cannot be erased.”

KC Maguire blog: “Deborah Halverson: Author Interview and Giveaway.Excerpt: “Craft stories that build up sexual anticipation through love denied, teased, and toyed with. A much-anticipated kiss can be more dramatically powerful than a perfunctory graphic groping.”

WriteforKids website video interview: Excerpt: “New Adult Fiction, with characters age 18-25, is exploding. But what, exactly, is New Adult, and how is it different from writing for young adults? Deborah Halverson, explains the ins and outs of NA in this interview.

Country Gals Sexy Reads spotlight: Excerpt: “5 of 5 stars… Halverson, puts everything into perspective and you will gain confidence if there is a closet writer within you.”

Prone to Crushes on Boys in Books spotlight and giveaway

A Book Addict’s Delight spotlight and giveaway

A One-Click Addict’s Book Blog spotlight & free manuscript giveaway

Deal Sharing Aunt spotlight & free manuscript giveaway

Short and Sassy Book Blurbs spotlight & free manuscript edit giveaway

WritingNewAdultFiction

Writer’s Digest Books, ISBN 978-1-59963-800-3
Amazon | B&N | IndieBound | Goodreads | Writer’s Digest Books

 

Revision Week: Joni Rodgers

Dear Readers…

Day 3 of Revision Week brings us memoirs and ghostwriting with Joni Rodgers, who is known for her beautifully crafted, impeccably researched memoirs. Joni is also a bestselling, critically-praised novelist in her own right.

Please join Joni and The Editor for Day 3 of Revision Week, and find out how to win today’s “Free Partial Edit” from The Editor.

Joni Rodgers croppedJoni Rodgers is the bestselling author of the memoir Bald in the Land of Big Hair, and five novels, including Crazy for Trying and Sugar Land. She has also ghostwritten, collaborated on, and doctored multiple New York Times bestsellers (nonfiction, novels, and memoirs) and numerous op eds, magazine articles, book proposals, speeches, and screenplays. She has collaborated with notable figures in entertainment, politics, and sports and with ordinary people living extraordinary lives, including actresses Swoosie Kurtz, Kristin Chenowith, and Rue McClanahan, and U.S. Ambassador to Hungary and Susan G. Komen founder/CEO Nancy Brinker.

*Joni’s interview follows the Rafflecopter form for today’s Free Partial Edit Giveaway. Scroll down for her full interview.

a Rafflecopter giveaway

Part Swan Part GooseHow many drafts does it typically take before you feel confident about the voice and story choices you’ve made?
I’m not sure there is such a thing as “typical”; every book has its own journey, and it takes as many drafts as it takes to get it right. In any worthwhile archeological dig, you’re going to shovel through a lot of sand. As a ghostwriter, my job is easier when I have a client like Swoosie Kurtz [whose memoir comes out in April]. She’s extremely smart, naturally funny, and very hands-on throughout the process. She has a strong point of view and unique voice, and throughout the interview process, she was forthcoming and full of great ideas. The story choices were mostly hers, but they really resonated for me, and I ran with them. Her generosity with her time during the first eight or ten weeks made a dramatic difference in the amount of revision needed later on because I was able to sit with her and learn her voice—and the voice of her 98-year-old mom, Margo, who speaks with a beautifully poetic sort of dementia. The resulting book, Part Swan, Part Goose, is the most extraordinary artistic collaboration I’ve ever been part of. I’m thrilled to see it getting critical accolades.

How does revision work in ghostwriting? How do you strike a balance between your judgment as a writer and the preferences of the person you’re writing for?
It depends on the client. I adjust the process to be what they need: a co-pilot, a chauffeur, or something in between. If something I write doesn’t sit well with my client, then it’s not right. I might explain why I made a certain choice when I was writing, but I never ask them to go against their gut, even when it means scrapping a piece of writing I’m proud of. It’s the ultimate test of “Seek first to understand, then to be understood.” I listen, ask questions, and revamp until we find what feels right.

049b3c_69573add3b6b4310aa73f4398130ef23.jpg_srz_p_198_300_75_22_0.50_1.20_0Were there different challenges in writing your own story for your memoir Bald in the Land of Big Hair, as opposed to crafting someone else’s memoirs as a ghostwriter?
Oh, of course! Writing a memoir can be (and should be, at its best) a deeply emotional journey. Many of my clients tell me it’s like therapy. Every ghostwriter has his or her own unique skillset, and part of mine is that I have experienced that emotional journey and learned firsthand how much work it is and also how healing and liberating it can be. The end goal is always a great book, but I also have the hippie mama goal that I want the writing of the book to be a soul-feeding experience for my client.

049b3c_b89a0dd95a21026387663da9aa44d29e.jpg_srz_p_199_299_75_22_0.50_1.20_0Do you use critique partners for either your novels or your ghostwriting projects?
Absolutely. For the past eight years or so, I’ve been richly blessed to be part of an amazing critique group called the Midwives—all well-published professional authors, women of a certain age, voracious readers, and jolly good pals. One of our founding members, Colleen Thompson, is a bestselling RITA-nominated romantic suspense author who’s blogged and given workshops on the dynamics of a great critique group. Anyone who has a chance to take an online class from her should jump on it. Finding the Midwives was one the greatest gifts in my life, personally and professionally.

049b3c_22baab97827382903081dba505b9a5d8.jpg_srz_p_198_306_75_22_0.50_1.20_0Which draft typically gets shown to your editor? How much revising happens after the editor sees that draft?
It varies, but in general, I try to minimize the revisions by doing three things during the writing process: First, as early as possible, I get the editor’s feedback on the chapter outline and opening chapters so we’re all in agreement about the structure, content and voice of the book. Second, I’ve learned from experience to anticipate issues that raise red flags in the legal review, and I try to bulletproof the manuscript in advance. Third, I run the finished draft past a consulting editor or critique partner before I hand off to the publisher. No matter how good you are, there’s a point where you can’t see it anymore. I’m not completely joking when I say, “Good freelance editors are so hard to find, I had to grow one of my own.” I’m so lucky to have my daughter, Jerusha Rodgers (Rabid Badger Editing), on my speed dial. It’s worth the money, because it saves a lot of time and makes me look good in front of people I hope to work with again. Clients, agents, and editors are consistently wowed. Her eagle eye has also been incredibly valuable to me in the fiction arena since I decided to go indie with my own books.

Can you share an experience of having a writing problem you didn’t think you could solve but eventually did?
Writing presents challenges; publishing presents problems. It feels like an important distinction to me, because challenges make work a joy, while problems are just a (hopefully educational) pain in the ass. I wrote a novel about seven years ago, and because the publisher of my previous novel had an option on it, I was persuaded to make some pretty big changes—including changing a main character from a lesbian to a man. But the story never felt right to me, even after several drafts with extensive input from my editor and agent. Even though the plot remained the pretty much the same, the nuances and thematic payoff just didn’t ring true to my intention in telling the story. So I set the book aside, thinking it was dead. As years went by, however, my confidence grew, and I knew I had to trust my gut. I went back for another extensive rewrite, restoring my original character, who totally deserves to be in the driver’s seat of her story and definitely grew with the benefit of seven additional years of craft skill. I’ll be releasing the novel as an indie later this year, and if it goes down in flames, so be it. I’m willing to go down in flames for something I believe in. What I’m no longer willing to do is compromise on creative control of my fiction, so the indie publishing revolution has been great for me. I’m able to remain a player in the corporate publishing world as a ghostwriter while spreading my artistic wings as an indie novelist.

049b3c_78c1c6dbbf90fa29deb6f98a0652164d.jpg_srz_p_202_307_75_22_0.50_1.20_0How do you know you’ve got the final draft?
If I ever feel I’ve gotten there, I’ll let you know!

Thank so much, Joni, for sharing insights that extend beyond fiction-writing. Collaborations present unique challenges, and it’s fascinating to get a peek at how you wend your way through them to a successful final book.

Guest Editor Vonna Carter re: Choosing Online Writing Courses

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Dear Editor…

I’ve been following you for the past few years. I fell off the wagon with my children’s writing and am thinking an online class might get me running again. Can you suggest a good class with regular assignments and instructor feedback. Doesn’t matter where the class is located since I’m thinking in terms of online.

Thanks very much,
Cheryl

Vonna CarterVonna Carter—Middle Grade writer and Keeper-of-the-Lists—rounds up info on editors, art directors and agents attending conferences, retreats and workshops, plus online classes and where to get that elusive MFA in writing for young readers.

Dear Cheryl…

This is a question many people are asking. We are fortunate these days to have abundant options for online classes and workshops, but they are not one-size-fits-all. I maintain a list of them on my website at Online Workshops. Before signing up for a course, analyze your criteria for the class. Here are some points to consider:

Level: Are you new to writing for children? Have you completed manuscripts but need help revising? Are you an experienced writer looking for a master class?

Budget: Are you looking to spend $300 or $3000?

Time: Do you want a two-hour workshop, a four- or six-week course, or an ongoing class? How much time can you spend on homework assignments?

Genre and Age Group: Do you write picture books? MG? Romantic YA? Adult thrillers?

Topic: Do you need an in-depth course on voice, plot, pacing or other focus area?

Interaction: Do you enjoy engaging with other students or do you prefer working alone?

Format: Are you open to video conferencing? Are you comfortable posting on forums or engaging in conference calls? Do you prefer one-on-one emails with your instructor?

References: An important consideration is the class’s reputation. Some wonderful teachers use their websites or newsletters to shine a spotlight on their former students who are now published authors, but not all classes make it this easy to see references. Can you contact writers who have taken this course?

Taking an online class can be a great experience. I hope this checklist helps you find classes that are best for you.

-Vonna Carter

What To Do When Your Story Feels “Rushed”

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Dear Editor…

My readers are pretty unanimous in their love for my characters, but some say the story feels rushed. I don’t know what to do with this feedback. Any advice?

Thanks,
Anon.

Dear Anon….

Consistent positive response to the characters tells me you’ve developed your character arcs well, so the events in the plot are probably well chosen and executed, and your characterization must be strong to engender such loyalty. I suspect your storytelling is heavy on dialogue and action but lacks depth that makes readers feel fully satisfied when they reach “The End.” It’s the difference between a sweet dessert and a rich one—both are yummy, but only the latter has you walking away from the table feeling full. You can enrich your story by doing a world-building revision pass. I don’t mean dropping in a bunch of setting descriptions to slow the reading. Rather, work in setting details with language that conveys an atmosphere, have the characters act upon and react to props unique to the spirit of that place, and include smells and textures that engage readers’ senses. This enriches the reading experience, making it feel full instead of breezy.

Happy writing!
The Editor

Newsflash: FREE CRITIQUE giveaway!

Dear Readers…

Anyone who’s followed DearEditor.com for long knows that the Editor believes the path to final manuscript should be as full of celebration as it is of hard work. Therefore, to celebrate meeting her deadline for the first half of her new craft book, Writing the ‘New Adult’ Novel, the Editor is giving away a FREE CRITIQUE OF THE FIRST 10 PAGES OF YOUR FICTION MANUSCRIPT. Entry deadline: November 7, 2013. Read on for rules….

Use the blue scroll bar on the right to scroll down for complete rules and entry instructions for the giveaway of the FREE CRITIQUE* of the first 10 pages of your fiction manuscript. NOTE: DO NOT SUBMIT ANY MS PAGES. Please only submit the info specified below in the body of your entry:

  1. Your manuscript must be FICTION of ANY GENRE for ANY AGE GROUP (general, sci fi, romance, steam punk . . . you get the idea; no non-fiction like how-to’s or memoirs—as fictional as those may seem; and sorry, no children’s picture books this time). Your manuscript can be for adults, new adults, or young readers (YA or MG).
  2. The FIRST 10 PAGES of your manuscript must be COMPLETE. No word count limit for those pages, but they do have to be 12-pt font, double-spaced, per industry standard. (Do not submit those pages unless notified by the Editor that you have won the giveaway.)
  3. Manuscripts that do not meet these requirements will be disqualified.
  4. Deadline: MIDNIGHT, November 7, 2013, PST.
  5. Winner will be randomly selected using Randomizer.org and announced on November 8, 2013, on DearEditor.com and on the DearEditor.com Facebook and Google+ pages, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Critique Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript, YOUR FULL NAME, and the genre/category (i.e., “fantasy/YA”). DO NOT send your manuscript or any portion of it. (If you have any difficulty with the contact button, send an email entry directly to the-editor@deareditor.com.)

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this giveaway to get additional entries. Send an email to DearEditor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title, genre/category, and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

*In a “critique,” the author receives general feedback about the manuscript sample’s overall pacing, organization, narrative voice, characterization, point of view, setting, delivery of background information, adult sensibility (children’s books only), concept, and the synchronicity of age-appropriate subject matter with target audience. It is not a word-by-word, line-by-line “Line Edit.”

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

Is Teen Too Young to Publish?

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Dear Editor…

I’m a teen and my dream is to be an author. But in the past year it has started to become more of a reality. I have written a rough draft of a novel and have begun revising. But I don’t know whether I should go on. Is it too risky being a teen in this market? Should I wait for my dream when I’m older? Thank you so much! Bye.

Just A Teen

Dear Just A Teen…

Christopher Paolini and Abigail Gibbs prove age is no reason to hit Pause. But you’re wise beyond your years to ponder the path ahead. Be of two minds: 1) Book: Craft, not age, matters. Hire a pro freelance editor to evaluate your ms for craft and market potential and guide you in honing your skills to compete with veteran writers. Or try a local college ‘extension’ class for writing. Get feedback from writing experts. 2) Business: Pubbing a book is the same as opening a business whether you self-pub or sign with a publisher. With your parents’ help, get an agent to protect your rights, manage the money, and devise safe ways to put you and your books ‘out there.’ The Literary Market Place has an agent directory, as do writers’ groups like SCBWI or SFWA. Look into your writing category’s group, read my post Too Young to Be Taken Seriously?, and KEEP WRITING! This may not become your debut novel, but you’ll be a better writer for it.

Happy writing!
The Editor

FREE EDIT Giveaway to Celebrate Annemarie O’Brien’s Debut, Lara’s Gift

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Dear Readers…

I’m thrilled today to host Annemarie O’Brien, DearEditor.com’s first Free Edit giveaway winner ever, whose debut MG novel LARA’S GIFT pubs this week. As far as I’m concerned, there’s only one way to celebrate that: with another FREE EDIT giveaway! Read my interview with Annemarie about her journey from idea to publication, then enter the giveaway for a free substantive edit of your fiction manuscript (novels up to 80,000 words; picture book mss ok). Good luck!

The Editor

Annemarie O’Brien has an MFA in Writing for Children & Young Adults from the Vermont College of Fine Arts. She teaches creative writing courses at UC Berkeley Extension, Stanford Continuing Studies, Pixar, and DreamWorks, as well as edits children’s books for Room to Read which advocates literacy in developing countries. Lara’s Gift is her debut middle grade novel.

LarasGift“Powerful and engrossing!” – Kirkus starred review
In 1914 Russia, Lara is being groomed by her father to be the next kennel steward for the Count’s borzoi dogs unless her mother bears a son. But Lara’s visions, suppressed by her father, suggest she has a special bond with the dogs. [book trailer]

Annemarie, I’m curious about your publication experience as well as the actual writing of Lara’s Gift. How did you connect with your agent?
Author and friend Varian Johnson introduced me to Sarah Davies at the 2009 Los Angeles SCBWI National Conference. He thought she would be a good fit for me and my manuscript, LARA’S GIFT. Sarah and I chatted and it didn’t take long before I was charmed by her lovely British accent. More importantly, I felt in my gut that Sarah was the right agent for me. What I like best about Sarah is that she’s a great communicator and responds to my emails and questions almost immediately! She is equally as strong and comfortable on the editorial side of publishing as she is on the business end. She is consummate professional and cares about all of her writers.

What was it like to get the offer from your editor?
It was a dream come true!

About ten years before I submitted my manuscript to Knopf editor Erin Clarke, my college roommate, Amy Myer, gave me a tour of Random House and showed me a room filled floor to ceiling with Knopf books. As I drooled over all the titles, I said, “I would love to get published by Knopf.” My friend responded with, “Yeah, you and everybody else!” She meant no harm by these words. She was absolutely right, but it didn’t stop me from dreaming.

Years later when I was preparing my Vermont College of Fine Arts critical thesis on the function of prologues, I was most impressed with the prologue in THE BOOK THIEF by Marcus Zusak and contacted his editor, Erin Clarke, for an interview. She was so helpful and quick to respond to my emails that I had a strong feeling she would be great to work with. So when Pacific Coast Children’s Writers Workshop director Nancy Sondel heard I couldn’t participate in her YA master class workshop, I told her I would come if she brought in Erin Clarke. Well, Nancy delivered and that was how I got the opportunity to have Erin read the opening chapter of LARA’S GIFT. She liked it and invited me to submit the full manuscript. It was painful waiting for a response, but when the good news came I was beyond thrilled!
 
You have two borzoi, and your debut novel is about borzoi. What is it about that breed of dog that connects with you?
Annemarie author photoIt was by accident that I discovered borzoi. When I graduated with an MBA in international business and landed a job in Russia, I decided I would get a true Russian dog. I figured there was no dog more Russian than a borzoi so I set out to find one. It wasn’t as easy as I thought it would be but eventually I was gifted a puppy. Her name was Dasha and she was the most amazing dog. She was not only a great companion, but she opened so many doors for me. It’s because of her that LARA’S GIFT exists. That’s the kind of impression she had on me! One so strong a book came out of it!!

Lara’s Gift is set in Imperial Russia. What was involved in researching that time and place?
I spent about ten years of my life living and working in Russia and its neighboring countries so I have a good deal of knowledge about its history, language, and culture. I also have read numerous books on its history and literature.

One book in particular that helped me better understand life on the country estates in Russia breeding borzoi dogs was OBSERVATIONS ON BORZOI by Joseph B. Thomas about his travels in the early 1900s in search of the perfect borzoi in Russia to bring back to the United States. In his book, a wolf hunt was described.

Smith College Russian Professor Alexander Woronzoff-Dashkoff also inspired the story behind LARA’S GIFT from the questions he couldn’t answer when I learned about his connection to the famous Woronzova kennel. It is his family that started the Woronzova kennel that is cited in OBSERVATIONS ON BORZOI as being one of the top three. The other two were Gatchina, owned by Tsar Nicholas, and Perchino, owned by the Grand Duke Nicolai.

I also had numerous readers—including Russian historians, borzoi historians, and writers—read my story to help me strengthen the writing and the accuracy. One such opportunity was with YOU, Deborah, when you offered a free manuscript critique when you launched your blog, DearEditor.com. That was a terrific experience! (Readers, if you’re a writer and have a manuscript you’re looking to improve, I highly recommend Deborah. She’ll see where your story needs help and articulate a good game plan to get you going. I assign her WRITING YOUNG ADULT FICTION FOR DUMMIES to my students at UC Berkeley, Stanford, and Pixar.”)

What was it like to revise with an editor post-contract?
My big fear was that I would have to do a major revision of my story. For good or bad, I was relieved when Erin told me that she didn’t think LARA’S GIFT needed any major revisions. We primarily worked on tightening some scenes by cutting and by expanding others to tap into the emotion of the moment. She also had me change the ending a bit to one that is now much stronger than the original one I submitted to her. I have a tendency to want to protect my characters and Erin saw to it that Lara would struggle more.

I agreed with all of her suggestions and feel they made the story stronger. So I’m very grateful to Erin for her keen eye and respectful manner in asking for changes. She also let me keep the original title, DANCE WITH BORZOI, as well as Lara’s original name (Bohdana) up until the very end. It was really quite clever of her to hold off on these requested changes because it didn’t distract me from the real revision work that was needed on the story.

What’s next for you?
I am working on the companion novel to LARA’S GIFT. The working title is FROM RUSSIA WITH DASHA. It is set primarily in the Gorbachev era in both Northampton, Massachusetts, and Moscow, Russia, and told from two points of view.

Enter to win copies of Lara’s Gift and hear more from Annemarie at these stops on her blog tour:
Fido and Friend, Fiction Notes, Kissing the Earth, Quirk and Quill, Simple Saturday, Coffee with a Canine, Dog Reads, World Reads, Children’s Literature Network, Word Spelunking, Random Acts of Reading, The Hiding Spot, Beth Fish Reads

I’m giving away a FREE Substantive Edit* of one fiction manuscript. I can’t get Rafflecopter to work with my site format yet, so for this contest here are the rules and ways to enter:

  1. Your manuscript can be of ANY FICTION GENRE or FICTION CATEGORY (for adults or children, including picture books).
  2. Your manuscript must be COMPLETE.
  3. Your manuscript SHALL NOT EXCEED 80,000 WORDS.
  4. Manuscripts that do not meet these requirements will be disqualified.
  5. Deadline: MIDNIGHT, August 11, 2013, PST.
  6. Winner will be randomly selected using Randomizer.org and announced on August 12, 2013, on DearEditor.com and on the DearEditor.com Facebook and Google+ pages, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. DO NOT send your manuscript or any portion of it. (If you have any difficulty with the contact button, send an email entry directly to the-editor@deareditor.com.)

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this giveaway to get additional entries. Send an email to DearEditor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

*In a “Substantive Edit,” the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, delivery of background information, adult sensibility (children’s books only), and the synchronicity of age-appropriate subject matter with target audience, as the Editor determines appropriate and necessary after reviewing the entire manuscript. It is not a word-by-word, line-by-line “Line Edit.”

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

News: 1 Call for Submissions & 2 Publisher-Sponsored Contests

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Dear Readers…

Summer seems to be bringing out the editors! In today’s post I share news about two publisher-sponsored contests and a call for submissions for a new imprint. Check out the rest of the post for details on these opportunities.

Heads up: I post news like this and other publishing happenings on the DearEditor.com Facebook page and DearEditor.com Google+ page. If you haven’t already “Liked” the page, consider checking it out. I do my best to keep the news and inspirational items flowing there.

Happy submitting!
The Editor

Picture book contest: LEE & LOW BOOKS announces its 14th annual “New Voices Award” for a children’s picture book manuscript by a writer of color. The winner receives a cash prize of $1000 and a standard publication contract. An Honor Award winner will receive a cash prize of $500. Click here to check out the Lee & Low Books announcement page.

Young Adult & New Adult fiction call for submissions: BLOOMSBURY PUBLISHING is announcing their new digital-only imprint Bloomsbury Spark with a call for YA and NA submissions. Bloomsbury Spark will publish fiction eBooks for teen, YA, and new adult readers. Its list will feature multiple genres: romance, contemporary, dystopian, paranormal, sci-fi, mystery, thriller, and more. The inaugural list launches in Autumn 2013. Click here for Bloomsbury Spark’s submission guidelines and email addresses.

New Adult fiction Pitch Contest: NA ALLEY, a blog for writers of New Adult fiction by writers of New Adult fiction, is hosting a Pitch Contest with Senior Editorial Director Karen Grove and Assistant Editor Nicole Steinhaus from Embrace, the New Adult line from Entangled Publishing. Entangled is interested in “submissions of any genre with main characters aged 18 to 24. ‘We’re looking for strong voices, characters who jump off the page, and unusual twists to stories. Fresh. Exciting. Bold.’” The contest starts June 5 at 1pm PST and closes June 12 at 11:59pm PST. To enter, you will be required to submit via comment at the NA Alley blog. Your manuscript must be complete and polished, and it must fall into the New Adult category. Check out the NA Alley Pitch Contest announcement post for details about what to include in the comment.

Good luck!

Revision Week: Peter Economy

Dear Readers…

We end Revision Week with a master of nonfiction and ghostwriting, Peter Economy. Peter is the bestselling author and ghostwriter of more than 6o books. He’s collaborated with thought leaders in a variety of different industries and organizations – from Fortune 100 businesses to universities to non-profits with national reach. The Editor is thrilled to wrap up this great week with Peter’s sage advise.

Today also brings us to the grand finale giveaway: the Free Full Manuscript Edit Giveaway. Read the full post for details for entering the giveaway.

peter_economyPeter Economy’s 60+ books include Managing For Dummies, The SAIC Solution: How We Built an $8 Billion Employee-Owned Technology Company, and Giving Back: Connecting You, Business, and Community. Peter has also served as Associate Editor for the New York City-based Leader to Leader magazine since 2001, recently served as a lecturer at San Diego State University (teaching MGT 453: Creativity and Innovation), is a member of the National Advisory Council of The Art of Science Learning, and is a founding member of the board of SPORTS for Exceptional Athletes.

*After Peter’s interview are instructions for entering today’s Free Full Manuscript Edit Giveaway.

How does revision work within a collaboration?
WCBFD EconomyWhen collaborating with someone else (most of my books are collaborations), I usually revise their work, and they revise mine. In the case of Writing Children’s Books For Dummies, for example, my coauthor/collaborator Lisa Rojany Buccieri and I split the chapters we were each responsible for—she prepared initial drafts of some chapters and I prepared initial drafts of others. We then traded chapters and edited each other’s work.

How does working with a new collaborator for a new project and each new audience affect your approach to shaping the book?
Every collaborator has his or her own approach and style, so it takes a little bit of time at the beginning of a new project to mesh that with my own approach and style. Most of the time it all works out and the collaboration goes smoothly. In some rare cases it doesn’t, and if we can’t get on the same page we part ways.

Which draft typically gets shown to your editor? How much revising happens after the editor sees that draft?
Giving BackI only send final drafts to my editors—my very best work. Sometimes the editors do very little revising after I submit this final draft, and sometimes they do a lot—it depends on the project and the editor’s own approach. But I would never send an editor anything less than my very best.

How does revision work in ghostwriting? How do you strike a balance between your judgment as a writer and the preferences of the person you’re writing for?
The balance is that I am the writing expert and my client is the content expert. Sometimes I need to strongly express my opinions and provide my advice about making revisions, based on my many years of experience as a professional writer. This (in addition to the actual writing) is what my clients pay me for. Regardless, it is extremely important that I capture my client’s voice and that he or she is comfortable with the style and happy with the book that results. If I haven’t accomplished that, then I have failed.

What’s the most drastic thing you’ve done to a project while revising?
saicIn a few cases I have had to throw out an entire table of contents—the approach that a collaborator and I were going to take to write the book—and start over from scratch. Fortunately we did this before we wrote the manuscript and not after.

How do you know you’ve got the final draft?
When the deadline arrives and I know the manuscript is good enough. Absolute perfection is not necessary, but it better be damn close.

TODAY’S GRAND PRIZE GIVEAWAY:

The Editor is giving away a FREE FULL MANUSCRIPT EDIT of your manuscript. The edit will be a “Substantive Edit,” in which the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, delivery of background information, adult sensibility (children’s books only), and the synchronicity of age-appropriate subject matter with target audience, as The Editor determines appropriate and necessary after reviewing the entire manuscript. It is not a word-by-word, line-by-line “Line Edit.” Note that the manuscript can be fiction, nonfiction, or picture books.

Here are the rules:

  1. Your manuscript can be of ANY GENRE or CATEGORY (for adults or children, fiction or nonfiction), including picture books.
  2. Your manuscript must be COMPLETE and SHALL NOT EXCEED 90,000 WORDS. In the case of a picture book entry, the manuscript cannot exceed 7 double-spaced, 12-pt font pages.
  3. Deadline: MIDNIGHT tonight, March 30, 2013, PST.
  4. Winner will be randomly selected using Randomizer.org and announced on March 31, 2013, in the DearEditor.com comments section and on the DearEditor.com Facebook page, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Full MS Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript, YOUR FULL NAME, and the CATEGORY/GENRE of your project. DO NOT send your manuscript or any portion of it. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.) *If you do not want your title announced, please use an alternate working title.*

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this Revision Week giveaway to get additional entries today. Send an email to DearEditor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title, full name, and the category/genre in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

Revision Week: Bruce Hale

Dear Readers…

Day 3 of Revision Week brings us the prolifically funny Bruce Hale, whose three chapter book series keep kids (and The Editor) laughing. When The Editor interviewed him for Revision Week, Bruce was in the thick of revising his second book in the SCHOOL FOR S.P.I.E.S. series: Thicker Than Water. “Revision is in the air!” he declared.

Please join Bruce and The Editor as they explore revising series, and find out how to win today’s “Free Partial Edit” from The Editor.

BHbySonyaBruce Hale is the Edgar Award-nominated author-illustrator of nearly 30 funny books for young readers, including the popular Chet Gecko Mysteries, the Underwhere series, and the picture book Snoring Beauty, one of Oprah’s Recommended Reads for Kids. You can find Bruce online at www.brucehale.com or sign up for his fun and insightful e-newsletter of writing tips at www.brucehalewritingtips.com.

*After Bruce’s interview are instructions for entering today’s Free Partial Edit Giveaway.

How many drafts does it typically take before you feel confident about character and story choices you made for a new story concept?
School for SpiesFor me, coming up with the first book in a new series is typically a revision-intensive process. I’ve sometimes done as many as five or six drafts before the voice and characters really start to gel. In my newest series, SCHOOL FOR S.P.I.E.S., for example, I did five drafts before I even felt comfortable showing it to author friends and agent for feedback.

When you’re writing a series, you know your characters well. How many drafts are needed once you get a series established? What kinds of things are you refining at that level?
Once the series is established, things get much easier. I know the characters and I know the voice, so these books take a lot less revision — typically only three or four drafts before I deliver the manuscript (depending on the complexity of the book). At this stage of a series, my revisions focus on different matters: making sure the characters and voice are consistent from book to book; ensuring plenty of variety in the jokes, plot twists, and so forth; and finding ways to keep things familiar but fresh.

How early does your editor come into each new book?
Chameleon Wore ChartreuseThis varies pretty widely, depending on the book, series, and editor. With CHET GECKO, I would sometimes toss around plot ideas with my editor before I even started the book. With most other series, however, my editor doesn’t come into the process until I have a draft I’m pretty satisfied with — usually #3 or 4.

The Underwhere series is your second series. Did the first manuscript fall into place quickly, or did it take a few rounds to settle into the new characters and voices?
prince_of_underwhereThe UNDERWHERE series was tricky to write, the first book requiring about a year of revision. My first challenge was keeping the series’ voice distinct from my CHET GECKO books. Then I had to create characters that were different enough from the ones I’d been writing in my previous series. And finally, I had to learn how to write the comic-book chapters of the story, which required an approach much closer to screenwriting than novel writing. LOTS of revision was involved in that first book, PRINCE OF UNDERWHERE.

Do you use critique partners?
Although I was part of a critique group years ago, I haven’t been for quite some time. However, I do have writer friends who are kind enough to read and comment on story drafts on an ad-hoc basis, and I do the same for them.

Do you share your manuscripts with kids to test them out?
My first SCHOOL FOR S.P.I.E.S. book was the first time I’d done that. I gave it to a friend’s daughter who was just slightly older than my target readers, and she gave me some great feedback.

What’s the most drastic thing you’ve done to a story while revising?
I’ve changed the voice from omniscient to first-person, and finally settled on third-person POV. That was pretty drastic, and required TONS of extra revision. But it was worth it, for finding the POV that best suited that story.

How do you know you’ve got the final draft?
When I can’t find anything else to tinker with, and I have that general feeling that if I mess with it much more, the entire souffle will collapse in a soggy heap — that’s when I know it’s the final draft.

TODAY’S GIVEAWAY:

The Editor is giving away another FREE PARTIAL EDIT of your manuscript. Note that the winner of today’s giveaway IS eligible for Saturday’s grand prize Full Manuscript Edit Giveaway. Here are the rules, with a bonus entry available to DearEditor.com subscribers:

  1. Your manuscript can be of ANY GENRE or CATEGORY (for adults or children, fiction or non-fiction), including picture books.
  2. The partial edit will cover the FIRST CHAPTER of your manuscript. In the case of a picture book entry, the edit will cover the entire manuscript—but the manuscript cannot exceed 7 double-spaced, 12-pt font pages.
  3. Deadline: MIDNIGHT tonight, March 27, 2013, PST.
  4. Winner will be randomly selected using Randomizer.org and announced on March 28, 2013, in the DearEditor.com comments section and on the DearEditor.com Facebook page, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Partial Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. DO NOT send your manuscript or any portion of it. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.) *If you do not want your title announced, please use an alternate working title.*

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

NEWSFLASH: “Free Full Picture Book Edit” Giveaway

Dear Readers…

The Editor believes writers should celebrate every milestone—and she’s got a milestone to celebrate with you. Her first picture book, Letters to Santa, has just published and she’s feting it by giving away a FREE edit of a picture book manuscript up to 2,000 words. Deadline: December 4, 2012. Read the full post for rules….

Dear Readers…

To celebrate the release of the Editor’s picture book Letters to Santa, marking the 100th anniversary of the USPS’s Letters to Santa program, the Editor is giving away a free edit* of one picture book manuscript. Scroll down using the blue sidebar on the right for all the rules:

1. Your manuscript must be a PICTURE BOOK MANUSCRIPT (target audience ages 3 to 8), text only.

2. Your manuscript must be COMPLETE.

3. Your manuscript SHALL NOT EXCEED 2,000 WORDS.

4. Manuscripts that do not meet these requirements will be disqualified.

5. Deadline: MIDNIGHT, December 4, 2012, PST.

6. Winner will be randomly selected using Randomizer.org and announced on December 5, 2012, on DearEditor.com and on the DearEditor.com Facebook and Google+ pages, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Picture Book Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. DO NOT send your manuscript or any portion of it. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.) *If you do not want your title announced, please use an alternate working title.*

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this giveaway to get additional entries. Send an email to DearEditor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

*The edit may be a line-by-line “Line Edit” or a “Substantive Edit” in which the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, age appropriateness, and delivery of background information, as the Editor determines appropriate and necessary after reviewing the entire manuscript.

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Happy writing!

The Editor

News

Check here for the latest news about DearEditor.com…

Feb 10, 2024: SCBWI-Los Angeles Writer’s Day March 9

On March 9, The Editor, Deborah Halverson, will present “The Ultimate Checklist for Submitting Your Novel to Editors” at the SCBWI Los Angeles chapter’s Writers Day, to be held the Skirball Cultural Center in L.A. There will be opportunities to pitch your book to one of five children’s lit agents, a manuscript contest, networking and socializing with other writers, and  more sessions and keynotes. About “The Ultimate Checklist for Submitting Your Novel to Editors“: Too often, YA/MG manuscripts are submitted to editors before the manuscripts are truly ready. Since you only get one chance with a particular editor, you can’t risk sending out a manuscript that’s not the best it can be. How can you know when your manuscript is really ready? Learn ten actionable tests for knowing when a novel is really, truly ready to submit . . . along with ways to whip the manuscript into shape if it fails a single one of them. For more info, visit Writers Day 2024: Bud to Blossom – How to Grow Stories and Nurture Creative Inspiration

Feb 9, 2024: The Editor at Big Sur Children’s Writers Workshop

The Editor, Deborah Halverson, is honored to be on the faculty of this year’s Big Sur Children’s Writers Workshop. Hosted by Andrea Brown Literary Agency, this three-day workshop “brings top tier professionals together with both beginner and seasoned writers.” Writers mingle and discuss their works with editors, agents, and published authors and attend small group sessions where one-on-one feedback is provided. Learn more at Big Sur Children’s Writers Workshop.

Oct 14, 2023: Publishers Weekly Reports on The Editor’s “State of the Children’s Publishing Market” Digital Event

This week, Publishers Weekly, the trade magazine for the publishing industry, gave rich coverage to The Editor’s digital event for SCBWI, “The State of the Children’s Publishing Market.” Its article, entitled “SCBWI Scopes Out Book Trends,” has been called a “must-read” across social media.

Sept 25, 2023: Watch the Editor’s State of the Children’s Book Industry & Market Report

On September 28, the Editor will be presenting a Digital Special Event for Premium members of SCBWI, the Society of Children’s Book Writers and Illustrators. In this state-of-the-market and acquisition trends presentation, titled “State of the Children’s Publishing Market,” the Editor will cover what’s selling and what’s being acquired, what’s being wished for and what’s showing signs of potential upswing, and factors influencing our industry’s health and sales, including AI, book banning, social media and book discovery, diversity efforts, the sale of Simon & Schuster, imprint launches and closures, and more. With a rich understanding of their unique corner of publishing, children’s book creators can strongly position the projects they’re working on—the ones that reflect them as individual storytellers. Learn more at SCBWI.org.

May 1, 2023: Join The Editor for May 13th On-Line Picture Book Workshop

Join The Editor on May 13, 2023, for a virtual three-hour workshop “Kit and Caboodle: Crafting Irresistible Picture Books From Idea to Query,” hosted by the writing group Children’s Book Writers of Los Angeles. Learn the features of irresistible picture books and strong query letters and elevator pitches. Attendees will put pen-to-paper during the workshop, applying the learned techniques to their work-in-progress picture book manuscript(s) or to brainstorm a new project, and crafting a pitch and query letter. Current WIPs NOT required for attendance. For details and sign-up, visit the event page.

April 29, 2023: The Editor on SCBWI Podcast

The Editor enjoyed a great conversation with SCBWI Podcast host Theo Baker in the episode “From Slush Pile to Stand Out Manuscript with Deborah Halverson.” They got into the nitty-gritty of her editorial approach, the challenges and joys of writing, and her journey in publishing. Listen on your favorite podcast app, including these (click to listen): Spotify, Apple Podcasts, Amazon Podcasts.

September 14, 2022: The Editor Is Featured in Writers’ Forum Magazine

The Editor is honored to be invited to present to the Redwood Writers chapter meeting on September 17, 2022. The online event, “You’ve Written a Book, What’s Next?”, will be an hour-long webinar for beginners as well as advanced writers — published and pre-published — looking to perfect their submission package and strategy. The Redwood Writers is the largest branch of the California Writers Club.

August, 2022: The Editor Is Featured in Writers’ Forum Magazine

The Editor was honored to be Writers’ Forum magazine’s “Where I Write” feature this month. The feature focused on her writing (and editing!) visits to the San Diego Public Library’s public reading room, which is a gorgeous space. Her default writing spaces are the lake and fields by her home, but at least two days each week she picks a beautiful San Diego location like Balboa Park or the beach at the famous Hotel Del Coronado. She  chooses her locations sometimes by mood, but usually with some thematic link to what she’s writing or editing that day, then she shares photos on her social media to share the inspiration of the space. “Just give me a travel mug of hot cocoa, a beautiful space, and an engrossing project to write or edit and I’m happy.”

August 14, 2022: The Editor Talks Trends in Children’s Books with SCBWI Nebraska

The Editor spent an afternoon at a virtual meeting of SCBWI Nebraska. She talked about how the various categories of children’s books are performing, how some audience and market expectations are changing while others remain constant, and what trends seem to be playing out in the market and in acquisitions and in reader reception. Always wonderful to talk books with book folk.

June 2, 2022: The Editor Interviewed in “How Writers Write” Podcast

“How Writers Write” podcast host Host Brian Murphy and The Editor (aka Deborah Halverson) discuss what makes fiction “Young Adult Fiction,”  writing practice and process, and what it’s like to think like an editor. It’s a fabulous discussion — they dig deep into it! To listen to the podcast: Apple: https://apple.co/3m9kAhZ; Spotify: https://spoti.fi/3m8rpQR1.

December 6, 2021: The Editor Auctioning Picture Book Edit & Call for #WeNeedDiverseBooks Holiday Auction

The Editor is honored to be contributing to the #WeNeedDiverseBooks Campaign by offering a picture book edit and phone call with me in their Holiday Auction. Visit https://bit.ly/3HZPItU to bid on this and check out all the other offerings. The Holiday Auction ends 10pm Eastern 12/6/21.

October 1, 2021: Spend the Weekend with The Editor and SCBWI-SoCal Los Angeles for Writer’s Retreat 2021

Join The Editor, 2 agents, and 2 editors for a 2-day Virtual Writer’s Retreat for creatures of chapter books and middle grade/young adult fiction October 9-10, 2021. Between critique sessions with agents and editors, Deborah will do Craft Workshops on four story elements — character, plot, setting, and voice… plus revision techniques! bit.ly/3lz4Q7i

September 1, 2021: The Editor To Share How to Find the Right Editor for Your Book

Join The Editor on Sept 11, 2021, for an inspiring and informative market report and learn about new imprints and what they are requiring. She will also share her tips on researching editors to find the perfect fit for your book. Register at www.sandiego.scbwi.org.

August 22, 2021: The Editor Featured in Publishers Weekly!

Publishers Weekly covered The Editor in their article “2021 SCBWI Conference: Significant Market Transformation Due to COVID-19.” The article provides a peek into Deborah’s Market Report for the Society of Children’s Books Writers & Illustrators summer conference. http://pwne.ws/3lwpczD.

September 1, 2021: The Editor to Share How to Find the Right Editor for Your Book

Join The Editor on Sept 11, 2021, for an inspiring and informative market report and learn about new imprints and what they are requiring. She will also share her tips on researching editors to find the perfect fit for your book. Register at www.sandiego.scbwi.org.

August, 2021: The Editor at UCLA’s Writers Symposium

The Editor joined 11 amazing YA authors at UCLA’s writing symposium “The Young and the Reckless: Writing for Teens. She was in the a panel with award-winning, best-selling YA novelists Aiden Thomas and Adam Sass. “Put characters in unexpected settings to provoke surprising dialogue, unpredictable action, and stress.”-Deborah Halverson https://www.uclaextension.edu/ya-symposium

April 31, 2021: The Editor Teaches Submissions Strategies Twice in April

The Editor taught children’s book wrters and illustrators the ins and outs of submitting their manuscripts to agents and publishers twice this month. First for Children’s Books Writers of Los Angeles (CBW-LA), and then for SCBWI’s South and Central Ohio chapter. The session was called “SUBMISSION STUDIO: Writing Queries, Strategizing Submissions, and Ten Ways to Translate “No” to “Yes!”

January 15, 2021: The Editor’s Predictions for the 2021 Children’s Lit Market are Published in SCBWI INSIGHT

The Editor shared some predictions for children’s literature market in the January edition of SCBWI INSIGHT, a monthly enewsletter for members of the Society of Children’s Books Writers and Illustrators. INSIGHT features current children’s book hot topics, helpful hints, exclusive interviews and monthly contests. When talking about likelihoods for 2021, emerging trend-lines are intriguing to extend forward. The Editor appreciated the challenge and opportunity to do so. For an excerpt of the members-only article “What Will the Children’s Literature Market Look Like in 2021?: A Crystal Ball Prediction,” click here.

November 24, 2020: The Editor Edits a Book Benefitting Victims of Domestic Violence & Abuse

The Editor was honored to edit the Purple Projects picture book PENNY’S ADVENTURES IN SAN DIEGO. Sales benefit victims of domestic violence and abuse. For this book, thirteen San Diego County mayors and a deputy mayor each penned a chapter of a story about a kind-hearted purple butterfly named Penny visiting their respective cities and doing a good deed. Per the San Diego Union-Tribune,  “Deborah Halverson, an editor and publishing consultant, wrote chapter transitions and edited the book at no cost, while Danielle Ramirez created colorful illustrations…. The 85-page illustrated book, “Penny’s Adventure in San Diego,” is now available for pre-order for $25 and due for release in early December.”

October, 2020: The Editor Offering New Class for KidLit Writers

The Editor is honored to be offering a new class for Children’s Book Insider: “10 Things That Get Kidlit Manuscripts Rejected – and How to Avoid Them.” It will be 90 minutes of deep-digging writing tools for writers of picture books, chapter books, middle grade and young adult — fiction and nonfiction. The class will be live online Tuesday, Oct 13, 2020, with lifetime on-demand rewatching. Jump on over to the class page for the full details and sign-up. Children’s Book Insider is a place to take classes on all aspects of writing and publishing books for young readers.

May 29, 2020: The Editor to Offer a Digital Workshop for SCBWI (Free & Exclusive to SCBWI Members)

The Editor will present the fifth workshop in the Society of Children’s Books Writers & Illustrators‘s second Digital Workshops series. The series is for current SCBWI members, and is free — an offering for members during this unusual summer of lockdown and creative challenge. The Editor’s workshop will be “Submissions Studio: Writing Queries, Strategizing Submissions, and 10 Ways to Translate ‘No’ to ‘Yes!’” It’s for writers of all children’s book categories — beginners as well as advanced writers — looking to perfect their submission package and strategy. The workshop will include a master handout, sample query letters, and a quick-reference sheet for translating editorial feedback. Workshop date:  Thursday, July 2 , 2020, 1:00pm-2:00pm, Pacific Daylight Time. Registration opens Monday, June 29 , 2020, 10am PDT.

March 2, 2020: The Editor’s Article about E-Book Lending in SCBWI’s “Insight”

The Editor’s article “The E-Book Lending Battle Between Libraries and Macmillan, and What It Means to Authors” has been published in the March 2020 issue of  INSIGHT, the Society of Children’s Books Writers & Illustrator‘s monthly enewsletter featuring current children’s book hot topics, helpful hints, exclusive interviews and monthly contests.

Feb 7, 2020: The Editor’s Children’s Book Publishing Overview Article in SCBWI’s “The Bulletin”

The Editor’s article “2019: A Year in Review” has been published in SCBWI’s Winter 2020 edition of THE BULLETIN, a biannual publication provided to members of the Society of Children’s Books Writers & Illustrators. The article is a children’s publishing industry overview, examining events and trends of 2019.

Jan 6, 2020:  The Editor to Ring in the New Decade with a Submissions Webinar

The Editor is excited to be asked by SCBWI – Texas: Austin to ring in the new year with a  submissions webinar. WRITING QUERIES, STRATEGIZING SUBMISSIONS, & INTERPRETING EDITORIAL FEEDBACK is for writers of all children’s book categories, and beginners as well as advanced writers looking to perfect their submission package and strategy. Deborah will do some critiques as part of the webinar: query letters, 1st 10 pages of a YA/MG novel, or a submission package of a query letter, synopsis, and 1st 10 pages.  The webinar will be January 14, 2020, 7-8:30pm CT (5-6:30pmPT, 8-9:30pmET). Details and registration at bit.ly/2N5pXNV. 

Oct 29, 2019:  The Editor to Present a YA/MG  Technique-Focused Webinar
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oin The Editor for a technique-focused, hour-long Webinar designed to make YA/MG writers stronger self-editors and novelists on Nov 14, 2019.  THE ULTIMATE CHECKLIST FOR SUBMITTING YOUR MG/YA TO EDITORS: 10 Tests Your Manuscript Must Pass to Prove It’s Ready to Submit. “How can you know when your Middle Grade/Young Adult manuscript is ready to submit to agents or editors? You think it is, but how can you know for sure? Learn ten actionable tests for knowing when a novel is really, truly ready to submit . . . along with ways to whip the manuscript into shape if it fails a single one of them.” Hosted by SCBWI-Texas: Southwest.  Details and registration at  http://bit.ly/2pnztn1 

Sept 3, 2019: Interview with the Editor and Giveaway
The fabulous resource website for teen writers TipsForTeenAuthors.com is GIVING AWAY a signed copy of The Editor’s writing craft book WRITING YOUNG ADULT FICTION FOR DUMMIES to go with her in-depth interview about freelance editing as a career. You can read the interview and enter the giveaway at bit.ly/2lxDbrV.

June 15, 2019: The Editor to Teach YA/MG Webinar July 16, 2019
On July 16, 2019, 7-8:30pm CT (5-6:30pm PT / 8-9:30pm ET), Deborah will present the webinar Subtext & Subplots: How to Deepen and Energize Your YA/MG Fiction.” She’ll teach techniques for using subtext and subplots to build rich, satisfying stories and fix common storytelling “problems.” She’ll also be critiquing for those who choose that additional item for the event. It will bosted by SCBWI-Texas: Austin. Details & registration at bit.ly/2ZgH2bs.

June 10, 2019: The Editor Teaches YA all day at SCBWI-Florida’s Orlando Mid-Year Workshop June 7-8, 2019
The Editor was honored to be in Orlando presenting a full-day YA workshop with editor Hannah Milton of Little, Brown Books for Young Readers and author/agent Eric Smith of P. S. Literary. The workshop had additional tracks for middle grade fiction, picture books, and illustration, plus full-day intensives and one-on-one critiques.

April 1, 2019: The Editor to Critique and Consult at SCBWI-Nebraska’s Writing Retreat Sept 27-29 2019
The Editor will be meeting with attendees and critiquing manuscripts for this wonderful weekend of writing and industry talk in beautiful Mahoney State Park. Cabins, a stunning park, and book talk–SCBWI’s Nebraska chapter is putting on an inspiring, supportive event for writers of picture books and middle grade/young adult fiction.

March 2, 2019: The Editor Celebrates Read Across America Day with 4th Graders
2019’s Read Across America Day was a blast for kids and their readers across the country. The Editor
read to two 4th-grade classes at a local elementary school as part of that school’s celebration. In fact, she was doubly honored: Not only was she asked to read to them that special day, the kids asked her to read one of her works-in-progress. Huzzah!

February 20, 2019: The Editor to Be a Guest Reader for NEA’s Read Across America Day 2019
On Saturday, March 2, 2019, schools, libraries, and communities across America will celebrate literacy with the National Education Association’s Read Across America Day. The Editor will be an honored Guest Reader at an elementary school in San Diego the Friday before.

October 18, 2018: The Editor Guest Posts a Character Development Tip at Cynsations Blog
The Editor is honored to be a Guest Blogger on the amazing Cynsations blog today, with her post “Deborah Halverson on Viewing Narrative Beats as ‘Revelatory’ Beats in MG/YA Fiction.” A snippet: “Perhaps we writers drop in those generic actions because we’re so focused on getting the first scenes in place; perhaps we’re just not seeing those beats for the opportunities they are. ‘Oh, what treasure troves those little actions can be!'”

October 14, 2018: New Look for DearEditor.com
The Editor and her website designer have been hard at work all summer, and today they unveil the fruits of labor: a fresh new look for DearEditor.com. To celebrate, The Editor is giving away a free edit of a picture book manuscript and a free partial edit of a novel manuscript via Rafflecopter — the giveaway entry deadline is October 22, 2018. 

September 8, 2018: The Editor Spoke at SCBWI-San Diego about the State of the Children’s Book Industry
In an hour-long up-to-the-minute report, The Editor shared insights and information about the state of the children’s book industry with the members and guests of the San Diego chapter of the Society of Children’s Books Writers and Illustrators. 

April 3, 2018: The Editor on Faculty at SCBWI Southern Breeze WIK ’18
The Editor will present two sessions at the Society of Children’s Books Writers & Illustrators‘ Annual Summer Conference in L.A. August 3-6, 2018:

  • “Up-to-the-Minute Market Report: Industry Updates, Submissions, and New Imprints”
  • “Subplots & Subtext: How to Deepen and Energize Your MG/YA Fiction”

She’ll also critique manuscripts one-on-one. Conference registration opens April 17th @10am PT. Manuscript Consults are limited so if you’re interested, register asap on the 17th.

March 12, 2018: The Editor on Faculty at SCBWI Southern Breeze WIK ’18
The Editor was honored be a part of the faculty at SCBWI-Southern Breeze’s 2018 writing-and-illustrating for kids (WIK) conference, presenting sessions on non-rhyming picture books, revising young-adult and middle-grade novels for submission, and the state of the children’s book industry. The Southern Breeze chapter of the Society of Children’s Book Writers and Illustrators offers support to writers and illustrators in Alabama, Georgia, and the Florida panhandle. It’s an amazing group of creative and supportive people, attendees and conference organizers alike. If you live in that area and write/illustrate for young people, do yourself a solid and check out the group.  

September 23, 2017: The Editor Interview in New MG/YA Online Writing Course at Children’s Book Insider
The Editor is proud to contribute an interview called “Writing for Tweens, Teens and New Adults” to Children’s Book Insider’s Blueprint series, for their new Middle Grade/Young Adult Writing Blueprint. CBI always presents great content. Other fabulous interviews are a part of the new Blueprint — editor Mary Kole and author Matthew J. Kirby. Author Alice Kuipers is the instructor. You can check it out at writing blueprints.com

March 22, 2017: The Editor in Faculty at SCBWI 46th Annual Summer Conference July 7-10, 2017
The Editor is excited to present the annual Market Survey as well as a 3-hr writing intensive “How to Talk Like a Teen When You’re So Not One: Writing Dialogue in YA/MG Fiction” at SCBWI’s 46th Annual Summer Conference in LA. She will also be doing one-on-one critiques throughout the conference.

Expand your skills regarding Craft, Storytelling, Character, Genre Studies, Getting an Agent, Getting Published and Revision. The Editor’s sessions: “Crafting a Youthful Narrative Voice and Authentic Dialogue for Young Adult Fiction,” “Writing Riveting New Adult Fiction”, and “Panel: Connecting With Middle-Grade and Young Adult Readers.”

Sept 28, 2016: Join The Editor at Writer’s Digest Novel Writing Conf Oct 28-30, 2016
Please join The Editor at Writer’s Digest Novel Writing Conference October 28-30 in LA. Expand your skills regarding Craft, Storytelling, Character, Genre Studies, Getting an Agent, Getting Published and Revision. The Editor’s sessions: “Crafting a Youthful Narrative Voice and Authentic Dialogue for Young Adult Fiction,” “Writing Riveting New Adult Fiction”, and “Panel: Connecting With Middle-Grade and Young Adult Readers.”

June 8, 2016: The Editor on YA Author Panel June 11 at Barnes & Noble in Santee, CA
The Editor will be a part of a YA author panel at Santee, California, Barnes & Nobel Saturday, June 11, at 2pm. The panel is “Writing a Book Is Like Riding a Roller Coaster!” Fellow panelists—fabulous YA writers—and The Editor will share stories of our writing ups and downs, and answer questions about writing and publishing: Debra Driza (MILO 2.0 series), Barrie Summy (I SO DON’T DO series and THE DISAPPEARANCE OF EMILY H.), Karri Thompson (MIRROR X, ASCENDENCY), and Matthew Ward (THE FANTASTIC FAMILY WHIPPLE, THE WAR OF THE WORLD RECORDS). Come join them!

May 30, 2016: The Editor Contributes “Believable Dialogue” Chapter to New Writer’s Digest Book 
The Editor is proud to have contributed Chapter 10 “Believable Dialogue” to Writer’s Digest’s new book CRAFTING DYNAMIC DIALOGUE, a comprehensive guide to writing compelling, authentic dialogue in fiction. The craft book is filled with advice and instruction from best-selling authors and instructors like Deborah Halverson (The Editor), Nancy Kress, Elizabeth Sims, Steven James, James Scott Bell, Donald Maass, Cheryl St. John, and many others. Covered in the book: bend the rules to create a specific effect; understand the role of dialogue in reader engagement; use dialect and jargon effectively; give every character a believable, unique voice; set the pace and tone; reveal specific character background details; generate tension and suspense; and utilize internal dialogue.

May 3, 2016: Join the Editor at SCBWI 2016 Summer Conference
Join The Editor at the SCBWI 2016 Summer Conference in Los Angeles July 29-31 (optional craft intensive a on Aug 1). She’ll be presenting the breakout “Crafting Swoon-Worthy Young Adult Romantic Relationships”, the “An Up-to-the-Minute Market Report” on the main stage, and the craft intensive “Crafting Plots that Push, Pull, and Provoke Characters… and Readers, Too.” She will also do 1-on-1 critiques.

August 26, 2015: Rave Review of WRITING YOUNG ADULT FICTION FOR DUMMIES on SCBWI Blog
Author/blogger Lee Wind is well known for caring deeply about writers, so his recommendation of WRITING YOUNG ADULT FICTION FOR DUMMIES on the SCBWI blog makes The Editor especially proud: “Deborah Halverson (who I’m always so impressed with) has put together a really useful guide… Her book is packed with good stuff.”

August 10, 2015: The Editor’s WRITING NEW ADULT FICTION wins San Diego Book Award
The Editor’s book WRITING NEW ADULT FICTION won the San Diego Book Award for 2014 Best Published Business Book. To celebrate, she is giving away a Free Full Manuscript Edit on DearEditor.com August 10, 2015 – August 14, 2015, with the winner to be announced on DearEditor.com August 15, 2015. Click over to the DearEditor.com announcement post for entry details.

April 3, 2015: The Editor to Present Market Report at SCBWI Annual Conference
The Editor will be at the 44th Annual SCBWI Summer Conference in Los Angeles July 31- August 2.  She’ll be presenting the “Up to the Minute Market Report,” the breakout sessions “Techniques in New Adult Fiction for YA Writers” and “The Ultimate Checklist for Submitting Your MG/YA Novel to Editors,” the 3-hr intensive “Voice in MG/YA: How To Create an Authentic Teen Narrator,” and critiques. Registration opens April 9. For more info: http://www.scbwi.org/2015-summer-conference-in-los-angeles/

April 1, 2015: The Editor to Talk NA Fiction with Librarians
The Editor is looking forward to talking about New Adult fiction and its distinct traits and marketplace at the Mid America Library Alliance’s Workshop on New Adult Fiction on April 28. Librarians looking to be as informed as possible for the sake of their patrons. Love it!

Feb 12, 2015: The Editor Interviewed on Adventures in YA Publishing Blog
The Editor is honored to be featured on the fabulous blog Adventures in YA Publishing this week. The blog covers Young Adult Fiction in general, gives away YA books (several giveaways going on this week!), features advice from YA authors, and shares writing tips, and publishing information. Here’s an excerpt from the interview: “With the current enthusiasm for contemporary realistic stories, I see too many manuscripts that showcase above-average writing but fail to deliver a fresh angle on the contemporary teen experience. What makes your story about a regular kid in high school stand out from all those other well written stories about regular kids in high schools? I want to see more great writers find their distinct angles so that they can find publishers and places on bookstore shelves.

Jan 15, 2015: The Editor to Lead Simi Valley Writing Retreat January 16-18
The Editor is leading a fun and informative three-day intensive for SCBWI Cen-Cal Writers’ Retreat: An Editor’s Strategies for Reaching Fabulous Final Drafts. This intensive will consist of lectures, hands-on exercises, informal discussions, and the option of a small group critique session. For an additional fee, you can register for a manuscript critique and private consultation with The Editor.

Oct 8, 2014: Blog Tour and Tourwide Free Full Manuscript Edit Giveaway
The blog tour celebrating the publication of Writing New Adult Fiction is under way! From October 6 – 31, bloggers will be posting reviews of the book, interviews with The Editor, and guest blog posts written by The Editor covering craft, promotion, and the business of publishing New Adult fiction. All of the posts have giveaways, and there’s a tourwide giveaway of a free full manuscript edit. Here’s the link for the tour schedule, updated with excerpts and direct links as each post goes live: https://www.deareditor.com/?p=6644 And here’s the link for the free manuscript edit giveaway’s Rafflecopter entry form: http://www.rafflecopter.com/rafl/display/5440a354204/.

Oct 3, 2014: Be a Writing New Adult Fiction Blog Tour Host
The Editor is honored to be featured at literary agent Jill Corcoran’s blog, discussing what makes NA different from YA fiction: ““What’s the difference between ‘new’ adult and ‘young’ adult? My answer usually starts with a single word: sensibility.” Plus, Jill is running a contest for the feature, the winner of a signed copy of WRITING NEW ADULT FICTION being chosen by October 15, 2014.

Sept 17, 2014: Be a Writing New Adult Fiction Blog Tour Host
Want to be a host on The Editor’s WRITING NEW ADULT FICTION blog tour, featuring reviews, author interviews, spotlights, guest posts, and giveaways? The tour runs Oct 6-31. Sign up: http://bit.ly/1v19GIK

Sept 15, 2014: Interview with The Editor and Signed Book Giveaway on KC Maguire’s Blog
Stop by KC Maguire’s blog for an interview with The Editor and to enter the giveaway for a free signed copy of The Editor’s new book WRITING NEW ADULT FICTION. From the interview: “NA has become established and is pushing for a greater range of stories and thematic exploration, there seems to be a call for fiction that doesn’t necessarily get into the nitty gritty of body parts and movements. After all, not everyone who wants to read about the NA experience wants such graphic detail, and not every writer is comfortable writing it. Ultimately, the details of the sex acts aren’t necessary in order to explore love at this stage of life. Serve up emotionally satisfying relationships. Craft stories that build up sexual anticipation through love denied, teased, and toyed with. A much-anticipated kiss can be more dramatically powerful than a perfunctory graphic groping. That’s why I dedicate a full chapter of my book to the crafting believable, satisfying romance. And it’s why I say that explicit sex scenes are currently expected but maybe not so essential in the long run. The degree of explicitness in NA fiction is an evolving element.”

Sept 2, 2014: The Editor Joins Faculty of  SCBWI-Missouri Fall Conference Sept 6-7, 2014
The Editor will present the “State of the Market” and lead the intensive “How to Build Your Own Teenager” at the SCBWI-Missouri Fall Conference in St. Charles, Missouri, September 6-7, 2014.

Sept 2, 2014: The Editor’s Article “NA Fiction for the YA Writer” in Sept/Oct Issue of SCBWI’s The Bulletin
“Writers see an overlap between ‘mature YA’ and NA and wonder what it means for their own stories about older teens…. There are essential differences in story content, though, and knowing those can help you determine if your mature YA is actually an NA offering.” From The Editor’s article in the Sept/Oct issue of SCBWI’s THE BULLETIN. If you’re an SCBWI member and want to read it, log into your profile page and click on resource library, then on Bulletin in the dropdown menu.

July 1, 2014: The Editor to Join Faculty of  Writer’s Digest Novel Writing Conference Aug 15-17, 2014
Join The Editor for her 3-hour Boot Camp “Writing Riveting New Adult Fiction” and her 1-hour breakout session “How to Hide the Seams for Smooth, Flowing Fiction” at the Writer’s Digest Novel Writing Conference at the Hyatt Regency Century Plaza – Los Angeles August 15-17. For details about the sessions and other award-winning, bestselling authors and publishing professionals at the Writer’s Digest Novel Writing Conference, click here.

May 12, 2014: The Editor’s Interview about the SCBWI Conference, Uses for Setting, and the Difference Between NA and YA Fiction
“Saying NA fiction is just YA with sex is akin to saying YA fiction is just stories of high school romance.” Insightful interviewer Lee Wind asks The Editor about being on the faculty of SCBWI’s upcoming summer conference in Los Angeles (Aug 1-4) and also about the difference between “voice” and “sensibility” in writing, characteristics of New Adult Fiction, and other writing advice. Check out the full interview here.

April 18, 2014: The Editor Presenting Market Keynote at SCBWI 43rd Annual Summer Conference in Los Angeles, Aug 1 – 4
Join the Editor and other authors, agents, and publishing professionals at the Society of Children’s Books Writers & Illustrators annual info-packed 4-day summer conference. In addition to presenting the market keynote, the Editor will present the session “New Adult Fiction for the Young Adult Writer” and the intensive “Crafting a Youthful Narrative Voice and Sensibility in MG/YA Fiction.” She’s also available for one-on-one critiques. Join the fun! Registration opens Monday, April 21, 10am PST. Intensives fill up FAST.

December 6, 2013: Meet the Editor at the New Adult Sleepover Weekend in Savannah, GA, December 6 – 8
Check out the inaugural New Adult Sleepover Weekend, an event for readers and authors of New Adult fiction. Panels about NA characters and publishing, swag, meet-and-greets, parties . . . a fun and informative weekend! The Editor will be there, meeting and greeting and taking in all things NA. Savannah Riverfront Marriott, 100 General McIntosh Boulevard, Savannah, GA 31401.

November 22, 2013: Meet the Editor on YA Panel at San Diego’s Mira Mesa B&N on November 22
As part of Barnes & Noble’s Discovery Friday event Friday, November 22, at 6pm, the Editor will be part of a lively panel about books for young people with Shannon Messenger, author of the middle grade series Keeper of the Lost Cities and the teen trilogy Let the Sky Fall, and Debra Driza, author of the YA thriller Mila 2.0, the first in a series currently being developed as a series for ABC. The panel will be moderated by fabulous Full Circle Literary agent Taylor Martindale. It’s Discovery Friday at the B&N that day, so there will be giveaways all day, including Catching Fire posters, John Green posters, Legos, etc. There will also be a special musical performance by Stacey Leathersich at 8:30. B&N: 10775 Westview Pkwy, San Diego, CA 92126.

August 22, 2013: The Editor Interview Delves Into How Writers Can Succeed in Publishing
In an interview by N.W. Harris, author of Joshua’s Tree, which currently tops the Goodreads 2013 Summer Reading list, The Editor talks about writing fiction versus nonfiction, her path to publication and editorial career, and three things new writers must do to compete in the current, highly competitive publishing industry: “Publishing is an industry, as unartful as it is to admit that, and writers who want their books out there for readers to buy must consider themselves players rather than pawns.” Full the full interview, visit NWHarrisBooks.

August 5, 2013: The Editor Presents State of the Market Keynote at SCBWI Summer Conference
Publishers Weekly included The Editor in its coverage of the 42nd Annual SCBWI Summer Conference: “Deborah Halverson, founder of DearEditor.com, delivered a keynote titled Market Report: An Up-to-the-Minute State of the Industry, which compiled the results of interviews with 17 publishing insiders…. Halverson reported that sales are up for picture books, but editors are still cautious about the category. Chapter books and early readers remain challenging….” For more highlights from The Editor’s keynote, click over to PW’s article.

May 7, 2013: The Editor to Pen ‘New Adult Fiction’ Craft Book
The Editor will publish Writing and Selling New Adult Fiction with Writer’s Digest Books in Fall 2014. Writing and Selling New Adult Fiction is a hands-on guide featuring essential information, steps, and techniques necessary to turn a clever concept into a top-notch novel for 18- to 26-year-olds as well as the teen and adult crossover audience. The book will include advice on self-publishing into the New Adult marketplace, insider tips for finding the right agent and/or editor and preparing a stand-out submission package for traditional publishers, and an extensive chapter on self-marketing to help writers move boldly into the realm of self-promotion.

April 20, 2013: The Editor to Deliver Keynote at SCBWI 42nd Summer Conference
The Editor will deliver the “Market Report: An Up-to-the-Minute State of the Industry” keynote at the Society of Children’s Books Writers and Illustrators 42nd Summer Conference in Los Angeles August 2 – 5, 2013. She will also teach an intensive called “How to Build Your Own Teenager: Techniques for Writing Believable MG/YA Characters, and two one-hour breakout sessions called “The Read-Aloud Factor: Achieving Rhythm without Relying on Rhyme in Picture Books” and “Setting, Wherefore Art Thou?: The Surprising Benefits and How-To’s of Setting in MG/YA Fiction.” For information about attending the conference, click over to the conference home page.

March 18, 2013: Susan Stevens Crummel Joins Revision Week Lineup
The Editor is thrilled to announce that award-winning picture book author Susan Stevens Crummel will be joining the Revision Week lineup! Loved for her solo books as well as her collaborations with author/illustrator (and sister!) Janet Stevens, Susan will shed light on the ins and outs of working through a highly collaborative revision process.

March 15, 2013: Announcing DearEditor.com’s Revision Week 2013, March 24-30
It’s almost time for DearEditor.com’s second annual Revision Week. March 24-30 The Editor will host five authors—who have published a combined 270 best-selling and award-winning books—for a week of revision tips, insights, and stories from the trenches at DearEditor.com. Who’s stopping by? Bestselling and award-winning authors Laura Griffin (romance novels), Matthew J. Kirby (YA novels), Bruce Hale (chapter book series and picture books), Peter Economy (non-fiction), and Larry Dane Brimner (picture books, chapter books, easy readers, nonfiction… you name it!), that’s who! The Editor will add to the excitement with daily drawings for Free Partial Edits and a grand prize Full Manuscript Edit giveaway.

Jan 26, 2013: OnText Blog Features DearEditor.com
DearEditor.com gets the thumbs up in the OnText blog feature “Writing Children’s or Young Reader Books? Great Source of Publishing Help.” OnText is hosted by ghostwriter Maryan Pelland. Pelland calls The Editor “a wealth of information for writers, authors, and ghostwriters to ask questions about the craft of writing or about the very confusing and frustrating publishing industry. Her answers are concise and pull-no-punches.”

Dec 1, 2012: The Editor Celebrates Her First Picture Book with a FREE EDIT Giveaway
The Editor believes writers should celebrate every milestone—and she’s got a milestone to celebrate with her readers. Her first picture book, Letters to Santa, has just published and she’s feting it by giving away a FREE edit of a picture book manuscript up to 2,000 words. Deadline: December 4, 2012. Read the giveaway post for full entry details.

Oct 17, 2012: The Editor Announces Three New Books
The Editor’s three books for Rubicon’s Remix struggling readers series have launched! Brave New World: Cyber World, Brave New World: Meltdown, and Brave New World: Robotic World. To page through previews of the books electronically, visit the Remix: Brave New World series page.

Sept 17, 2012: Finding Bliss Blog Hosts the The Editor, Holds Free Book Giveaway
Excerpt: “Revision can be daunting. . . . Why not give your brain a break by breaking your task into focused chunks? With this approach, you’d pick a writing element, say plot, and ignore everything but that. Working Big Picture chunks to small detail chunks rather than page by page, you’d focus not on revising the story but on honing single elements. Gone is that scattered, overwhelmed feeling.” Read the rest of The Editor’s guest post “Chunking Your Revision” on Laura Howard’s blog Finding Bliss, and enter her giveaway for a free copy of Writing Young Adult Fiction For Dummies.

August 27, 2012: An Interview with The Editor
Excerpt: “The trick is to make something big happen in the story to create a big emotional impact that would raise the emotional temperature of the story and keep it from being too quiet.” You can the full interview with The Editor on Natasha Yim’s blog “I Must Be a Masochist – A Writer’s Life.”

August 23, 2012: Coverage of The Editor’s SCBWI conference Market Trends Keynote
The Editor complied the “2012 SCBWI Market Survey: Publishers of Books For Young Readers” report for the Society of Children’s Book Writers and Illustrators, and gave a keynote at the recent SCBWI Summer Conference about what she learned from her survey – giving attendees the current market needs and trends. To read coverage of her keynote, click over to “SCBWI Summer Conference: Market Keynote Follow-Up with Deborah Halverson” on the SCBWI Blog.

June 28, 2012: The Editor Advises How to Use Subtext as a tool on Quirk and Quill
The Editor’s advice about using subtext to puff up a “flat” fiction manuscript is featured today on Quirk and Quill, a blog hosted by 10 alumni of the Vermont College of Fine Arts writing program. To read the post, click over to “Serving Up Subtext” on Quirk and Quill.

May 25, 2012: The Editor Visits Stanford…Virtually
The Editor talked books and writing during an online chat session today with a Stanford writing class that uses her Writing Young Adult Fiction For Dummies as their text. The Editor is honored that schools continue to adopt the book for their classes.

Mar 23, 2012: Join The Editor at SCBWI National Conference in L.A. Aug 3-6
The Editor will be at SCBWI’s 2012 Summer Conference in Los Angeles Aug 3-6. She’ll be presenting the Current Market Report keynote, a breakout session on writing dialogue, an intensive on revising your MG/YA novel, and an intensive on creating youthful narrative sensibility. Registration starts April 18 at 10am. Check out the full info on the SCBWI conference page.

Mar 4, 2012: DearEditor.com’s Revision Week with 8 Bestselling, Award-Winning Authors
DearEditor.com brings together eight prolific, bestselling, award-winning authors for Revision Week, 7 days of revision tips, insights, and stories from the trenches. Learn from writers who turn first drafts into lauded books every day:

  • Cynthia Leitich Smith, bestselling YA gothic novelist, picture book writer, short story writer, and popular children’s lit blogger.
  • Kathleen Krull, author of more than 60 books, especially picture books and biographies for young readers.
  • R.L. LaFevers, author of the 13 novels for young people.
  • Henry Winkler, Lin Oliver, and Theo Baker, popular chapter book collaborators.
  • Mark A. Clements, horror/suspense author, screenwriter, and prolific ghostwriter.
  • Nathan Bransford, top blogger and former literary agent-turned-author of the Jacob Wonderbar middle grade books.
  • Rachel Caine, New York Times, USA Today, and internationally bestselling author of more than 30 novels.

Feb 26, 2012: DearEditor.com Now on Google+
DearEditor.com is pleased to announce the DearEditor.com Google+ page, sharing industry news, creative inspirations, and writing tips to keep you in the publishing know. The new page complements the DearEditor.com Facebook page and the @Dear_Editor Twitter feed.

Feb 26, 2012: DearEditor.com Goes Mobile
DearEditor.com is now mobile-friendly. With the new mobile design, you can easily read new posts and comments on your mobile device of choice, and you can post your own comments on-the-go. With a simple click on the arrow at the top of your mobile display, you can access archives, categories, and any page on the DearEditor.com website.

The Editor to appear on “Writers Voices” Radio Feb 17, 2012
The Editor will appear live on “Writers Voices” 1-2pm CST, Feb 17, 2012. “Writers Voices” airs on KRUU FM 100.1, an open source, solar-powered community radio station that broadcasts to the larger Fairfield, Iowa, area and has worldwide listenership via the web. Each week they air an hour-long interview with a writer, agent, editor, publisher, or someone else connected to the world of writing. To listen to the show live, tune in to KRUU FM radio or go to online at http://www.writersvoices.com. Hear the rebroadcast Monday Feb 20 8 AM on KRUU FM or download it from the archives: http://www.writersvoices.com or http://www.kruufm.com/station/archives/61.

Free Online Workshop with The Editor Feb 21-23, 2012
The Institute of Children’s Literature website is hosting an online YA workshop featuring The Editor. The drop-in Q&A-format workshop takes place on the ICL’s message board, which anyone can read (no registration required). If you want to post a question, you do need to register (for FREE) by sending email to jan.fields@forums.institutechildrenslit.com with the username you want. Check out the ICL’s Guest Speaker archives while you’re there.

Feb 7, 2012:The Editor on “How to Promote Your Book” Podcast
As part of her blog tour for her book How to Promote Your Children’s Books, author/illustrator Katie Davis focused her regular podcast on “Promoting Your Book.” The Editor has a guest appearance. See the episode description here: http://katiedavis.com/how-to-promote-your-book/. Or click here to hear it directly.

Feb 6, 2012:DearEditor.com to host How to Promote Your Children’s Book Blog Tour
Author/illustrator Katie Davis is a tireless promoter whose 9 children’s books have sold over 250,000 copies. On February 6, 2012, Katie shares what she’s learned about promoting books–and she’s giving away a free download of her new eBook How to Promote Your Children’s Book: Tips, Tricks and Secrets to Create a Bestseller. Follow Katie’s full blog tour for more promo insights & giveaways:

Dec 4, 2011:YA Fusion blog Interviews The Editor
YA Fusion, a blog written by YA fiction writers about the amazing world of young adult fiction, interviewed The Editor and hosted a giveaway of Writing Young Adult Fiction For Dummies. The interviews spans the writing, editing, and reading realm, and offers tips to writers about gauging market trends and walking the line in “edgy” fiction. http://bit.ly/viGL8O

Oct 19, 2011:More Spotlight Week at The Writing Nut: An Interview with The Editor
Spotlight Week at The Writing Nut blog cointinues with an interview with The Editor, covering what makes YA fiction so popular, what aspiring writers should do, and what young readers should know: http://bit.ly/qEOyqs.

Oct 17, 2011:The Editor Featured During Spotlight Week at The Writing Nut
The Writing Nut blog features The Editor and her book Writing Young Adult Fiction For Dummies all week. Stop by for a review of the book, an interview with The Editor—aka Deborah Halverson—and a giveaway: http://bit.ly/r0l1Ht

Sept 25, 2011:San Diego Union-Tribune Dubs Writing YA Fiction For Dummies “Tremendously Helpful”
The San Diego Union-Tribune dubbed The Editor’s new Writing Young Adult Fiction For Dummies a Recommended Read, calling it, “Fun, insightful and tremendously helpful.”

Sept 24, 2011:The Editor Presenting at San Diego Public Library Book Festival Oct 1
The Editor is honored to be a part of the SAN DIEGO COUNTY LIBRARY BOOK FESTIVAL Saturday, Oct 1, at the Encinitas Library. Speakers include YA great Ellen Hopkins, bestseller Lisa See, and Skinny Bitch series author Kim Barnouin. The Editor will be presenting in the community room 5 to 6pm. Check out the festival website for a full list of great speakers.

Sept 24, 2011:The Editor Teaches YA at SCWC Conf in Newport Beach Sept 24
The Editor, aka Deborah Halverson, will be presenting “Writing for Teens? Then Think Like One” at the Southern California Writers’ Conference – LA on Sept 24, 2011. Here’s her session description: “Whether your narrator is your young main character or an all-knowing omniscient being, there are ways to convince young readers that you understand them and their view of the world—and to hook’em good and hard in the process. This session teaches techniques for creating a narrative sensibility that reflects the way teens think, resulting in teen fiction that “clicks” with young readers.” Click on over to the SCWC website for details about this conference, which runs Sept 23-25.

August 3, 2011: The Editor featured on Writing on the Sidewalk Blog
The Editor,aka Deborah Halverson, talks writing, Legos, and banging on drums in “Writing on the Sidewalk”, the blog of authors Suzanne Santillan and Sarah Wones Tomp.

August 3, 2011: The Editor on The League of Extraordinary Writers Blog
The Editor, aka Deborah Halverson, is an interview guest on The League of Extraordinary Writers, a blog hosted by dystopian authors Jeff Hirsch, Elana Johnson, Julia Karr, Beth Revis, and Angie Smibert. With Q-and-A about the most common pitfalls for writers, the current rise in YA lit, a list of must-reads for writers, and the viability of self-publishing as an alternative pub path for writers, this interview is full of great information. Check it out!

June 11, 2011: Announcing WYAFFD Blog Tour
Please drop in on this 8-stop blog tour celebrating the publication of Writing Young Adult Fiction For Dummies. Interviews, guest blog posts on craft, promotion, and chapter books, and a grand finale free webinar. Full schedule:

July 18: Shrinking Violet Promotions
July 19: SCBWI Children’s Market blog
July 20: QueryTracker.net
July 21: Elizabeth O. Dulemba Blog
July 22: Cheryl Rainfield Blog
July 25: Story Connection
July 26: The Got Story Countdown
July 27: Free “Meet the Editor” webinar w/ Katie Davis

June 29, 2011: Interviews, Guest Blogs, Podcasts, & Giveaways in Support of the WYAFFD Virtual Book Launch
Visit these websites and blogs for exclusive content and giveaways in support of the Writing Young Adult Fiction For Dummiea Virtual Book Launch from June 29 to July 5 here on DearEditor.com:

June 29, 2011: Writing Young Adult Fiction For Dummies Virtual Book Launch Begins!
Celebrate the publication of Writing Young Adult Fiction For Dummies from June 29 to July 5 here on DearEditor.com with daily “Free First Chapter Critique” giveaways, free downloads, excerpts from the book, and profiles of the 13 amazing authors, editors, and agents who so generously contributed sidebars to the book. As the grand finale, The Editor is giving away a “Free Full Manuscript Edit” on the final day. Click here for details about the 7-Day Virtual Book Launch.

June 21, 2011: Announcing the Writing Young Adult Fiction For Dummies Virtual Book Launch
Celebrate the publication of Writing Young Adult Fiction For Dummies from June 29 to July 5 here on DearEditor.com with daily “Free First Chapter Critique” giveaways, free downloads, excerpts from the book, and profiles of the 13 amazing authors, editors, and agents who so generously contributed sidebars to the book. As the grand finale, The Editor is giving away a “Free Full Manuscript Edit” on the final day. Click here for details about the 7-Day Virtual Book Launch.

June 20, 2011: Video Writing Tip from The Editor
Click over to Tina Nichols Coury’s blog Tales from the Rushmore Kid for a one-minute video tip from The Editor. The topic: Checking to see if your protagonist has completed a full character arc.

June 8, 2011: Free Webinar with The Editor July 27, 2011
The Editor, aka Deborah Halverson, will be conducting a free webinar with author Katie Davis on July 27, 2011, 9:00-10:oo pm EST. For details or to sign up, visit the webinar information page!

June 6, 2011: Writing YA Fiction for Dummies Virtual Book Launch June 29-July 5
DearEditor.com will be the site of a huge 7-day virtual book launch for the publication of The Editor’s new book WRITING YOUNG ADULT FICTION FOR DUMMIES. Visit every day for exclusive free downloads, book excerpts, profiles of lauded MG/YA author contributors, and daily Free Critique/Full MS Edit Giveaways. More details to come!

June 6, 2011:The Editor to Critique at SCBWI-LA National Summer Conf.
The Editor, aka Deborah Halverson, will be critiquing manuscripts at the Society of Children’s Books Writers and Illustrators 40th Annual Summer Conference in Los Angeles, August 5-8, 2011. Click on over to SCBWI’s conference site for details about this incredible event.

May 16, 2011:The Editor Gives Setting Tips in Hunger Mountain
The Editor, aka Deborah Halverson, is honored to have an article featured in the summer 2011 issue of HUNGER MOUNTAIN, the Vermont College of Fine Arts’ wonderful journal of the arts. In “Where the Teens Are: 5 Ways to Freshen Up YA Fiction’s Favorite Settings,” Deborah offers writers tips for making familiar teen fiction settings like school and the main character’s room feel provocative instead of inevitable. Click on over to Hunger Mountain for more.

May 11, 2011:The Editor Featured in Anderson Valley Post
Anderson Valley Post, the local paper of Anderson Valley, California, ran an article featuring The Editor, aka Deborah Halverson, and her co-faculty for the Cottonwood Intensive Revision Workshop. To read about Edgar Award-winning author Charlie Price, author/illustrator Dr. Mira Reisberg, and Deborah, click over to Anderson Valley Post. To learn more about the May 21, 2011, conference, go to the conference website.

April 11, 2011:Registration Now Open for Cottonwood Intensive Revision Workshop
Registration is open for the Cottonwood Intensive Revision Workshop, to be held May 21, 2011, in Cottonwood, CA (17 miles south of Redding, CA, and approx. 2 hours from Sacramento). The Editor, aka Deborah Halverson, will be teaching at the event, which is dedicated to helping children’s book writers revise their young adult novels and picture books. The 1-day workshop is hosted by SCBWI‘s California North/Central chapter, with Edgar Mystery Award nominee author Charlie Price and award-winning picture book illustrator, art director, designer, and educator Dr. Mira Reisberg filling out the faculty. For more information or to register (deadline May 1, 2011), contact scbwicanorthcentral@gmail.com or go to the Conference website.

Mar 2, 2011:SCBWI Chapter Features The Editor in Kite Tales
The Editor (Deborah Halverson) lays down some scene advice in the 2011 Spring Issue of Kite Tales, the newsletter for the SCBWI Tri-Regions of Southern California. The chapter has shared a link to the newsletter, which is full of fantastic information: Kite Tales, Spring 2011. For more information about SCBWI (Society of Children’s Books Writers & Illustrators), go to SCBWI.org.

Jan 26, 2011:The Editor to Talk to Teachers about Supporting Young Writers
June 20-23, 2011, teachers earning their MAs will gather at the 32nd San Diego State University Summer Conference, and The Editor (Deborah Halverson) will be there with them. Her session, “BIF! BAM! POW!: Helping Young Writers Release Their Inner Heroes,” focuses on helping young writers tap into the heroes within themselves in order to write about characters who overcome their fears and flaws for heroic outcomes.

Jan 25, 2011:The Editor at Cottonwood Revision Intensive
On May 21, 2011, The Editor, aka Deborah Halverson, will be helping children’s book writers revise their young adult novels and picture books at the Cottonwood Revision Intensive in Cottonwood, California. The 2-day workshop is hosted by SCBWI‘s California North/Central chapter, with author Charlie Price filling out the faculty. For more information or to register, contact scbwicanorthcentral@gmail.com

Nov 29, 2010:The Editor Goes In Between Scenes for FictionNotes
The Editor, aka Deborah Halverson, wrote a guest post today about why it’s crucial that a writer knows what happens in the white space between scenes for author Darcy Pattison’s information-loaded blog “Fiction Notes.” Darcy is a writing teacher and the author of The Book Trailer Manual (www.booktrailermanual.com), several picture books, and the teen fantasy novel The Wayfinder.

Nov 29, 2010:Author Mary E. Pearson Becomes 1st Guest Editor for the Day
As DearEditor.com’s first Guest Editor for the Day, author Mary E. Pearson stepped in to help a frustrated writer battle back against writer’s block. Mary is the award-winning author of five novels for teens, including the new The Miles Between.

Nov 27, 2010:New Feature Added to DearEditor.com – Guest Editor for the Day
DearEditor.com is adding a new feature: Guest Editor for the Day. Starting Monday, November 29, The Editor will occasionally hand over her editorial pen to a publishing colleague who will field a question that falls within his or her realm of expertise. In this way The Editor hopes to add to the depth of the knowledge bandied about DearEditor.com. The more voices we hear, the wiser we become. First up: award-winning author Mary E. Pearson.

Nov 24, 2010:The Editor Answers Callers’ Questions on “Brain Burps About Books” Podcast
Deborah Halverson, aka The Editor, answered listeners’ questions about publishing children’s books on author Katie Davis‘s podcast Brain Burps About Books.” If you’ve got a question you’d like Deborah to answer in a follow-up podcast, call Katie’s toll free line at 888-522-1929 and leave a message.

Nov 11, 2010:One Week to Phone In Questions to The Editor
On November 18th, author Katie Davis will tape an interview with Deborah Halverson, aka The Editor, for Katie’s podcast “Brain Burps About Books.” If you’ve got a question you’d like Deborah to answer in the podcast, call Katie’s toll free line at 888-522-1929 by November 18th and leave a message. DearEditor.com will post an update when that podcast is available for listening.

Oct 11, 2010:Six-Month Free Picture Book Edit Giveaway Winner Announced
Congratulations to Jennifer Carson, the winner of the FREE EDIT giveaway celebrating DearEditor.com’s first six months. Jennifer’s manuscript is entitled Stinking Beauty. To the rest of DearEditor.com’s readers, thanks for a fun first half year. Keep those questions, comments, and anecdotes coming! The more we hear, the more we learn.

Sept 20, 2010:GIVEAWAY! a FREE EDIT of one Picture Book Manuscript
The Editor is giving away a FREE EDIT of one picture book manuscript to celebrate the six-month anniversary of DearEditor.com. To enter more than once, spread the word! See the DearEditor.com giveaway announcement for rules and to enter. Deadline: October 10, 2010.

July 29, 2010: The Editor to Write “Writing Young Adult Fiction for Dummies”
The Editor, Deborah Halverson, has signed on to write “Writing Young Adult Fiction for Dummies” for Wiley Publishers’ For Dummies… line, to hit stores June 2011. To learn more about the For Dummies… books, go to www.ForDummies.com.

June 18, 2010: The Editor Guest Posts about Setting in Novels on “Cynsations”The Editor, Deborah Halverson, wrote a guest post today about setting in novels on author Cynthia Leitich Smith’s fabulous blog “Cynsations.” Cynthia is a New York Times and Publishers Weekly best-selling author of YA Gothic fantasies, including Tantalize and Eternal, as well as several picture books for children. Here’s a teaser from Deborah’s guest post, “Setting, Wherefore Art Thou?“: “We need setting in our stories. We need the richness that makes up setting, the sensual engagement that can only come from hearing the crunch of frosty grass under the protagonist’s bare feet, or feeling the sudden whispery kiss of a spider’s web dangling from the eaves. We’d just have a girl walking across a lawn and a creepy old house. Where’s the joy in that?” Check out Cynthia’s blog for the whole post. To learn more about Cynthia, go to CynthiaLeitichSmith.com.

May 31, 2010: The Editor’s Article about Teen Fiction & Melodrama Appears in “The Inside Story

The Editor, Deborah Halverson, wrote the feature article “Melodrama Isn’t a Four-Letter Word” for this month’s “The Inside Story”, a monthly newsletter by Bruce Hale, author of two hilarious chapter book series—the Chet Gecko series, and the Underwhere series. Here’s a teaser from Deborah’s article: “So, you’re thirty-something writing a teen novel, and you want your narrative voice to sound convincingly youthful? That’s an outstanding goal. A believable voice makes all the difference in the success of a manuscript. But how do you actually do it? The answer might surprise you.” To subscribe to “The Inside Story” and read Deborah’s full article, go to http://bit.ly/b3yXd5. To learn more about Bruce Hale, go to BruceHale.com.

May 25, 2010: The Editor Interviewed for SCBWI’s “Industry PROfiles
The Society of Children’s Books Writers & Illustrators has just posted an on-line interview with DearEditor.com’s resident Editor, Deborah Halverson. The interview focuses on Deborah’s literary journey from playroom to publishing house to author’s chair, and explores how she balances her roles as Author/Editor/Mom. The full interview appears in SCBWI’s “Industry PROfiles.”

May 3, 2010: The Editor to Speak at SCBWI-San Diego Chapter Meeting
The Editor, Deborah Halverson, will present “How Do You Know Your Manuscript Is Ready for Submission?” at the season-opening meeting of the SCBWI-San Diego chapter, on September 11, 2010, from 2-4pm, in Hahn Nursing Hall on the University of San Diego campus. For details about the meeting and the chapter, visit their website.

April 15, 2010: One-Month Anniversary Edit Giveaway Winner Announced
Congratulations to Annemarie O’Brien, winner of the giveaway of a free substantive edit of a YA/MG manuscript. Annemarie’s manuscript is an upper middle grade novel titled Dance with Borzois. Congratulations, Annemarie! To the rest of DearEditor.com’s readers, there will definitely be more giveaways like this in the future. Thanks for your enthusiastic support during DearEditor.com’s inaugural month!

April 7, 2010:GIVEAWAY! a FREE Substantive Edit of one YA or MG Fiction Manuscript
The Editor is giving away a FREE Substantive Edit of one Young Adult or Middle Grade fiction manuscript to celebrate the one-month anniversary of DearEditor.com. To enter more than once, spread the word! See DearEditor.com home page for rules and to enter. Deadline: April 14, 2010.

April 6, 2010:The Editor Interviewed on SellingBooks.com
The Editor, Deborah Halverson, talks writing, editing, and why half of females aged 18 – 25 want to be run over by a truck in a new interview on SellingBooks.com. Check it out!

March 13, 2010:Interview on Writers’ Waiting Room about the Creation of DearEditor.com
An interview with The Editor, Deborah Halverson, was posted today on Writers’ Waiting Room. The interview focuses on the creation of DearEditor.com. The Writers’ Waiting Room was launched on the premise that all writers are waiting for something–the next idea, an agent, a publishing contract or the type of quiet that happens when the kids go to bed. It is run by writer Tami Casias, who interviews authors to get their take on living a writer’s life.

March 24, 2010: The Editor to Present Workshop at SCBWI’s Summer 2010 Conference
The Editor, aka Deborah Halverson, will be presenting a workshop at the Society of Children’s Books Writers & Illustrators’ 39th annual summer conference, which will be held at the Century Hyatt in Los Angeles July 30 through August 2, 2010. Deborah’s session is “The Ultimate Checklist for Submitting to Editors: 10 Tests a Novel Must Pass to Prove It’s REALLY Ready for Submission to Editors.” Registration for the conference starts April 28th at www.scbwi.org.

March 3, 2010: DearEditor.com Utters Its First Tweet
DearEditor.com just tweeted its first Gr8 1st Line: “The way I see it, being dead is not terribly far off from being on a cruise ship.” from Stiff by Mary Roach. For more DearEditor.com tweets, go to http://twitter.com/Dear_Editor or just tweet to @Dear_Editor.

March 3, 2010: DearEditor.com Launches
DearEditor.com has just gone live! The first post answers a writer’s question about how to sound like a teenager. Special thanks to this site’s designer, Theresa Stanton at Blogs for Photogs, who took the vision for DearEditor.com to a fantastic new level.

May 10, 2023: Listen to the Editor on the How Writers Write podcast

The Editor was interviewed on the writing craft podcast HOW WRITERS WRITE – Episode 111. She and host Brian T. Murphy talked YA fiction, establishing productive writing routines, and getting yourself unstuck when writers block strikes. Brian’s traditional end-of-interview Six Questions are wonderfully creative, so you don’t want to miss those. Question #3: “If you could pick a spirit book—this is the book you would choose to be reincarnated as—what book would it be?” How would YOU answer that? Here’s the link to the podcast to hear what book The Editor would be: https://bit.ly/3WEcApq. Or type How Writers Write episode 111 in your favorite podcast app.

May 1, 2023: Join The Editor for May 13th On-Line Picture Book Workshop

Join The Editor on May 13, 2023, for a virtual three-hour workshop “Kit and Caboodle: Crafting Irresistible Picture Books From Idea to Query,” hosted by the writing group Children’s Book Writers of Los Angeles. Learn the features of irresistible picture books and strong query letters and elevator pitches. Attendees will put pen-to-paper during the workshop, applying the learned techniques to their work-in-progress picture book manuscript(s) or to brainstorm a new project, and crafting a pitch and query letter. Current WIPs NOT required for attendance. For details and sign-up, visit the event page.

April 29, 2023: The Editor on SCBWI Podcast

The Editor enjoyed a great conversation with SCBWI Podcast host Theo Baker in the episode “From Slush Pile to Stand Out Manuscript with Deborah Halverson.” They got into the nitty-gritty of her editorial approach, the challenges and joys of writing, and her journey in publishing. Listen on your favorite podcast app, including these (click to listen): Spotify, Apple Podcasts, Amazon Podcasts.

September 14, 2022: The Editor Is Featured in Writers’ Forum Magazine

The Editor is honored to be invited to present to the Redwood Writers chapter meeting on September 17, 2022. The online event, “You’ve Written a Book, What’s Next?”, will be an hour-long webinar for beginners as well as advanced writers — published and pre-published — looking to perfect their submission package and strategy. The Redwood Writers is the largest branch of the California Writers Club.

August, 2022: The Editor Is Featured in Writers’ Forum Magazine

The Editor was honored to be Writers’ Forum magazine’s “Where I Write” feature this month. The feature focused on her writing (and editing!) visits to the San Diego Public Library’s public reading room, which is a gorgeous space. Her default writing spaces are the lake and fields by her home, but at least two days each week she picks a beautiful San Diego location like Balboa Park or the beach at the famous Hotel Del Coronado. She  chooses her locations sometimes by mood, but usually with some thematic link to what she’s writing or editing that day, then she shares photos on her social media to share the inspiration of the space. “Just give me a travel mug of hot cocoa, a beautiful space, and an engrossing project to write or edit and I’m happy.”

August 14, 2022: The Editor Talks Trends in Children’s Books with SCBWI Nebraska

The Editor spent an afternoon at a virtual meeting of SCBWI Nebraska. She talked about how the various categories of children’s books are performing, how some audience and market expectations are changing while others remain constant, and what trends seem to be playing out in the market and in acquisitions and in reader reception. Always wonderful to talk books with book folk.

June 2, 2022: The Editor Interviewed in “How Writers Write” Podcast

“How Writers Write” podcast host Host Brian Murphy and The Editor (aka Deborah Halverson) discuss what makes fiction “Young Adult Fiction,”  writing practice and process, and what it’s like to think like an editor. It’s a fabulous discussion — they dig deep into it! To listen to the podcast: Apple: https://apple.co/3m9kAhZ; Spotify: https://spoti.fi/3m8rpQR1.

December 6, 2021: The Editor Auctioning Picture Book Edit & Call for #WeNeedDiverseBooks Holiday Auction

The Editor is honored to be contributing to the #WeNeedDiverseBooks Campaign by offering a picture book edit and phone call with me in their Holiday Auction. Visit https://bit.ly/3HZPItU to bid on this and check out all the other offerings. The Holiday Auction ends 10pm Eastern 12/6/21.

October 1, 2021: Spend the Weekend with The Editor and SCBWI-SoCal Los Angeles for Writer’s Retreat 2021

Join The Editor, 2 agents, and 2 editors for a 2-day Virtual Writer’s Retreat for creatures of chapter books and middle grade/young adult fiction October 9-10, 2021. Between critique sessions with agents and editors, Deborah will do Craft Workshops on four story elements — character, plot, setting, and voice… plus revision techniques! bit.ly/3lz4Q7i

September 1, 2021: The Editor To Share How to Find the Right Editor for Your Book

Join The Editor on Sept 11, 2021, for an inspiring and informative market report and learn about new imprints and what they are requiring. She will also share her tips on researching editors to find the perfect fit for your book. Register at www.sandiego.scbwi.org.

August 22, 2021: The Editor Featured in Publishers Weekly!

Publishers Weekly covered The Editor in their article “2021 SCBWI Conference: Significant Market Transformation Due to COVID-19.” The article provides a peek into Deborah’s Market Report for the Society of Children’s Books Writers & Illustrators summer conference. http://pwne.ws/3lwpczD.

September 1, 2021: The Editor to Share How to Find the Right Editor for Your Book

Join The Editor on Sept 11, 2021, for an inspiring and informative market report and learn about new imprints and what they are requiring. She will also share her tips on researching editors to find the perfect fit for your book. Register at www.sandiego.scbwi.org.

August, 2021: The Editor at UCLA’s Writers Symposium

The Editor joined 11 amazing YA authors at UCLA’s writing symposium “The Young and the Reckless: Writing for Teens. She was in the a panel with award-winning, best-selling YA novelists Aiden Thomas and Adam Sass. “Put characters in unexpected settings to provoke surprising dialogue, unpredictable action, and stress.”-Deborah Halverson https://www.uclaextension.edu/ya-symposium

April 31, 2021: The Editor Teaches Submissions Strategies Twice in April

The Editor taught children’s book wrters and illustrators the ins and outs of submitting their manuscripts to agents and publishers twice this month. First for Children’s Books Writers of Los Angeles (CBW-LA), and then for SCBWI’s South and Central Ohio chapter. The session was called “SUBMISSION STUDIO: Writing Queries, Strategizing Submissions, and Ten Ways to Translate “No” to “Yes!”

January 15, 2021: The Editor’s Predictions for the 2021 Children’s Lit Market are Published in SCBWI INSIGHT

The Editor shared some predictions for children’s literature market in the January edition of SCBWI INSIGHT, a monthly enewsletter for members of the Society of Children’s Books Writers and Illustrators. INSIGHT features current children’s book hot topics, helpful hints, exclusive interviews and monthly contests. When talking about likelihoods for 2021, emerging trend-lines are intriguing to extend forward. The Editor appreciated the challenge and opportunity to do so. For an excerpt of the members-only article “What Will the Children’s Literature Market Look Like in 2021?: A Crystal Ball Prediction,” click here.

November 24, 2020: The Editor Edits a Book Benefitting Victims of Domestic Violence & Abuse

The Editor was honored to edit the Purple Projects picture book PENNY’S ADVENTURES IN SAN DIEGO. Sales benefit victims of domestic violence and abuse. For this book, thirteen San Diego County mayors and a deputy mayor each penned a chapter of a story about a kind-hearted purple butterfly named Penny visiting their respective cities and doing a good deed. Per the San Diego Union-Tribune,  “Deborah Halverson, an editor and publishing consultant, wrote chapter transitions and edited the book at no cost, while Danielle Ramirez created colorful illustrations…. The 85-page illustrated book, “Penny’s Adventure in San Diego,” is now available for pre-order for $25 and due for release in early December.”

October, 2020: The Editor Offering New Class for KidLit Writers

The Editor is honored to be offering a new class for Children’s Book Insider: “10 Things That Get Kidlit Manuscripts Rejected – and How to Avoid Them.” It will be 90 minutes of deep-digging writing tools for writers of picture books, chapter books, middle grade and young adult — fiction and nonfiction. The class will be live online Tuesday, Oct 13, 2020, with lifetime on-demand rewatching. Jump on over to the class page for the full details and sign-up. Children’s Book Insider is a place to take classes on all aspects of writing and publishing books for young readers.

May 29, 2020: The Editor to Offer a Digital Workshop for SCBWI (Free & Exclusive to SCBWI Members)

The Editor will present the fifth workshop in the Society of Children’s Books Writers & Illustrators‘s second Digital Workshops series. The series is for current SCBWI members, and is free — an offering for members during this unusual summer of lockdown and creative challenge. The Editor’s workshop will be “Submissions Studio: Writing Queries, Strategizing Submissions, and 10 Ways to Translate ‘No’ to ‘Yes!’” It’s for writers of all children’s book categories — beginners as well as advanced writers — looking to perfect their submission package and strategy. The workshop will include a master handout, sample query letters, and a quick-reference sheet for translating editorial feedback. Workshop date:  Thursday, July 2 , 2020, 1:00pm-2:00pm, Pacific Daylight Time. Registration opens Monday, June 29 , 2020, 10am PDT.

March 2, 2020: The Editor’s Article about E-Book Lending in SCBWI’s “Insight”

The Editor’s article “The E-Book Lending Battle Between Libraries and Macmillan, and What It Means to Authors” has been published in the March 2020 issue of  INSIGHT, the Society of Children’s Books Writers & Illustrator‘s monthly enewsletter featuring current children’s book hot topics, helpful hints, exclusive interviews and monthly contests.

Feb 7, 2020: The Editor’s Children’s Book Publishing Overview Article in SCBWI’s “The Bulletin”

The Editor’s article “2019: A Year in Review” has been published in SCBWI’s Winter 2020 edition of THE BULLETIN, a biannual publication provided to members of the Society of Children’s Books Writers & Illustrators. The article is a children’s publishing industry overview, examining events and trends of 2019.

Jan 6, 2020:  The Editor to Ring in the New Decade with a Submissions Webinar

The Editor is excited to be asked by SCBWI – Texas: Austin to ring in the new year with a  submissions webinar. WRITING QUERIES, STRATEGIZING SUBMISSIONS, & INTERPRETING EDITORIAL FEEDBACK is for writers of all children’s book categories, and beginners as well as advanced writers looking to perfect their submission package and strategy. Deborah will do some critiques as part of the webinar: query letters, 1st 10 pages of a YA/MG novel, or a submission package of a query letter, synopsis, and 1st 10 pages.  The webinar will be January 14, 2020, 7-8:30pm CT (5-6:30pmPT, 8-9:30pmET). Details and registration at bit.ly/2N5pXNV. 

Oct 29, 2019:  The Editor to Present a YA/MG  Technique-Focused Webinar
J
oin The Editor for a technique-focused, hour-long Webinar designed to make YA/MG writers stronger self-editors and novelists on Nov 14, 2019.  THE ULTIMATE CHECKLIST FOR SUBMITTING YOUR MG/YA TO EDITORS: 10 Tests Your Manuscript Must Pass to Prove It’s Ready to Submit. “How can you know when your Middle Grade/Young Adult manuscript is ready to submit to agents or editors? You think it is, but how can you know for sure? Learn ten actionable tests for knowing when a novel is really, truly ready to submit . . . along with ways to whip the manuscript into shape if it fails a single one of them.” Hosted by SCBWI-Texas: Southwest.  Details and registration at  http://bit.ly/2pnztn1 

Sept 3, 2019: Interview with the Editor and Giveaway
The fabulous resource website for teen writers TipsForTeenAuthors.com is GIVING AWAY a signed copy of The Editor’s writing craft book WRITING YOUNG ADULT FICTION FOR DUMMIES to go with her in-depth interview about freelance editing as a career. You can read the interview and enter the giveaway at bit.ly/2lxDbrV.

June 15, 2019: The Editor to Teach YA/MG Webinar July 16, 2019
On July 16, 2019, 7-8:30pm CT (5-6:30pm PT / 8-9:30pm ET), Deborah will present the webinar Subtext & Subplots: How to Deepen and Energize Your YA/MG Fiction.” She’ll teach techniques for using subtext and subplots to build rich, satisfying stories and fix common storytelling “problems.” She’ll also be critiquing for those who choose that additional item for the event. It will bosted by SCBWI-Texas: Austin. Details & registration at bit.ly/2ZgH2bs.

June 10, 2019: The Editor Teaches YA all day at SCBWI-Florida’s Orlando Mid-Year Workshop June 7-8, 2019
The Editor was honored to be in Orlando presenting a full-day YA workshop with editor Hannah Milton of Little, Brown Books for Young Readers and author/agent Eric Smith of P. S. Literary. The workshop had additional tracks for middle grade fiction, picture books, and illustration, plus full-day intensives and one-on-one critiques.

April 1, 2019: The Editor to Critique and Consult at SCBWI-Nebraska’s Writing Retreat Sept 27-29 2019
The Editor will be meeting with attendees and critiquing manuscripts for this wonderful weekend of writing and industry talk in beautiful Mahoney State Park. Cabins, a stunning park, and book talk–SCBWI’s Nebraska chapter is putting on an inspiring, supportive event for writers of picture books and middle grade/young adult fiction.

March 2, 2019: The Editor Celebrates Read Across America Day with 4th Graders
2019’s Read Across America Day was a blast for kids and their readers across the country. The Editor
read to two 4th-grade classes at a local elementary school as part of that school’s celebration. In fact, she was doubly honored: Not only was she asked to read to them that special day, the kids asked her to read one of her works-in-progress. Huzzah!

February 20, 2019: The Editor to Be a Guest Reader for NEA’s Read Across America Day 2019
On Saturday, March 2, 2019, schools, libraries, and communities across America will celebrate literacy with the National Education Association’s Read Across America Day. The Editor will be an honored Guest Reader at an elementary school in San Diego the Friday before.

October 18, 2018: The Editor Guest Posts a Character Development Tip at Cynsations Blog
The Editor is honored to be a Guest Blogger on the amazing Cynsations blog today, with her post “Deborah Halverson on Viewing Narrative Beats as ‘Revelatory’ Beats in MG/YA Fiction.” A snippet: “Perhaps we writers drop in those generic actions because we’re so focused on getting the first scenes in place; perhaps we’re just not seeing those beats for the opportunities they are. ‘Oh, what treasure troves those little actions can be!'”

October 14, 2018: New Look for DearEditor.com
The Editor and her website designer have been hard at work all summer, and today they unveil the fruits of labor: a fresh new look for DearEditor.com. To celebrate, The Editor is giving away a free edit of a picture book manuscript and a free partial edit of a novel manuscript via Rafflecopter — the giveaway entry deadline is October 22, 2018. 

September 8, 2018: The Editor Spoke at SCBWI-San Diego about the State of the Children’s Book Industry
In an hour-long up-to-the-minute report, The Editor shared insights and information about the state of the children’s book industry with the members and guests of the San Diego chapter of the Society of Children’s Books Writers and Illustrators. 

April 3, 2018: The Editor on Faculty at SCBWI Southern Breeze WIK ’18
The Editor will present two sessions at the Society of Children’s Books Writers & Illustrators‘ Annual Summer Conference in L.A. August 3-6, 2018:

  • “Up-to-the-Minute Market Report: Industry Updates, Submissions, and New Imprints”
  • “Subplots & Subtext: How to Deepen and Energize Your MG/YA Fiction”

She’ll also critique manuscripts one-on-one. Conference registration opens April 17th @10am PT. Manuscript Consults are limited so if you’re interested, register asap on the 17th.

March 12, 2018: The Editor on Faculty at SCBWI Southern Breeze WIK ’18
The Editor was honored be a part of the faculty at SCBWI-Southern Breeze’s 2018 writing-and-illustrating for kids (WIK) conference, presenting sessions on non-rhyming picture books, revising young-adult and middle-grade novels for submission, and the state of the children’s book industry. The Southern Breeze chapter of the Society of Children’s Book Writers and Illustrators offers support to writers and illustrators in Alabama, Georgia, and the Florida panhandle. It’s an amazing group of creative and supportive people, attendees and conference organizers alike. If you live in that area and write/illustrate for young people, do yourself a solid and check out the group.  

September 23, 2017: The Editor Interview in New MG/YA Online Writing Course at Children’s Book Insider
The Editor is proud to contribute an interview called “Writing for Tweens, Teens and New Adults” to Children’s Book Insider’s Blueprint series, for their new Middle Grade/Young Adult Writing Blueprint. CBI always presents great content. Other fabulous interviews are a part of the new Blueprint — editor Mary Kole and author Matthew J. Kirby. Author Alice Kuipers is the instructor. You can check it out at writing blueprints.com

March 22, 2017: The Editor in Faculty at SCBWI 46th Annual Summer Conference July 7-10, 2017
The Editor is excited to present the annual Market Survey as well as a 3-hr writing intensive “How to Talk Like a Teen When You’re So Not One: Writing Dialogue in YA/MG Fiction” at SCBWI’s 46th Annual Summer Conference in LA. She will also be doing one-on-one critiques throughout the conference.

Expand your skills regarding Craft, Storytelling, Character, Genre Studies, Getting an Agent, Getting Published and Revision. The Editor’s sessions: “Crafting a Youthful Narrative Voice and Authentic Dialogue for Young Adult Fiction,” “Writing Riveting New Adult Fiction”, and “Panel: Connecting With Middle-Grade and Young Adult Readers.”

Sept 28, 2016: Join The Editor at Writer’s Digest Novel Writing Conf Oct 28-30, 2016
Please join The Editor at Writer’s Digest Novel Writing Conference October 28-30 in LA. Expand your skills regarding Craft, Storytelling, Character, Genre Studies, Getting an Agent, Getting Published and Revision. The Editor’s sessions: “Crafting a Youthful Narrative Voice and Authentic Dialogue for Young Adult Fiction,” “Writing Riveting New Adult Fiction”, and “Panel: Connecting With Middle-Grade and Young Adult Readers.”

June 8, 2016: The Editor on YA Author Panel June 11 at Barnes & Noble in Santee, CA
The Editor will be a part of a YA author panel at Santee, California, Barnes & Nobel Saturday, June 11, at 2pm. The panel is “Writing a Book Is Like Riding a Roller Coaster!” Fellow panelists—fabulous YA writers—and The Editor will share stories of our writing ups and downs, and answer questions about writing and publishing: Debra Driza (MILO 2.0 series), Barrie Summy (I SO DON’T DO series and THE DISAPPEARANCE OF EMILY H.), Karri Thompson (MIRROR X, ASCENDENCY), and Matthew Ward (THE FANTASTIC FAMILY WHIPPLE, THE WAR OF THE WORLD RECORDS). Come join them!

May 30, 2016: The Editor Contributes “Believable Dialogue” Chapter to New Writer’s Digest Book 
The Editor is proud to have contributed Chapter 10 “Believable Dialogue” to Writer’s Digest’s new book CRAFTING DYNAMIC DIALOGUE, a comprehensive guide to writing compelling, authentic dialogue in fiction. The craft book is filled with advice and instruction from best-selling authors and instructors like Deborah Halverson (The Editor), Nancy Kress, Elizabeth Sims, Steven James, James Scott Bell, Donald Maass, Cheryl St. John, and many others. Covered in the book: bend the rules to create a specific effect; understand the role of dialogue in reader engagement; use dialect and jargon effectively; give every character a believable, unique voice; set the pace and tone; reveal specific character background details; generate tension and suspense; and utilize internal dialogue.

May 3, 2016: Join the Editor at SCBWI 2016 Summer Conference
Join The Editor at the SCBWI 2016 Summer Conference in Los Angeles July 29-31 (optional craft intensive a on Aug 1). She’ll be presenting the breakout “Crafting Swoon-Worthy Young Adult Romantic Relationships”, the “An Up-to-the-Minute Market Report” on the main stage, and the craft intensive “Crafting Plots that Push, Pull, and Provoke Characters… and Readers, Too.” She will also do 1-on-1 critiques.

August 26, 2015: Rave Review of WRITING YOUNG ADULT FICTION FOR DUMMIES on SCBWI Blog
Author/blogger Lee Wind is well known for caring deeply about writers, so his recommendation of WRITING YOUNG ADULT FICTION FOR DUMMIES on the SCBWI blog makes The Editor especially proud: “Deborah Halverson (who I’m always so impressed with) has put together a really useful guide… Her book is packed with good stuff.”

August 10, 2015: The Editor’s WRITING NEW ADULT FICTION wins San Diego Book Award
The Editor’s book WRITING NEW ADULT FICTION won the San Diego Book Award for 2014 Best Published Business Book. To celebrate, she is giving away a Free Full Manuscript Edit on DearEditor.com August 10, 2015 – August 14, 2015, with the winner to be announced on DearEditor.com August 15, 2015. Click over to the DearEditor.com announcement post for entry details.

April 3, 2015: The Editor to Present Market Report at SCBWI Annual Conference
The Editor will be at the 44th Annual SCBWI Summer Conference in Los Angeles July 31- August 2.  She’ll be presenting the “Up to the Minute Market Report,” the breakout sessions “Techniques in New Adult Fiction for YA Writers” and “The Ultimate Checklist for Submitting Your MG/YA Novel to Editors,” the 3-hr intensive “Voice in MG/YA: How To Create an Authentic Teen Narrator,” and critiques. Registration opens April 9. For more info: http://www.scbwi.org/2015-summer-conference-in-los-angeles/

April 1, 2015: The Editor to Talk NA Fiction with Librarians
The Editor is looking forward to talking about New Adult fiction and its distinct traits and marketplace at the Mid America Library Alliance’s Workshop on New Adult Fiction on April 28. Librarians looking to be as informed as possible for the sake of their patrons. Love it!

Feb 12, 2015: The Editor Interviewed on Adventures in YA Publishing Blog
The Editor is honored to be featured on the fabulous blog Adventures in YA Publishing this week. The blog covers Young Adult Fiction in general, gives away YA books (several giveaways going on this week!), features advice from YA authors, and shares writing tips, and publishing information. Here’s an excerpt from the interview: “With the current enthusiasm for contemporary realistic stories, I see too many manuscripts that showcase above-average writing but fail to deliver a fresh angle on the contemporary teen experience. What makes your story about a regular kid in high school stand out from all those other well written stories about regular kids in high schools? I want to see more great writers find their distinct angles so that they can find publishers and places on bookstore shelves.

Jan 15, 2015: The Editor to Lead Simi Valley Writing Retreat January 16-18
The Editor is leading a fun and informative three-day intensive for SCBWI Cen-Cal Writers’ Retreat: An Editor’s Strategies for Reaching Fabulous Final Drafts. This intensive will consist of lectures, hands-on exercises, informal discussions, and the option of a small group critique session. For an additional fee, you can register for a manuscript critique and private consultation with The Editor.

Oct 8, 2014: Blog Tour and Tourwide Free Full Manuscript Edit Giveaway
The blog tour celebrating the publication of Writing New Adult Fiction is under way! From October 6 – 31, bloggers will be posting reviews of the book, interviews with The Editor, and guest blog posts written by The Editor covering craft, promotion, and the business of publishing New Adult fiction. All of the posts have giveaways, and there’s a tourwide giveaway of a free full manuscript edit. Here’s the link for the tour schedule, updated with excerpts and direct links as each post goes live: https://www.deareditor.com/?p=6644 And here’s the link for the free manuscript edit giveaway’s Rafflecopter entry form: http://www.rafflecopter.com/rafl/display/5440a354204/.

Oct 3, 2014: Be a Writing New Adult Fiction Blog Tour Host
The Editor is honored to be featured at literary agent Jill Corcoran’s blog, discussing what makes NA different from YA fiction: ““What’s the difference between ‘new’ adult and ‘young’ adult? My answer usually starts with a single word: sensibility.” Plus, Jill is running a contest for the feature, the winner of a signed copy of WRITING NEW ADULT FICTION being chosen by October 15, 2014.

Sept 17, 2014: Be a Writing New Adult Fiction Blog Tour Host
Want to be a host on The Editor’s WRITING NEW ADULT FICTION blog tour, featuring reviews, author interviews, spotlights, guest posts, and giveaways? The tour runs Oct 6-31. Sign up: http://bit.ly/1v19GIK

Sept 15, 2014: Interview with The Editor and Signed Book Giveaway on KC Maguire’s Blog
Stop by KC Maguire’s blog for an interview with The Editor and to enter the giveaway for a free signed copy of The Editor’s new book WRITING NEW ADULT FICTION. From the interview: “NA has become established and is pushing for a greater range of stories and thematic exploration, there seems to be a call for fiction that doesn’t necessarily get into the nitty gritty of body parts and movements. After all, not everyone who wants to read about the NA experience wants such graphic detail, and not every writer is comfortable writing it. Ultimately, the details of the sex acts aren’t necessary in order to explore love at this stage of life. Serve up emotionally satisfying relationships. Craft stories that build up sexual anticipation through love denied, teased, and toyed with. A much-anticipated kiss can be more dramatically powerful than a perfunctory graphic groping. That’s why I dedicate a full chapter of my book to the crafting believable, satisfying romance. And it’s why I say that explicit sex scenes are currently expected but maybe not so essential in the long run. The degree of explicitness in NA fiction is an evolving element.”

Sept 2, 2014: The Editor Joins Faculty of  SCBWI-Missouri Fall Conference Sept 6-7, 2014
The Editor will present the “State of the Market” and lead the intensive “How to Build Your Own Teenager” at the SCBWI-Missouri Fall Conference in St. Charles, Missouri, September 6-7, 2014.

Sept 2, 2014: The Editor’s Article “NA Fiction for the YA Writer” in Sept/Oct Issue of SCBWI’s The Bulletin
“Writers see an overlap between ‘mature YA’ and NA and wonder what it means for their own stories about older teens…. There are essential differences in story content, though, and knowing those can help you determine if your mature YA is actually an NA offering.” From The Editor’s article in the Sept/Oct issue of SCBWI’s THE BULLETIN. If you’re an SCBWI member and want to read it, log into your profile page and click on resource library, then on Bulletin in the dropdown menu.

July 1, 2014: The Editor to Join Faculty of  Writer’s Digest Novel Writing Conference Aug 15-17, 2014
Join The Editor for her 3-hour Boot Camp “Writing Riveting New Adult Fiction” and her 1-hour breakout session “How to Hide the Seams for Smooth, Flowing Fiction” at the Writer’s Digest Novel Writing Conference at the Hyatt Regency Century Plaza – Los Angeles August 15-17. For details about the sessions and other award-winning, bestselling authors and publishing professionals at the Writer’s Digest Novel Writing Conference, click here.

May 12, 2014: The Editor’s Interview about the SCBWI Conference, Uses for Setting, and the Difference Between NA and YA Fiction
“Saying NA fiction is just YA with sex is akin to saying YA fiction is just stories of high school romance.” Insightful interviewer Lee Wind asks The Editor about being on the faculty of SCBWI’s upcoming summer conference in Los Angeles (Aug 1-4) and also about the difference between “voice” and “sensibility” in writing, characteristics of New Adult Fiction, and other writing advice. Check out the full interview here.

April 18, 2014: The Editor Presenting Market Keynote at SCBWI 43rd Annual Summer Conference in Los Angeles, Aug 1 – 4
Join the Editor and other authors, agents, and publishing professionals at the Society of Children’s Books Writers & Illustrators annual info-packed 4-day summer conference. In addition to presenting the market keynote, the Editor will present the session “New Adult Fiction for the Young Adult Writer” and the intensive “Crafting a Youthful Narrative Voice and Sensibility in MG/YA Fiction.” She’s also available for one-on-one critiques. Join the fun! Registration opens Monday, April 21, 10am PST. Intensives fill up FAST.

December 6, 2013: Meet the Editor at the New Adult Sleepover Weekend in Savannah, GA, December 6 – 8
Check out the inaugural New Adult Sleepover Weekend, an event for readers and authors of New Adult fiction. Panels about NA characters and publishing, swag, meet-and-greets, parties . . . a fun and informative weekend! The Editor will be there, meeting and greeting and taking in all things NA. Savannah Riverfront Marriott, 100 General McIntosh Boulevard, Savannah, GA 31401.

November 22, 2013: Meet the Editor on YA Panel at San Diego’s Mira Mesa B&N on November 22
As part of Barnes & Noble’s Discovery Friday event Friday, November 22, at 6pm, the Editor will be part of a lively panel about books for young people with Shannon Messenger, author of the middle grade series Keeper of the Lost Cities and the teen trilogy Let the Sky Fall, and Debra Driza, author of the YA thriller Mila 2.0, the first in a series currently being developed as a series for ABC. The panel will be moderated by fabulous Full Circle Literary agent Taylor Martindale. It’s Discovery Friday at the B&N that day, so there will be giveaways all day, including Catching Fire posters, John Green posters, Legos, etc. There will also be a special musical performance by Stacey Leathersich at 8:30. B&N: 10775 Westview Pkwy, San Diego, CA 92126.

August 22, 2013: The Editor Interview Delves Into How Writers Can Succeed in Publishing
In an interview by N.W. Harris, author of Joshua’s Tree, which currently tops the Goodreads 2013 Summer Reading list, The Editor talks about writing fiction versus nonfiction, her path to publication and editorial career, and three things new writers must do to compete in the current, highly competitive publishing industry: “Publishing is an industry, as unartful as it is to admit that, and writers who want their books out there for readers to buy must consider themselves players rather than pawns.” Full the full interview, visit NWHarrisBooks.

August 5, 2013: The Editor Presents State of the Market Keynote at SCBWI Summer Conference
Publishers Weekly included The Editor in its coverage of the 42nd Annual SCBWI Summer Conference: “Deborah Halverson, founder of DearEditor.com, delivered a keynote titled Market Report: An Up-to-the-Minute State of the Industry, which compiled the results of interviews with 17 publishing insiders…. Halverson reported that sales are up for picture books, but editors are still cautious about the category. Chapter books and early readers remain challenging….” For more highlights from The Editor’s keynote, click over to PW’s article.

May 7, 2013: The Editor to Pen ‘New Adult Fiction’ Craft Book
The Editor will publish Writing and Selling New Adult Fiction with Writer’s Digest Books in Fall 2014. Writing and Selling New Adult Fiction is a hands-on guide featuring essential information, steps, and techniques necessary to turn a clever concept into a top-notch novel for 18- to 26-year-olds as well as the teen and adult crossover audience. The book will include advice on self-publishing into the New Adult marketplace, insider tips for finding the right agent and/or editor and preparing a stand-out submission package for traditional publishers, and an extensive chapter on self-marketing to help writers move boldly into the realm of self-promotion.

April 20, 2013: The Editor to Deliver Keynote at SCBWI 42nd Summer Conference
The Editor will deliver the “Market Report: An Up-to-the-Minute State of the Industry” keynote at the Society of Children’s Books Writers and Illustrators 42nd Summer Conference in Los Angeles August 2 – 5, 2013. She will also teach an intensive called “How to Build Your Own Teenager: Techniques for Writing Believable MG/YA Characters, and two one-hour breakout sessions called “The Read-Aloud Factor: Achieving Rhythm without Relying on Rhyme in Picture Books” and “Setting, Wherefore Art Thou?: The Surprising Benefits and How-To’s of Setting in MG/YA Fiction.” For information about attending the conference, click over to the conference home page.

March 18, 2013: Susan Stevens Crummel Joins Revision Week Lineup
The Editor is thrilled to announce that award-winning picture book author Susan Stevens Crummel will be joining the Revision Week lineup! Loved for her solo books as well as her collaborations with author/illustrator (and sister!) Janet Stevens, Susan will shed light on the ins and outs of working through a highly collaborative revision process.

March 15, 2013: Announcing DearEditor.com’s Revision Week 2013, March 24-30
It’s almost time for DearEditor.com’s second annual Revision Week. March 24-30 The Editor will host five authors—who have published a combined 270 best-selling and award-winning books—for a week of revision tips, insights, and stories from the trenches at DearEditor.com. Who’s stopping by? Bestselling and award-winning authors Laura Griffin (romance novels), Matthew J. Kirby (YA novels), Bruce Hale (chapter book series and picture books), Peter Economy (non-fiction), and Larry Dane Brimner (picture books, chapter books, easy readers, nonfiction… you name it!), that’s who! The Editor will add to the excitement with daily drawings for Free Partial Edits and a grand prize Full Manuscript Edit giveaway.

Jan 26, 2013: OnText Blog Features DearEditor.com
DearEditor.com gets the thumbs up in the OnText blog feature “Writing Children’s or Young Reader Books? Great Source of Publishing Help.” OnText is hosted by ghostwriter Maryan Pelland. Pelland calls The Editor “a wealth of information for writers, authors, and ghostwriters to ask questions about the craft of writing or about the very confusing and frustrating publishing industry. Her answers are concise and pull-no-punches.”

Dec 1, 2012: The Editor Celebrates Her First Picture Book with a FREE EDIT Giveaway
The Editor believes writers should celebrate every milestone—and she’s got a milestone to celebrate with her readers. Her first picture book, Letters to Santa, has just published and she’s feting it by giving away a FREE edit of a picture book manuscript up to 2,000 words. Deadline: December 4, 2012. Read the giveaway post for full entry details.

Oct 17, 2012: The Editor Announces Three New Books
The Editor’s three books for Rubicon’s Remix struggling readers series have launched! Brave New World: Cyber World, Brave New World: Meltdown, and Brave New World: Robotic World. To page through previews of the books electronically, visit the Remix: Brave New World series page.

Sept 17, 2012: Finding Bliss Blog Hosts the The Editor, Holds Free Book Giveaway
Excerpt: “Revision can be daunting. . . . Why not give your brain a break by breaking your task into focused chunks? With this approach, you’d pick a writing element, say plot, and ignore everything but that. Working Big Picture chunks to small detail chunks rather than page by page, you’d focus not on revising the story but on honing single elements. Gone is that scattered, overwhelmed feeling.” Read the rest of The Editor’s guest post “Chunking Your Revision” on Laura Howard’s blog Finding Bliss, and enter her giveaway for a free copy of Writing Young Adult Fiction For Dummies.

August 27, 2012: An Interview with The Editor
Excerpt: “The trick is to make something big happen in the story to create a big emotional impact that would raise the emotional temperature of the story and keep it from being too quiet.” You can the full interview with The Editor on Natasha Yim’s blog “I Must Be a Masochist – A Writer’s Life.”

August 23, 2012: Coverage of The Editor’s SCBWI conference Market Trends Keynote
The Editor complied the “2012 SCBWI Market Survey: Publishers of Books For Young Readers” report for the Society of Children’s Book Writers and Illustrators, and gave a keynote at the recent SCBWI Summer Conference about what she learned from her survey – giving attendees the current market needs and trends. To read coverage of her keynote, click over to “SCBWI Summer Conference: Market Keynote Follow-Up with Deborah Halverson” on the SCBWI Blog.

June 28, 2012: The Editor Advises How to Use Subtext as a tool on Quirk and Quill
The Editor’s advice about using subtext to puff up a “flat” fiction manuscript is featured today on Quirk and Quill, a blog hosted by 10 alumni of the Vermont College of Fine Arts writing program. To read the post, click over to “Serving Up Subtext” on Quirk and Quill.

May 25, 2012: The Editor Visits Stanford…Virtually
The Editor talked books and writing during an online chat session today with a Stanford writing class that uses her Writing Young Adult Fiction For Dummies as their text. The Editor is honored that schools continue to adopt the book for their classes.

Mar 23, 2012: Join The Editor at SCBWI National Conference in L.A. Aug 3-6
The Editor will be at SCBWI’s 2012 Summer Conference in Los Angeles Aug 3-6. She’ll be presenting the Current Market Report keynote, a breakout session on writing dialogue, an intensive on revising your MG/YA novel, and an intensive on creating youthful narrative sensibility. Registration starts April 18 at 10am. Check out the full info on the SCBWI conference page.

Mar 4, 2012: DearEditor.com’s Revision Week with 8 Bestselling, Award-Winning Authors
DearEditor.com brings together eight prolific, bestselling, award-winning authors for Revision Week, 7 days of revision tips, insights, and stories from the trenches. Learn from writers who turn first drafts into lauded books every day:

  • Cynthia Leitich Smith, bestselling YA gothic novelist, picture book writer, short story writer, and popular children’s lit blogger.
  • Kathleen Krull, author of more than 60 books, especially picture books and biographies for young readers.
  • R.L. LaFevers, author of the 13 novels for young people.
  • Henry Winkler, Lin Oliver, and Theo Baker, popular chapter book collaborators.
  • Mark A. Clements, horror/suspense author, screenwriter, and prolific ghostwriter.
  • Nathan Bransford, top blogger and former literary agent-turned-author of the Jacob Wonderbar middle grade books.
  • Rachel Caine, New York Times, USA Today, and internationally bestselling author of more than 30 novels.

Feb 26, 2012: DearEditor.com Now on Google+
DearEditor.com is pleased to announce the DearEditor.com Google+ page, sharing industry news, creative inspirations, and writing tips to keep you in the publishing know. The new page complements the DearEditor.com Facebook page and the @Dear_Editor Twitter feed.

Feb 26, 2012: DearEditor.com Goes Mobile
DearEditor.com is now mobile-friendly. With the new mobile design, you can easily read new posts and comments on your mobile device of choice, and you can post your own comments on-the-go. With a simple click on the arrow at the top of your mobile display, you can access archives, categories, and any page on the DearEditor.com website.

The Editor to appear on “Writers Voices” Radio Feb 17, 2012
The Editor will appear live on “Writers Voices” 1-2pm CST, Feb 17, 2012. “Writers Voices” airs on KRUU FM 100.1, an open source, solar-powered community radio station that broadcasts to the larger Fairfield, Iowa, area and has worldwide listenership via the web. Each week they air an hour-long interview with a writer, agent, editor, publisher, or someone else connected to the world of writing. To listen to the show live, tune in to KRUU FM radio or go to online at http://www.writersvoices.com. Hear the rebroadcast Monday Feb 20 8 AM on KRUU FM or download it from the archives: http://www.writersvoices.com or http://www.kruufm.com/station/archives/61.

Free Online Workshop with The Editor Feb 21-23, 2012
The Institute of Children’s Literature website is hosting an online YA workshop featuring The Editor. The drop-in Q&A-format workshop takes place on the ICL’s message board, which anyone can read (no registration required). If you want to post a question, you do need to register (for FREE) by sending email to jan.fields@forums.institutechildrenslit.com with the username you want. Check out the ICL’s Guest Speaker archives while you’re there.

Feb 7, 2012:The Editor on “How to Promote Your Book” Podcast
As part of her blog tour for her book How to Promote Your Children’s Books, author/illustrator Katie Davis focused her regular podcast on “Promoting Your Book.” The Editor has a guest appearance. See the episode description here: http://katiedavis.com/how-to-promote-your-book/. Or click here to hear it directly.

Feb 6, 2012:DearEditor.com to host How to Promote Your Children’s Book Blog Tour
Author/illustrator Katie Davis is a tireless promoter whose 9 children’s books have sold over 250,000 copies. On February 6, 2012, Katie shares what she’s learned about promoting books–and she’s giving away a free download of her new eBook How to Promote Your Children’s Book: Tips, Tricks and Secrets to Create a Bestseller. Follow Katie’s full blog tour for more promo insights & giveaways:

Dec 4, 2011:YA Fusion blog Interviews The Editor
YA Fusion, a blog written by YA fiction writers about the amazing world of young adult fiction, interviewed The Editor and hosted a giveaway of Writing Young Adult Fiction For Dummies. The interviews spans the writing, editing, and reading realm, and offers tips to writers about gauging market trends and walking the line in “edgy” fiction. http://bit.ly/viGL8O

Oct 19, 2011:More Spotlight Week at The Writing Nut: An Interview with The Editor
Spotlight Week at The Writing Nut blog cointinues with an interview with The Editor, covering what makes YA fiction so popular, what aspiring writers should do, and what young readers should know: http://bit.ly/qEOyqs.

Oct 17, 2011:The Editor Featured During Spotlight Week at The Writing Nut
The Writing Nut blog features The Editor and her book Writing Young Adult Fiction For Dummies all week. Stop by for a review of the book, an interview with The Editor—aka Deborah Halverson—and a giveaway: http://bit.ly/r0l1Ht

Sept 25, 2011:San Diego Union-Tribune Dubs Writing YA Fiction For Dummies “Tremendously Helpful”
The San Diego Union-Tribune dubbed The Editor’s new Writing Young Adult Fiction For Dummies a Recommended Read, calling it, “Fun, insightful and tremendously helpful.”

Sept 24, 2011:The Editor Presenting at San Diego Public Library Book Festival Oct 1
The Editor is honored to be a part of the SAN DIEGO COUNTY LIBRARY BOOK FESTIVAL Saturday, Oct 1, at the Encinitas Library. Speakers include YA great Ellen Hopkins, bestseller Lisa See, and Skinny Bitch series author Kim Barnouin. The Editor will be presenting in the community room 5 to 6pm. Check out the festival website for a full list of great speakers.

Sept 24, 2011:The Editor Teaches YA at SCWC Conf in Newport Beach Sept 24
The Editor, aka Deborah Halverson, will be presenting “Writing for Teens? Then Think Like One” at the Southern California Writers’ Conference – LA on Sept 24, 2011. Here’s her session description: “Whether your narrator is your young main character or an all-knowing omniscient being, there are ways to convince young readers that you understand them and their view of the world—and to hook’em good and hard in the process. This session teaches techniques for creating a narrative sensibility that reflects the way teens think, resulting in teen fiction that “clicks” with young readers.” Click on over to the SCWC website for details about this conference, which runs Sept 23-25.

August 3, 2011: The Editor featured on Writing on the Sidewalk Blog
The Editor,aka Deborah Halverson, talks writing, Legos, and banging on drums in “Writing on the Sidewalk”, the blog of authors Suzanne Santillan and Sarah Wones Tomp.

August 3, 2011: The Editor on The League of Extraordinary Writers Blog
The Editor, aka Deborah Halverson, is an interview guest on The League of Extraordinary Writers, a blog hosted by dystopian authors Jeff Hirsch, Elana Johnson, Julia Karr, Beth Revis, and Angie Smibert. With Q-and-A about the most common pitfalls for writers, the current rise in YA lit, a list of must-reads for writers, and the viability of self-publishing as an alternative pub path for writers, this interview is full of great information. Check it out!

June 11, 2011: Announcing WYAFFD Blog Tour
Please drop in on this 8-stop blog tour celebrating the publication of Writing Young Adult Fiction For Dummies. Interviews, guest blog posts on craft, promotion, and chapter books, and a grand finale free webinar. Full schedule:

July 18: Shrinking Violet Promotions
July 19: SCBWI Children’s Market blog
July 20: QueryTracker.net
July 21: Elizabeth O. Dulemba Blog
July 22: Cheryl Rainfield Blog
July 25: Story Connection
July 26: The Got Story Countdown
July 27: Free “Meet the Editor” webinar w/ Katie Davis

June 29, 2011: Interviews, Guest Blogs, Podcasts, & Giveaways in Support of the WYAFFD Virtual Book Launch
Visit these websites and blogs for exclusive content and giveaways in support of the Writing Young Adult Fiction For Dummiea Virtual Book Launch from June 29 to July 5 here on DearEditor.com:

June 29, 2011: Writing Young Adult Fiction For Dummies Virtual Book Launch Begins!
Celebrate the publication of Writing Young Adult Fiction For Dummies from June 29 to July 5 here on DearEditor.com with daily “Free First Chapter Critique” giveaways, free downloads, excerpts from the book, and profiles of the 13 amazing authors, editors, and agents who so generously contributed sidebars to the book. As the grand finale, The Editor is giving away a “Free Full Manuscript Edit” on the final day. Click here for details about the 7-Day Virtual Book Launch.

June 21, 2011: Announcing the Writing Young Adult Fiction For Dummies Virtual Book Launch
Celebrate the publication of Writing Young Adult Fiction For Dummies from June 29 to July 5 here on DearEditor.com with daily “Free First Chapter Critique” giveaways, free downloads, excerpts from the book, and profiles of the 13 amazing authors, editors, and agents who so generously contributed sidebars to the book. As the grand finale, The Editor is giving away a “Free Full Manuscript Edit” on the final day. Click here for details about the 7-Day Virtual Book Launch.

June 20, 2011: Video Writing Tip from The Editor
Click over to Tina Nichols Coury’s blog Tales from the Rushmore Kid for a one-minute video tip from The Editor. The topic: Checking to see if your protagonist has completed a full character arc.

June 8, 2011: Free Webinar with The Editor July 27, 2011
The Editor, aka Deborah Halverson, will be conducting a free webinar with author Katie Davis on July 27, 2011, 9:00-10:oo pm EST. For details or to sign up, visit the webinar information page!

June 6, 2011: Writing YA Fiction for Dummies Virtual Book Launch June 29-July 5
DearEditor.com will be the site of a huge 7-day virtual book launch for the publication of The Editor’s new book WRITING YOUNG ADULT FICTION FOR DUMMIES. Visit every day for exclusive free downloads, book excerpts, profiles of lauded MG/YA author contributors, and daily Free Critique/Full MS Edit Giveaways. More details to come!

June 6, 2011:The Editor to Critique at SCBWI-LA National Summer Conf.
The Editor, aka Deborah Halverson, will be critiquing manuscripts at the Society of Children’s Books Writers and Illustrators 40th Annual Summer Conference in Los Angeles, August 5-8, 2011. Click on over to SCBWI’s conference site for details about this incredible event.

May 16, 2011:The Editor Gives Setting Tips in Hunger Mountain
The Editor, aka Deborah Halverson, is honored to have an article featured in the summer 2011 issue of HUNGER MOUNTAIN, the Vermont College of Fine Arts’ wonderful journal of the arts. In “Where the Teens Are: 5 Ways to Freshen Up YA Fiction’s Favorite Settings,” Deborah offers writers tips for making familiar teen fiction settings like school and the main character’s room feel provocative instead of inevitable. Click on over to Hunger Mountain for more.

May 11, 2011:The Editor Featured in Anderson Valley Post
Anderson Valley Post, the local paper of Anderson Valley, California, ran an article featuring The Editor, aka Deborah Halverson, and her co-faculty for the Cottonwood Intensive Revision Workshop. To read about Edgar Award-winning author Charlie Price, author/illustrator Dr. Mira Reisberg, and Deborah, click over to Anderson Valley Post. To learn more about the May 21, 2011, conference, go to the conference website.

April 11, 2011:Registration Now Open for Cottonwood Intensive Revision Workshop
Registration is open for the Cottonwood Intensive Revision Workshop, to be held May 21, 2011, in Cottonwood, CA (17 miles south of Redding, CA, and approx. 2 hours from Sacramento). The Editor, aka Deborah Halverson, will be teaching at the event, which is dedicated to helping children’s book writers revise their young adult novels and picture books. The 1-day workshop is hosted by SCBWI‘s California North/Central chapter, with Edgar Mystery Award nominee author Charlie Price and award-winning picture book illustrator, art director, designer, and educator Dr. Mira Reisberg filling out the faculty. For more information or to register (deadline May 1, 2011), contact scbwicanorthcentral@gmail.com or go to the Conference website.

Mar 2, 2011:SCBWI Chapter Features The Editor in Kite Tales
The Editor (Deborah Halverson) lays down some scene advice in the 2011 Spring Issue of Kite Tales, the newsletter for the SCBWI Tri-Regions of Southern California. The chapter has shared a link to the newsletter, which is full of fantastic information: Kite Tales, Spring 2011. For more information about SCBWI (Society of Children’s Books Writers & Illustrators), go to SCBWI.org.

Jan 26, 2011:The Editor to Talk to Teachers about Supporting Young Writers
June 20-23, 2011, teachers earning their MAs will gather at the 32nd San Diego State University Summer Conference, and The Editor (Deborah Halverson) will be there with them. Her session, “BIF! BAM! POW!: Helping Young Writers Release Their Inner Heroes,” focuses on helping young writers tap into the heroes within themselves in order to write about characters who overcome their fears and flaws for heroic outcomes.

Jan 25, 2011:The Editor at Cottonwood Revision Intensive
On May 21, 2011, The Editor, aka Deborah Halverson, will be helping children’s book writers revise their young adult novels and picture books at the Cottonwood Revision Intensive in Cottonwood, California. The 2-day workshop is hosted by SCBWI‘s California North/Central chapter, with author Charlie Price filling out the faculty. For more information or to register, contact scbwicanorthcentral@gmail.com

Nov 29, 2010:The Editor Goes In Between Scenes for FictionNotes
The Editor, aka Deborah Halverson, wrote a guest post today about why it’s crucial that a writer knows what happens in the white space between scenes for author Darcy Pattison’s information-loaded blog “Fiction Notes.” Darcy is a writing teacher and the author of The Book Trailer Manual (www.booktrailermanual.com), several picture books, and the teen fantasy novel The Wayfinder.

Nov 29, 2010:Author Mary E. Pearson Becomes 1st Guest Editor for the Day
As DearEditor.com’s first Guest Editor for the Day, author Mary E. Pearson stepped in to help a frustrated writer battle back against writer’s block. Mary is the award-winning author of five novels for teens, including the new The Miles Between.

Nov 27, 2010:New Feature Added to DearEditor.com – Guest Editor for the Day
DearEditor.com is adding a new feature: Guest Editor for the Day. Starting Monday, November 29, The Editor will occasionally hand over her editorial pen to a publishing colleague who will field a question that falls within his or her realm of expertise. In this way The Editor hopes to add to the depth of the knowledge bandied about DearEditor.com. The more voices we hear, the wiser we become. First up: award-winning author Mary E. Pearson.

Nov 24, 2010:The Editor Answers Callers’ Questions on “Brain Burps About Books” Podcast
Deborah Halverson, aka The Editor, answered listeners’ questions about publishing children’s books on author Katie Davis‘s podcast Brain Burps About Books.” If you’ve got a question you’d like Deborah to answer in a follow-up podcast, call Katie’s toll free line at 888-522-1929 and leave a message.

Nov 11, 2010:One Week to Phone In Questions to The Editor
On November 18th, author Katie Davis will tape an interview with Deborah Halverson, aka The Editor, for Katie’s podcast “Brain Burps About Books.” If you’ve got a question you’d like Deborah to answer in the podcast, call Katie’s toll free line at 888-522-1929 by November 18th and leave a message. DearEditor.com will post an update when that podcast is available for listening.

Oct 11, 2010:Six-Month Free Picture Book Edit Giveaway Winner Announced
Congratulations to Jennifer Carson, the winner of the FREE EDIT giveaway celebrating DearEditor.com’s first six months. Jennifer’s manuscript is entitled Stinking Beauty. To the rest of DearEditor.com’s readers, thanks for a fun first half year. Keep those questions, comments, and anecdotes coming! The more we hear, the more we learn.

Sept 20, 2010:GIVEAWAY! a FREE EDIT of one Picture Book Manuscript
The Editor is giving away a FREE EDIT of one picture book manuscript to celebrate the six-month anniversary of DearEditor.com. To enter more than once, spread the word! See the DearEditor.com giveaway announcement for rules and to enter. Deadline: October 10, 2010.

July 29, 2010: The Editor to Write “Writing Young Adult Fiction for Dummies”
The Editor, Deborah Halverson, has signed on to write “Writing Young Adult Fiction for Dummies” for Wiley Publishers’ For Dummies… line, to hit stores June 2011. To learn more about the For Dummies… books, go to www.ForDummies.com.

June 18, 2010: The Editor Guest Posts about Setting in Novels on “Cynsations”The Editor, Deborah Halverson, wrote a guest post today about setting in novels on author Cynthia Leitich Smith’s fabulous blog “Cynsations.” Cynthia is a New York Times and Publishers Weekly best-selling author of YA Gothic fantasies, including Tantalize and Eternal, as well as several picture books for children. Here’s a teaser from Deborah’s guest post, “Setting, Wherefore Art Thou?“: “We need setting in our stories. We need the richness that makes up setting, the sensual engagement that can only come from hearing the crunch of frosty grass under the protagonist’s bare feet, or feeling the sudden whispery kiss of a spider’s web dangling from the eaves. We’d just have a girl walking across a lawn and a creepy old house. Where’s the joy in that?” Check out Cynthia’s blog for the whole post. To learn more about Cynthia, go to CynthiaLeitichSmith.com.

May 31, 2010: The Editor’s Article about Teen Fiction & Melodrama Appears in “The Inside Story

The Editor, Deborah Halverson, wrote the feature article “Melodrama Isn’t a Four-Letter Word” for this month’s “The Inside Story”, a monthly newsletter by Bruce Hale, author of two hilarious chapter book series—the Chet Gecko series, and the Underwhere series. Here’s a teaser from Deborah’s article: “So, you’re thirty-something writing a teen novel, and you want your narrative voice to sound convincingly youthful? That’s an outstanding goal. A believable voice makes all the difference in the success of a manuscript. But how do you actually do it? The answer might surprise you.” To subscribe to “The Inside Story” and read Deborah’s full article, go to http://bit.ly/b3yXd5. To learn more about Bruce Hale, go to BruceHale.com.

May 25, 2010: The Editor Interviewed for SCBWI’s “Industry PROfiles
The Society of Children’s Books Writers & Illustrators has just posted an on-line interview with DearEditor.com’s resident Editor, Deborah Halverson. The interview focuses on Deborah’s literary journey from playroom to publishing house to author’s chair, and explores how she balances her roles as Author/Editor/Mom. The full interview appears in SCBWI’s “Industry PROfiles.”

May 3, 2010: The Editor to Speak at SCBWI-San Diego Chapter Meeting
The Editor, Deborah Halverson, will present “How Do You Know Your Manuscript Is Ready for Submission?” at the season-opening meeting of the SCBWI-San Diego chapter, on September 11, 2010, from 2-4pm, in Hahn Nursing Hall on the University of San Diego campus. For details about the meeting and the chapter, visit their website.

April 15, 2010: One-Month Anniversary Edit Giveaway Winner Announced
Congratulations to Annemarie O’Brien, winner of the giveaway of a free substantive edit of a YA/MG manuscript. Annemarie’s manuscript is an upper middle grade novel titled Dance with Borzois. Congratulations, Annemarie! To the rest of DearEditor.com’s readers, there will definitely be more giveaways like this in the future. Thanks for your enthusiastic support during DearEditor.com’s inaugural month!

April 7, 2010:GIVEAWAY! a FREE Substantive Edit of one YA or MG Fiction Manuscript
The Editor is giving away a FREE Substantive Edit of one Young Adult or Middle Grade fiction manuscript to celebrate the one-month anniversary of DearEditor.com. To enter more than once, spread the word! See DearEditor.com home page for rules and to enter. Deadline: April 14, 2010.

April 6, 2010:The Editor Interviewed on SellingBooks.com
The Editor, Deborah Halverson, talks writing, editing, and why half of females aged 18 – 25 want to be run over by a truck in a new interview on SellingBooks.com. Check it out!

March 13, 2010:Interview on Writers’ Waiting Room about the Creation of DearEditor.com
An interview with The Editor, Deborah Halverson, was posted today on Writers’ Waiting Room. The interview focuses on the creation of DearEditor.com. The Writers’ Waiting Room was launched on the premise that all writers are waiting for something–the next idea, an agent, a publishing contract or the type of quiet that happens when the kids go to bed. It is run by writer Tami Casias, who interviews authors to get their take on living a writer’s life.

March 24, 2010: The Editor to Present Workshop at SCBWI’s Summer 2010 Conference
The Editor, aka Deborah Halverson, will be presenting a workshop at the Society of Children’s Books Writers & Illustrators’ 39th annual summer conference, which will be held at the Century Hyatt in Los Angeles July 30 through August 2, 2010. Deborah’s session is “The Ultimate Checklist for Submitting to Editors: 10 Tests a Novel Must Pass to Prove It’s REALLY Ready for Submission to Editors.” Registration for the conference starts April 28th at www.scbwi.org.

March 3, 2010: DearEditor.com Utters Its First Tweet
DearEditor.com just tweeted its first Gr8 1st Line: “The way I see it, being dead is not terribly far off from being on a cruise ship.” from Stiff by Mary Roach. For more DearEditor.com tweets, go to http://twitter.com/Dear_Editor or just tweet to @Dear_Editor.

March 3, 2010: DearEditor.com Launches
DearEditor.com has just gone live! The first post answers a writer’s question about how to sound like a teenager. Special thanks to this site’s designer, Theresa Stanton at Blogs for Photogs, who took the vision for DearEditor.com to a fantastic new level.

Newsflash: A DearEditor.com FREE EDIT Giveaway

Dear Readers…

To celebrate the end of the summer writing season, the Editor is giving away a FREE Substantive Edit of a manuscript up to 80,000 words. Deadline: August 28, 2012. Read on for rules….

Summer is winding down, kids are heading back to school, and writers across the land are taking stock of their summer writing. I can’t think of a better way to celebrate our transition into the next writing season than giving away a free Substantive Edit* of one fiction or nonfiction manuscript. Here are the rules:

  1. Your manuscript can be of ANY GENRE or CATEGORY (for adults or children, fiction or non-fiction), including picture books.
  2. Your manuscript must be COMPLETE.
  3. Your manuscript SHALL NOT EXCEED 80,000 WORDS.
  4. Manuscripts that do not meet these requirements will be disqualified.
  5. Deadline: MIDNIGHT, August 28, 2012, PST.
  6. Winner will be randomly selected using Randomizer.org and announced on August 29, 2012, on DearEditor.com and on the DearEditor.com Facebook page, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. DO NOT send your manuscript or any portion of it. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.)

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this giveaway to get additional entries. Send an email to DearEditor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

*In a “Substantive Edit,” the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, delivery of background information, adult sensibility (children’s books only), and the synchronicity of age-appropriate subject matter with target audience, as the Editor determines appropriate and necessary after reviewing the entire manuscript. It is not a word-by-word, line-by-line “Line Edit.”

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

 

Dump the Blog, Go Full-Tilt on Twitter?

Dear Editor

A published writer friend is thinking of freezing her blog and simply posting regularly on Twitter. She says the blog takes too much time for too little feedback. I get that she wants more writing time while still having the social networking, but this seems like a strangely backward idea. If I wanted to open a discussion, Twitter would be my last choice. What’s your opinion? Which will agents/editors prefer to see? How do YOU write a successful blog, keep tabs on the triplets, write books, and run the vacuum cleaner? or feed the dog? or put your feet up for a simple moment of peace and quiet?

Anon.

 

Dear Anon….

Actually, your desire for “discussion” can be met on Twitter via chats, hashtag threads, and replying to others’ tweets. Plus, good tweets are retweeted to thousands of people, who may then reply, retweet, and “follow” you. Major networking and promo potential! But participating in Twitter on that level takes time. I respect your friend’s choice to go all in. Editors and agents know the potential of a strong Twitter presence. I hope she doesn’t “freeze” her blog, though. Readers seek out authors through their websites, and a dead blog makes a site look abandoned—a negative impression. Keep a blog current with minimal effort by blogging one of your tweeted items every weekish with a sentence or two expanding on it. (BTW: We have hissing cockroaches instead of a dog. Far less work.)

Happy writing!
The Editor

Revision Week BONUS Interview: Rachel Caine

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Dear Readers…

The Editor is thrilled to present a BONUS Revision Week interview . . . with Rachel Caine! Rachel is the New York Times, USA Today, and internationally bestselling author of more than 30 novels, including the YA series The Morganville Vampires, the Weather Warden series, and the Outcast Season series. Rachel’s newest series, The Revivalist, launched in 2011 with Working Stiff, and her stand-alone YA novel The Great and Lamentable Tragedie releases this year.

Please join Rachel and The Editor for the Revision Week finale, and find out how to win the final “Free Partial Edit” from The Editor.

Rachel Caine has been honored with a Paranormal Pearl Award and an RT Booklovers Award, and was recently awarded a Career Achievement Award from Romantic Times. She has appeared as a guest at over 100 science fiction, fantasy, mystery and romance conventions and conferences over the past 20 years, including Dragon*Con, San Diego ComicCon, the World Fantasy Convention, and the World Science Fiction Convention. Rachel has been featured in several national publications including People magazine, Entertainment Weekly, and Vanity Fair, and on international, national, and local television and radio. Today Rachel talks about revising when you’re under the gun.

*After Rachel’s interview are instructions for entering today’s Free Partial Manuscript Edit Giveaway.

How many drafts does it typically take before you feel confident about the character and story choices you made?

I’m in a very odd position. With a book due every three months, I don’t have a lot of luxury to rework things—they need to be close to the target (very close!) on the first draft. With the schedule I and my editors have, I have to be (somewhat foolishly) confident of my first draft. (Watch Rachel talk about The Morganville Vampires series here.)

Which draft typically gets shown to your editor?

Generally, Version 1.5 gets sent in—I may have time for a fast read-through and tweak, but that’s pretty much it.

How much revising happens after the editor sees that draft?

None, until I get her notes; a LOT, after I receive those. I generally do a page one rewrite once I know what she sees as the strengths and weaknesses and problems, and comb through very thoroughly as I make those changes. Then, there are usually smaller questions that arise during copyedits that need solving. (Watch the Last Breath trailer here.)

Do you use critique partners?

Honestly, under my schedule, there’s no room for them. I’d love to have them, and when I have something that *isn’t* under that fierce spotlight of deadline, I do it. Generally, my agent (fellow author Lucienne Diver) also reads my manuscripts and gives me feedback while the editor is reviewing it as well, so I have additional input. I have nothing against critique partners, and have been a member of several groups, but it’s a timing issue now.

Can you share an experience of having a story problem you didn’t think you could solve but eventually did?

Oh, yes. I just finished copyedits for that book, Two Weeks’ Notice (Book 2 in the Revivalist series). My original first draft was solid, but it had a huge plot hole—I specifically said that a certain virus took a month to incubate and become active, and then I had it happening almost immediately to a second character. That seems like an easy fix, but what the second character did under the influence of the virus was critical … and it seemed like a dead end, because I needed that one-month incubation period for story purposes. I solved it by realizing that what the second character did could be transferred to a third, unrelated character who could plausibly have been infected a month before. And it worked!

What’s the most drastic thing you’ve done to a story while revising?

I once cut out half the book. HALF. Just took everything that happened after the “broken” scene and started over from scratch, because that scene was pivotal and everything after followed the wrong trail. It was difficult, but it worked in the end.

How do you know you’ve got the final draft?

There’s never a final draft for me, only the one you have to turn in because you’re out of time. But I guess if I had the luxury of having all the time in the world to do it, I think it would be the point at which I was bored with the story, where I didn’t want to play in that world anymore. There’s a certain fatigue that sets in, and I think if you’re reworking past that point, you’re not helping the story.

REVISION WEEK’S FINAL GIVEAWAY:

The Editor is giving away one last FREE PARTIAL EDIT of your manuscript. Here are the rules, with a bonus entry available to DearEditor.com subscribers:

  1. Your manuscript can be of ANY GENRE or CATEGORY (for adults or children, fiction or non-fiction), including picture books.
  2. The partial edit will cover the FIRST CHAPTER of your manuscript. In the case of a picture book entry, the edit will cover the entire manuscript—but the manuscript cannot exceed 7 double-spaced, 12-pt font pages.
  3. Deadline: MIDNIGHT tonight, March 11, 2012, PST.
  4. Winner will be randomly selected using Randomizer.org and announced on March 12, 2012, in the DearEditor.com comments section and on the DearEditor.com Facebook page, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Partial Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.) Do not attach or embed any part of your manuscript in the entry.

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck . . . and thank you for a fun week!

Revision Week: Nathan Bransford

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Dear Readers…

Today was scheduled to be the grand finale of Revision Week, but the event has been so fun that The Editor can’t resist posting a bonus author interview tomorrow. Stop by for that surprise guest, along with a bonus edit giveaway.

For today, we’ve got the wonderful Nathan Bransford, author of the Jacob Wonderbar middle grade series and former literary agent with Curtis Brown. Nathan offers a unique view of the revision process thanks to his experience both as an author and as an agent ushering writers to book deals with publishers.

We’ve also got the promised “FREE Full Manuscript Edit” Giveaway from The Editor!

Nathan Bransford is the author of Jacob Wonderbar and the Cosmic Space Kapow and Jacob Wonderbar for President of the Universe, the first two novels in a middle grade series about three kids and their planet-hopping adventures. He was formerly a literary agent with Curtis Brown Ltd. from 2002 to 2010, but is now a social media director and the writer of the popular blog about writing and publishing, www.nathanbransford.com.

*After Nathan’s interview are instructions for entering today’s Free Full Manuscript Edit Giveaway.

How many drafts does it typically take before you feel confident about the character and story choices you’ve made?

This is a tricky question for me actually because I tend to edit as I go and don’t typically go through discreet drafts. But the novel is usually done for me after the third or fourth major overhaul.

Which draft typically gets shown to your editor?

Whatever draft it is where I can’t bear to look at it anymore and have exhausted every possible idea.

How much revising happens after the editor sees that draft?

It depends on the book, but usually two major rounds of revision.

Do you use critique partners?

No, I don’t show it to anyone before I send it to my editor. I’m fortunate to have a really fantastic editor, Kate Harrison, who helps me mold the book into a much better form once I’ve gotten as far as I can go on my own.

As an agent, did you ever work through revisions with authors before submitting them to publishers?

Definitely, I was a very hands-on agent. I always thought it was important to make sure the manuscript was as good as possible before going out to editors.

Do agents work through revisions with writers before agreeing to represent them?

It depends on the agent. When I was an agent I preferred to work with authors on an exclusive basis but without an offer of representation in place. That way we could both see if we were happy with how the revision process was going and our working relationship and formalize the relationship once we were confident in the manuscript. But situations vary.

Can you share an experience of having a story problem you didn’t think you could solve but eventually did?

When I started Jacob Wonderbar for President of the Universe I had this particular opening that was how I had always envisioned beginning the novel. But when I wrote it out and sent it to my agent and editor… it just didn’t work. I had to completely re-imagine the opening and start over from scratch. It was daunting at the time and I had to kind of take a deep breath and regain my confidence, but it was definitely the right choice. The revised opening is much stronger and I’m so fortunate I had an opportunity to take a new approach. (Watch the Jacob Wonderbar trailer here.)

What’s the most drastic revising experience you’ve been part of?

I had one client where I advised her to completely change the genre of her novel and revise the plot to match. It was a ton of work for the author but it worked! The new version of the novel ended up selling and doing really well. Sometimes at the heart of a draft there’s a great novel that needs to be brought to the surface and polished. (Hear Nathan’s thoughts about “pitching,” videoed at the 2010 San Miguel Writer’s Workshop here.)

How do you know you’ve got the final draft?

When my editor says it’s done.

TODAY’S GRAND PRIZE GIVEAWAY:

The Editor is giving away a FREE FULL MANUSCRIPT EDIT of your manuscript. The edit will be a “Substantive Edit,” in which the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, delivery of background information, adult sensibility (children’s books only), and the synchronicity of age-appropriate subject matter with target audience, as The Editor determines appropriate and necessary after reviewing the entire manuscript. It is not a word-by-word, line-by-line “Line Edit.”

Here are the rules:

  1. Your manuscript can be of ANY GENRE or CATEGORY (for adults or children, fiction or non-fiction), including picture books.
  2. Your manuscript must be COMPLETE and SHALL NOT EXCEED 90,000 WORDS. In the case of a picture book entry, the manuscript cannot exceed 7 double-spaced, 12-pt font pages.
  3. Deadline: MIDNIGHT tonight, March 10, 2012, PST.
  4. Winner will be randomly selected using Randomizer.org and announced on March 11, 2012, in the DearEditor.com comments section and on the DearEditor.com Facebook page, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Full MS Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.) Do not attach or embed any part of your manuscript in the entry.

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this Revision Week giveaway to get additional entries today. Send an email to DearEditor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

Revision Week: Mark A. Clements

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Dear Readers…

DearEditor.com’s Revision Week continues with award-winning author Mark A. Clements. In addition to being a horror and suspense novelist, Mark has ghostwritten numerous books, giving him a distinct view of the revision process.

Please join Mark and The Editor for Day 5 of Revision Week, and find out how to win today’s “Free Partial Edit” from The Editor.

Mark A. Clements’ first horror novel, 6:02, was nominated for a Bram Stoker award. It was followed by the horror mystery Children of the End and the mystery thriller Lorelei, both of which received multiple nominations and awards. Mark’s The Land of Nod earned the Theodore S. Geisel “Best of the Best” award. All of Marks books have been optioned for film, and he also wrote the script for an original short, Dreamweavers. Mark is widely loved for his tireless work running critique sessions at writers conferences—often staying up to the wee hours to make sure every writer gets the chance to read and field full feedback.

*After Mark’s interview are instructions for entering today’s Free Partial Edit Giveaway.

How many drafts does it typically take before you feel confident about the character and story choices you made?

For me at least, the use of word processors pretty much destroyed the meaning of the word “draft.” Back in typewriter days I did about four drafts of each novel…now I write 30 or more versions of some portions, and five or six versions of other portions. I insist that there’s a correlation between quality and all the extra dinking around. I insist, I tell you!

Which draft typically gets shown to your editor?

The one I’m satisfied with. I always prefer to give an editor as little work (i.e., interfering) to do as possible.

How much revising happens after the editor sees that draft?

Typically not much.

Do you use critique partners?

“Partners?” No, no, no. I belong to a read and critique group with which I share portions of the work to see if it’s doing what I want, but I never share even slightly rough material and I don’t seek out advice on how to “fix” something. I don’t believe in writing by committee.

How does revision work in ghostwriting? How do you strike a balance between your judgment as a writer and the preferences of the person you’re writing for?

I never did strike that balance; I usually wanted to strike the person I was writing for. So I don’t ghostwrite anymore.

Can you share an experience of having a story problem you didn’t think you could solve but eventually did?

My current novel features an organism that is alive but does not become conscious or self-aware until a third of the way through the story. I shuffled through two dozen openings before I realized that conscious or not, the organism needed its own point of view in order for the book to work. Getting there was a difficult but in the end very satisfying process.

What’s the most drastic thing you’ve done to a story while revising?

Thrown out 75 pages of stuff I originally thought was essential. Big lesson there….

How do you know you’ve got the final draft?

There’s no other way to put it: the story feels done.

TODAY’S GIVEAWAY:

The Editor is giving away one more FREE PARTIAL EDIT of your manuscript. Note that the winner of today’s giveaway IS eligible for Saturday’s grand prize Full Manuscript Edit Giveaway. Here are the rules, with a bonus entry available to DearEditor.com subscribers:

  1. Your manuscript can be of ANY GENRE or CATEGORY (for adults or children, fiction or non-fiction), including picture books.
  2. The partial edit will cover the FIRST CHAPTER of your manuscript. In the case of a picture book entry, the edit will cover the entire manuscript—but the manuscript cannot exceed 7 double-spaced, 12-pt font pages.
  3. Deadline: MIDNIGHT tonight, March 9, 2012, PST.
  4. Winner will be randomly selected using Randomizer.org and announced on March 10, 2012, in the DearEditor.com comments section and on the DearEditor.com Facebook page, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Partial Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.) Do not attach or embed any part of your manuscript in the entry.

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

Revision Week: Co-Authors Lin Oliver, Henry Winkler, & Theo Baker

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Dear Readers…

DearEditor.com’s Revision Week continues with co-authors Lin Oliver, Henry Winkler, and Theo Baker. All three authors team up today to discuss the part collaboration plays in the revision of series and chapter books for young readers.

Please join Lin, Henry, Theo, and The Editor for Day 4 of Revision Week, and find out how to win today’s “Free Partial Edit” from The Editor.

Lin Oliver has written several series with her co-authors—17 best-selling “Hank Zipzer” books and now three best-selling “Ghost Buddy” books with Henry Winkler, and the brand new “Sound Bender” series with Theo Baker—plus a series of her own, the “Who Shrunk Daniel Funk?” series. These prolific co-authors have learned a thing or two about revision. They’ve joined forces once again in an insightful tag-team interview for Revision Week.

*After the interview are instructions for entering today’s Free Partial Edit Giveaway.

How does revision work within a collaboration?

LIN:  The first step in revising with a collaborator is to agree on what you want to revise. Even when working with someone with whom you’re very attuned, you will always have differences of opinion, or differences in ear—how you hear the words. A lot of back and forth conversation is involved in deciding what changes you want to make in your manuscript, and often, one of the two partners has to compromise. It helps to know each other’s strengths and weaknesses, so you can fairly adjudicate your differences of opinion. Working with Theo on Sound Bender, he thinks I tend to go for the funny rather than the dramatic. He’s right, and knowing that helps us realize my limitations. I think he’s sometimes too long-winded, so I always want to trim his material. (He calls me Dr. Scissorhands.) You have to be very flexible in your negotiations so both parties come away feeling ownership of the final draft, and also very sensitive not to make it a critique of your partner’s talents but a decision of what works best at any given moment in the manuscript.

THEO: It’s completely different than working alone. For one thing, you always have a nominally sympathetic reader waiting for pages—so there’s no need to put drafts in a drawer to try to forget about them before revising. But while revision is sometimes much more difficult flying solo, revising with a collaborator can often be much more painful! If something doesn’t work for your partner—even if it’s something you love—it skips the drawer and goes directly into the garbage can.

When you’re writing a series, you know your characters well. How many drafts are needed once you get a series established? What kinds of things are you refining at that level?

LIN:  The first book in a series is always the most difficult because you are discovering your characters’ voices, peculiarities, habits, backstory. Many drafts are necessary to deepen your understanding and portrayal of your characters. I find that several books into the series, the voices come very naturally and require less conscious effort. However, plot is always a sticky point for me, and that always requires revision and tweaking to keep the tension going and the scenes relevant. I also find that in series, you have to be a strict cutter, because when you know the characters so well, it’s easy to let them ramble on a bit, and those digressions—although interesting—can really stall the story.

THEO: Though I’ve only written two books about the same characters, writing one book is enough to get to know your characters well. Too well, in fact. In writing Sound Bender 2, I just plodded along with my boys (and girls), and then after the fact, we went back and established most of the major characters so our readers wouldn’t be quite so lost! Readers may read books in a series continually, or they may space out the books by years. I think most readers, even very good ones, are mostly confused most of the time. So we try to help them as much we can with character info early and often. Makes the reading experience a little less tense.

How early does your editor come into each new book?

HENRY and LIN: Our editors are always involved in the concept phase—both formulating the concept for the series and in a conversation about the plot line in general. Usually, we have to submit a title early on in the process, for marketing purposes, so the title often helps define the concept. Then we go away and write the book, and the editor comes back to us with notes after we submit the first draft. Often there is a second set of notes, usually much more specific in nature, and we make those adjustments. That pass allows us to do a line polish of our own, having had some time and distance from the manuscript. That’s when we go through and take out a weak joke, an unnecessary adjective, a flabby verb, an unnecessary line of dialogue.

THEO: The editors come in at the very earliest stages—and are usually the ones who remind you that you owe them another book, and for the love of coffee, you should probably get started on it. They usually want a brief outline or synopsis up front—just to know that you’ve got a sound map to follow, so they can sleep at night. Editors are great at this stage; they read so much and in such a particular way that they can see problems way down the road. Once they’ve helped you with your map, then they leave you alone for several months—ostensibly so you can write.

Henry, the Ghost Buddy series is a new one for you and Lin. Did the first manuscript fall into place quickly, or did it take a few rounds to settle into the new characters and voices?

HENRY: As I remember, because we are now happily on our third Ghost Buddy, it did take a little longer than usual to do the first book in the series. Billy Broccoli and The Hoove, our main characters, were pretty clear. It was the supporting characters that needed to become fully alive to us. We also worked really hard on the rules of having a ghost in the story—to set a clear and consistent set of rules and hold ourselves to them. This is not an easy task. (Watch Henry and Lin talk about writing the Ghost Buddy series here.)

Lin, your new supernatural series “Sound Bender” (with Theo) is for older readers and has an edgier, more adventurous tone than your books with Henry. How has working with a new collaborator on a new project for a new audience affected your approach to shaping a story?

LIN: Well, it’s important to note that my new collaborator is also my son, which complicates the interaction in both blissful and complex ways. We have to work hard not to make this a mother-son relationship, but an interaction between two colleagues of equal ability. Theo has a great sense of adventure and is always very close to what our key readers … tween boys … are interested in. I always defer to him in those areas. I am a bear about staying on story, keeping the tension high, making sure each scene serves a purpose in advancing the story, keeping things pacey. Theo, I think, is willing to tolerate a more meditative pace. We bump into each other a lot on that spectrum…how fast to move the story, how much digression to include, how much scientific and historical fact to highlight. The happy news is that I believe both Sound Bender books have benefitted from our collaboration and specifically from our having to work out this very issue. They are deeper than they would have been if I had written them alone, and quicker than they might have been had Theo written them alone. I think this is one instance when compromise resulted in a better all around book.

Do you share your manuscripts with kids to test them out?

HENRY: No, we don’t. If we laugh in the room, it goes in the book. If the rhythms we come up with in telling the story land easily on the ear, it goes in the book. If the theme moves us emotionally, it becomes the book.

THEO: I share them with my inner child, but no actual kids. I was a tough and discerning eleven-year-old—most of them are; they can spot lies and phoniness a mile away. My inner child will respond right away to anything fake with a devastating eye-roll and a sarcastic, “Yeah right, that’s so stupid.” He’s tough, and it hurts every time.

Lin, do you use critique partners when you write your “Who Shrunk Daniel Funk?” series, which is not a collaboration?

LIN: I don’t use critique partners, but I have several first readers who are central to me. I always talk through the plot with Steve Mooser, my SCBWI partner of the last 40 years. He is invaluable when it comes to hearing a story and foretelling whether it will work. Plot is always the area where I need the most help. When it comes to actually writing the scenes, I’m pretty sure-footed with my particular comedic voice. However, I’m about to begin doing research on a new kind of novel for me, a multi-generational historical saga, and I’m hoping to use critique partners there. It’s a brand new tone for me, and I’m sure I’ll need smart feedback.

Can you share an experience of having a story problem you didn’t think you could solve but eventually did?

LIN: My story problems are always in the Second Act. I usually know the First Act, establishing the problem. And I usually know the Third Act, solving the problem. Where I stumble is in the middle, trying to create complications that are relevant to the story and build tension. In the second Sound Bender, which Theo and I just finished, we really struggled with the middle. Our hero, Leo, has to find the other half of a mysterious Siamese twin mask from Borneo. He uses his sound bending powers to do so. The middle of the story involves a trip to Borneo, and a journey down the river into the jungle (an homage to Conrad’s Heart of Darkness). What was really tough was how to make all the adventures on the river build tension and not be just exciting episodic events. In the end, we had to cut that act by at least half, to get rid of those scenes that were temporarily exciting but did not really contribute to the building of tension. It was miserable work, getting through that Second Act. We got lost on that damn river so many times before we could paddle our way out.

THEO: There’re so few rules in writing that I’ll latch onto anything that seems wise or helpful. One aphorism I like (and have no clue to its origin) is: If the narrative seems slow, that means you’re not focusing on the right things. (paraphrased)

If a story isn’t working, it seems flat, lifeless. And the reason why it feels lifeless is almost always because the main character is so overwhelmed with story and narrative beats that he can’t be himself, and can’t respond like a living person.

When I’m staring at a lifeless scene, one thing I like to do is what I call an “emotional draft.” When revising, it’s easy to get so bogged down in the weeds of language, story development, the “way it should be” that it can feel suffocating—both for you and the character. So the “emotional draft” is a blank page draft, where I just focus solely on what the characters are actually feeling in the moment, while momentarily forgetting about all the other work on that scene I’ve already done. It’s a very safe and playful exercise, and a great way to add life into empty words.

What’s the most drastic thing you’ve done to a story while revising?

HENRY and LIN: We usually have a very concise and clear outline before we start writing. What amazes us each time we write a book is that the story itself has a mind of its own and when we’re trying to go right, it often goes to the left. We have learned to faithfully follow, even if the result is a drastic change from the original plan.

LIN’s additional note: I often find I have to cut a character completely. I love to build in supporting roles, and on many occasions, have fallen in love with a character who doesn’t really have a vital role to play. I let myself write that character in the first draft, and then have to examine whether or not they’re just taking up space, no matter how charming I think they might be. I have an imaginary room in my house where those characters live. They’re all banging on the door trying to get into the next book. Some of them make it.

THEO: Short of incinerating entire drafts while sobbing, we’ve cut whole characters, whole finished chapters, whole subplots, etc. In our latest book, Sound Bender 2, we took a 140-page section and crunched it down into twenty-five compact pages. Lin says there’s nothing wasted in writing, but I think she’s full of it.

How do you know you’ve got the final draft?

HENRY and LIN: We know it’s done when we literally have come to the end of the story. Then we send it to our editors and get their thoughts. We carefully go over every thought and decide which ones resonate intellectually and emotionally. In the nineteen novels we have written together, we have never really had a major disagreement with our publishers that required us to change anything about what the book is that we imagined it to be.

LIN’s additional note: I have never read a published book of mine where I didn’t wince from wanting to go back and change it. I think this supports my belief that a book isn’t really done, it’s due. And thank goodness for that, or we’d just go on revising and tinkering forever.

THEO: There is no final draft. There are no endings, only countless beginnings. Just try to do your best work in the time you have, then beg and plead for another extension.

TODAY’S GIVEAWAY:

The Editor is giving away yet another FREE PARTIAL EDIT of your manuscript. Note that the winner of today’s giveaway IS eligible for Saturday’s grand prize Full Manuscript Edit Giveaway. Here are the rules, with a bonus entry available to DearEditor.com subscribers:

  1. Your manuscript can be of ANY GENRE or CATEGORY (for adults or children, fiction or non-fiction), including picture books.
  2. The partial edit will cover the FIRST CHAPTER of your manuscript. In the case of a picture book entry, the edit will cover the entire manuscript—but the manuscript cannot exceed 7 double-spaced, 12-pt font pages.
  3. Deadline: MIDNIGHT tonight, March 8, 2012, PST.
  4. Winner will be randomly selected using Randomizer.org and announced on March 9, 2012, in the DearEditor.com comments section and on the DearEditor.com Facebook page, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Partial Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.) Do not attach or embed any part of your manuscript in the entry.

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

Revision Week: Robin LaFevers

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Dear Readers…

DearEditor.com’s Revision Week continues today with Robin LaFevers, the author of fourteen books for young readers, including the Theodosia series, the Nathaniel Fludd, Beastologist series, and the much buzzed-about new His Fair Assassin series.

Please join Robin and The Editor for Day 3 of Revision Week, and find out how to win today’s “Free Partial Edit”from The Editor.

Robin LaFevers was raised on a steady diet of fairy tales, Bulfinch’s mythology, and 19th century poetry, so it’s not surprising that she grew up to be a hopeless romantic. She has also spent a large portion of her life being told she was making up things that weren’t there, which only proves she was destined to write fiction. Robin’s most recent book, Grave Mercy, is a YA romance about assassin nuns in medieval France and has received three starred reviews and is a 2012 Indie Next Spring Pick. Robin was writing the final words of Grave Mercy’s follow-up (Book Two in the His Fair Assassins series) when The Editor asked her to participate in Revision Week. Robin steadfastly refused to answer a single question until she’d typed “THE END” on the draft for her editor. How’s that for maintaining focus?! Thankfully, Robin made her deadline and is now free to share her hard-earned insights on the revision process.

*After Robin’s interview are instructions for entering today’s Free Partial Edit Giveaway.

You jokingly dubbed yourself the Queen of Multiple Drafts. How many drafts does it typically take before you feel confident about the character and story choices you made?

Oh gosh, that really depends on the book and how long it’s been percolating in my head! Since I tend to divide books into acts, my process usually involves working on act one for a number of drafts—four to five at the least, although sometimes it can be upward of seven. In those revisions, I really work on nailing down the character’s voice, the tone of the story, the world, and the major components of the character’s internal arc—what they think they want vs. what they need, the whys of all that, and then trying to understand and brainstorm what keeps them from achieving that. I can’t move on in the story until I get all that figured out. With the Nathaniel Fludd, Beastologist books, I did a lot of that in my head before I ever set pen to paper, so only needed a two or three drafts. With Grave Mercy, I worked all that out on the page in a daunting number of revisions.

When I do it that way, I find the rest of the book requires fewer revisions—maybe only three or four. And of course, once I reach The End and have the entire book complete, I have to go back and massage the first act so it all fits together, which is another revision or two.

Do you go through fewer drafts when you’re a few books into a series?  

Yes, thank goodness! And that is because so many of the elements are already established—the character’s voice, the essential personality, the players, the world. That and because those are written on contract with hard and fast deadlines.

Which draft gets shown to your editor? How much revising happens after the editor sees that draft?  

Which draft I show to my editor depends on whether it is part of a continuing series or not. I don’t like to write books on spec, so if it’s a new project, I will typically have as polished and perfect a version of the book as I can. Or as polished and perfect as I can make it at that point in time. A critical part of my process is letting the book lay fallow for a while between drafts. When I do that, I find my subconscious does a huge amount of the heavy lifting for me, which always makes things easier.

So, for new projects probably anywhere from the seventh or tenth draft gets shown to my editor. For continuing projects, probably the third or fourth draft.

Now, the upside to doing so many drafts myself is that I usually only have to do one revision for my editor, and usually a fairly light revision at that.

For my most current project, the second book in the His Fair Assassin trilogy, I had to turn in a much earlier draft than I am used to and I have to say, it makes me hugely uncomfortable. Like showing up at a business meeting in my jammies. In fact, I was so twitchy about it that I sent along a copy of my revision notes—all the things I knew still needed work—to my editor, just to try and streamline the process and let her know I didn’t think all the manuscript’s bald spots were okay.

Do you use critique partners?  

I don’t use critique partners because it isn’t helpful to me to show my work while it’s in progress. I do use beta readers though (although that may be a matter of semantics) who read the entire manuscript and give me their thoughts. I find them to be enormously helpful. For me, beta readers are highly trusted readers (most often writers) who have similar reading tastes as I do and like/read in the genre that I’m writing. They are also, and perhaps most importantly, able to help me write the story I’m trying to write as opposed to giving suggestions on how to write it as if they were writing it—which of course would make it an entirely different book. That’s a really important distinction though, because oftentimes we can get too much feedback or feedback that is at crosspurposes to what we’re trying to accomplish. So I pick my first readers very carefully.

I usually hand off the entire manuscript to these readers after a few drafts but before the final draft—that way the manuscript is still malleable in my mind and hasn’t “set” yet. Sometimes, if I get it all polished up and think of it as “ready”, making big changes can be too hard!

Do you ever share your manuscripts with young readers to test them out?  

No, I haven’t really done that since my kids have grown up, but when they were little, I definitely used them for guinea pigs!

What’s the most drastic thing you’ve done to a story while revising?  

Oh, merde! I think I told you I have done countless drafts of Grave Mercy, mostly because there were so many story choices available, it took me forever to figure out which story I wanted to tell. Then once I did, I got to page 200 and realized that third person POV simply wasn’t working. So I had to change the entire book to first person, which is much, MUCH more than simply changing pronouns. There is an entirely different flow to language and narration when you change POV. The manuscript flowed much better, but I was still having problems. It wasn’t until page 350 (of a 420-page mss) that I realized the darn thing had to be in first person PRESENT tense. That was a giant scream heard round the world, let me tell you. And writing in first person present is like speaking an entirely different language, so I had to completely rewrite the whole damn thing. (View the Grave Mercy trailer here.)

Which taught me an important lesson: experiment with tenses and POVs in the early stages of a book—just don’t set your POV choice on default mode.

How do you know you’ve got the final draft?

When it is sent to the printer.

Seriously. I could fiddle and tweak forever. In fact, I have been known to tweak and edit on a printed copy of the book before doing a reading. But there is a point where you aren’t necessarily making it better—just making it different. Or so I try to tell myself.

TODAY’S GIVEAWAY:

Today The Editor is giving away another FREE PARTIAL EDIT of your manuscript. Note that the winner of today’s giveaway IS eligible for Saturday’s grand prize Full Manuscript Edit Giveaway. Here are the rules, with a bonus entry available to DearEditor.com subscribers:

  1. Your manuscript can be of ANY GENRE or CATEGORY (for adults or children, fiction or non-fiction), including picture books.
  2. The partial edit will cover the FIRST CHAPTER of your manuscript. In the case of a picture book entry, the edit will cover the entire manuscript—but the manuscript cannot exceed 7 double-spaced, 12-pt font pages.
  3. Deadline: MIDNIGHT tonight, March 7, 2012, PST.
  4. Winner will be randomly selected using Randomizer.org and announced on March 8, 2012, in the DearEditor.com comments section and on the DearEditor.com Facebook page, and the winner will be notified directly via email.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of the blog or by clicking here. Type “Free Partial Edit Giveaway” in the subject line. In the body of the email, include the TITLE of your manuscript and YOUR FULL NAME. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.) Do not attach or embed any part of your manuscript in the entry.

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of DearEditor.com and then email your second entry.

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

Disclaimer: The Editor does not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

Good luck!

News: DearEditor.com Goes Mobile

Dear Readers…

Now you can access DearEditor.com on your iPhone or other mobile device. Go ahead, try it out. And if you’re a social media hipster, you’ll be glad to find DearEditor.com now on Google+ sharing industry news, creative inspirations, and writing tips to keep you in the publishing know.

Thanks to Theresa Stanton at blogsforphotogs.com, DearEditor.com is now mobile-friendly. With the new mobile design, you can easily read new posts and comments on your mobile device of choice, and you can post your own comments on-the-go. With a simple click on the arrow at the top of your mobile display, you can access archives, categories, and any page on the DearEditor.com website.

DearEditor.com is also pleased to announce the DearEditor.com Google+ page, which complements the DearEditor.com Facebook page and the @Dear_Editor Twitter feed.

Happy writing!

I Refuse to Believe Epistolary Novels are “Dead”

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Dear Editor…

I’ve written a contemporary YA novel in epistolary format. All of the professional feedback I’ve received is positive (I even won an award for the 1st 15 pages). Most agents tell me the writing is excellent, BUT they are passing strictly due to the format. A favorite author told me that epistolary novels are dead. Dead? I don’t believe it. How do I find agents/editors who will consider an epistolary novel?

T. S.

Dear T.S.…

Interest in epistolary novels has waned in YA editorial circles, it’s true. But often a format or category isn’t so much “dead” as just in need of a fresh spin to jolt it out of the doldrums. If you’re committed to this format, you’d better be offering something eye-catching in your concept or plot because, as much as I hate to write this, “excellent writing” isn’t enough to break anyone into a stagnant niche. Look for agents who rep projects with your kind of concept, tone, and audience, then emphasize those in your query: “I’ve got this great novel about X”, not “I’ve got this great epistolary novel.” If it’s still a no-go, why not recast your great concept, cast, and plot as a traditional narrative? Loyalty should be to story over format.

Happy writing!
The Editor

How Do I “Flesh Out” Characters?

Dear Editor…

I’m getting feedback to flesh out characters in my story. What does this mean and how can I do it in my story?

Sincerely,
Wendy

Dear Wendy…

Your characters probably read like cardboard cutouts, doing expected things in expected scenarios. The fix is deliciously mean: Deny them the things they expect! When you shove characters out of their comfort zones, they do unexpected things and grow more complex in the process. Got a cliché girly girl who jumps into her car after school and races to her room for a good cry when someone hurts her feelings? Slash her tires and force her to walk home—in the rain no less . . . and then make sure no one’s home to let her in. How will she respond to being stuck outside after a day like that? Will she find humor in Murphy’s Law, or will she bash her way through a window? Either way, we’ll get a look at her mettle. She won’t be a cardboard cutout just going through the motions. She’ll be going through the emotions—and deepening as a result.

Happy writing!
The Editor

Do Agents Give Second Chances?

Dear Editor…

An agent rejected my sci fi manuscript. I really want to be repped by this agent—he’s impressive at conferences and he reps great authors. Is it okay to submit another manuscript to him?

Thanks,
Anon.

Dear Anon….

Give that agency a second shot. Just be up front about it: “You passed on a previous submission of mine, but I do believe we’d make a good match and hope you’ll take a look at this new project, which is great in all these ways.” Put this in the second paragraph of your query rather than lead with it. If the agent’s rejection letter included specific comments about improving your manuscript, thank him for taking the time to give the feedback and tell him that you’ve incorporated his recommendations into this new ms. If you get a second rejection, then it’s time to move on because this agent isn’t responding strongly to your work. You want someone who’s as passionate about your writing as you are.

Happy writing!
The Editor

Meet the Editor

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Deborah Halverson
was an editor at Harcourt Children’s Books for 10 years before becoming the award-winning author of Writing Young Adult Fiction for Dummies,  Writing New Adult Fiction, two teen novels (Honk If You Hate Me and Big Mouth), the picture book Letters to Santa, and three books in Remix series for struggling readers. She has been working with authors—bestsellers, veterans, debut, and aspiring—for over twenty years. The books she’s edited have garnered awards and rave reviews, and many of the aspiring writers she’s coached have landed agent representation and lucrative book deals.

Deborah is now a freelance editor specializing in Young Adult/Middle Grade fiction and nonfiction, New Adult fiction, and picture books.

In addition to founding DearEditor.com, Deborah serves on the advisory board for the UC San Diego Extension “Children’s Book Writing and Illustrating” certificate program. She speaks extensively at workshops and conferences for writers. For more about Deborah, visit DeborahHalverson.com.
Twitter: @Dear_Editor, @DeborahHalversn
Instagram: deareditordotcom, deborahhalversonbooks
Facebook: DearEditorcom, DeborahHalverson

What writers say about Deborah:

“Deborah’s feedback is smart and focused. She makes the kind of comments you can really do something with. My manuscript was sold at auction for a 2-book deal.”–Jeff Hirschbestseller, The Eleventh Plague & other YAs

“Deborah’s expertise helped me fine-tune my debut novel Written in the Stars and was the smartest decision I made for my writing career. The lessons I gained from her advice stay with me to this day.”–Aisha Saeed, bestseller, Amal Unbound and Written Under the Stars, YA

“Deborah’s perceptive editorial remarks helped me look at my manuscript in a whole new way and gently pushed me and my book to a higher level. After implementing Deborah’s suggestions, I received a 2-book publication deal. Her concise, discerning suggestions taught me many skills I have carried over in the crafting of other novels.”–Kristen Landon, award-winning, Life in the Pit, The Limit, & other YAs

“Deborah has her finger on the pulse of YA fiction and can diagnose even the most elusive problems in a manuscript. Her suggestions have proven to be spot on time and time again. She can take a book from good to great; a rare skill that requires a keen eye and nuance. Working through an edit with Deborah is educational and fun, not fear-inducing and depressing, because she also won’t hesitate to tell you what you’re doing well. My manuscript quickly landed a 3-book deal after her edit. I highly recommend her.”– Chris Babu, The Initiation series, YA

“My manuscript received two offers and both publishers agreed to have a two-book offer…. Your touch brought the book to a higher level. I couldn’t thank you enough for that.”–Ji-li Jiang, award-winning, Red Scarf Girl & other YAs & picture books

“Deborah is an insightful editor who goes above and beyond what I expected. She has a way of communicating her thoughts in a gently constructive way that makes sense. I incorporated her comments into the revision of my manuscript, DANCE WITH BORZOIS, and landed a contract with Knopf.”–Annemarie O’Brien, award-winning, Dance with Borzois, YA

“Deborah is not only an excellent, discerning, and responsive editor, she is also a great pleasure to work with. She has a fine command of language and a great sense of story.”–Jean Ferris, award-winning, Once Upon a Marigold & other YAs

“Deborah is a crackerjack editor–creative, caring, and clever–and those are just the C’s.”–Kathleen Krull, award-winning, Harvesting Hope & other nonfiction picture books

“Deborah was a big reason I was able to sell my novel to a publisher. She has a keen eye, she works quickly and efficiently, her guidance is right on, and she sees the big picture.”–Sarah Scheerger, Operation Frog Effect & other MGs, YAs, young readers, and picture books

“I worked on my first manuscript for years and wasn’t getting anywhere. I was stuck. Until, I sent a draft to Deborah. She was able to look at it through the lens of an editor and make suggestions I hadn’t thought about. Every one of them made my manuscript stronger. She pointed me in the right direction. It’s the manuscript that got me an agent and my first book sale.”–Kim Turrisi, Just A Normal Tuesday, YA

“The best person who ever happened to my novel, Tiger Drive, is Deborah Halverson. She was the first editor to see it. Thanks to her manuscript evaluation and her advice to ‘give us a reason to care about these characters,’ my debut novel went on to win Best New Fiction at the American Fiction Awards.”–Teri Case, award-winning, Tiger Drive and other fiction/nonfiction for adults

“Deborah did much more than line-editing. She suggested a completely new ending to my Christmas novelty book. It helped me avoid predictability and layered the revised work with much more complexity and depth. She’s awesome!”–Kimball Fisher, bestseller, Finding Baby Jesus & other fiction/nonfiction for kids and adults

“In addition to being a keen editor with discerning tastes and inspired vision, Deborah is also an enormously talented writer who is tuned in to the interests and issues that engage young readers. Her energy, experience, enthusiasm, and knowledge make her an extraordinary teacher. She is a clear and engaging communicator, and her sly sense of humor sparkles.”–Robin Cruise, publisher, author

“Deborah is not only extremely knowledgeable but also capable of sharing that knowledge productively. And her critiques provide valuable insight for our writers. She is an excellent instructor with a keen sense of what each writer needs to hear to improve their work and the sensibility to provide critiques in a manner in which they are well-received.”–Antoinette Kuritz, Literary Publicist, Strategies Public Relations Consulting; Founder/Director of the La Jolla Writers Conference

For more about Deborah and her books, visit her author site DEBORAHHALVERSON.com.

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OK to Resubmit After a “No”?

Dear Editor…

Is it acceptable to revise a manuscript based on an editor or agent’s feedback and then resubmit to that same person?

Sincerely,

Wendy

Dear Wendy…

Indeed it is acceptable . . . under certain circumstances. The best scenario has the editor or agent giving specific revision suggestions along with an invite to resubmit should you revise along those lines. But even without an invitation, if you’ve revised the manuscript significantly (that word is important, because they didn’t say “no” due to surface problems—they’d probably work on those with you if that were the case), you can resubmit it with a note in your query letter saying, “I’ve changed the manuscript significantly since you last saw it and hope you’ll be open to taking another look.” If they’re not, they won’t. No skin off any noses.

Happy writing!

The Editor

Trash It or Tweak It?

//

Dear Editor…

I have been sending out my middle grade fantasy. I was writing to my 8-year-old but the 2 rejections I received speak about voice. I myself am moved by the voice in children’s books and can certainly attain A GOOD voice in a new book, but should I throw this one away? Believe the two rejections?

Sincerely,

Gemini

Dear Gemini…

Two is too few, too soon for the circular file. Use the feedback about voice to re-examine your ms instead. Young fantasies often have a more formal narrative style and can feel stilted. Make sure you’ve chosen dynamic, evocative words and phrases even if you’re stringing them together in a more proper style. Does your character “close the door” when he could “use his hand to smother the click of latch against plate” instead? Is he “easily frightened” or does he “fear the worst because small children easily assume the boogie man or fanged creatures”? Enrich a formal fantasy voice by going one step beyond the first phrase that pops into your head.

Happy writing!

The Editor

NEWSFLASH: a DearEditor.com “FREE Fiction Edit” Giveaway

Dear Readers…

To celebrate the completion of her final manuscript for Writing Young Adult Fiction for Dummies, the Editor is giving away a FREE Substantive Edit of one fiction manuscript for adults or young readers. Deadline: April 21, 2011. Read on for rules….

Dear Readers…

You’ve been on the Writing Young Adult Fiction for Dummies journey with me, so you should be a part of its milestone celebrations—and there’s cause to celebrate now. On Monday I received word from my editor that the manuscript is now final and moving on to production: “You’re done!” I celebrated with my family by treating them to a night of grand desserts; I celebrate with you by giving away a free Substantive Edit* of one fiction manuscript. Yes, this one is open to young adult fiction AND fiction for grown-ups. Scroll down using the sidebar on the right for all the rules:

1. Your manuscript must be FICTION FOR ADULTS or YOUNG ADULT OR MIDDLE GRADE FICTION (no picture books), ANY GENRE (general, sci fi, romance, steam punk . . . you get the idea; no non-fiction like how-to’s or memoirs, as fictional as those may seem).

2. Your manuscript must be COMPLETE.

3. Your manuscript SHALL NOT EXCEED 80,000 WORDS.

4. Manuscripts that do not meet these requirements will be disqualified.

5. Deadline: MIDNIGHT, APRIL 21, 2011, PST.

6. Winner will be randomly selected and announced on APRIL 22, 2011.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of this blog. Type “Dummies Celebration Giveaway” in the subject line. In the body of the email, include TITLE of manuscript, YA or MG or ADULT, WORD COUNT, and YOUR FULL NAME. (If you have any difficulty with the contact button, send an email entry directly to dear-editor@hotmail.com.)

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title, YA or MG or ADULT, word count, and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of this blog and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this giveaway to get additional entries. Send an email to DearEditor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title, YA or MG or ADULT, word count, and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion. Disclaimer: I do not share or in any other way use your contact information; it’s collected solely for winner contact purposes at the end of the giveaway.

*In a “Substantive Edit,” the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, delivery of background information, adult sensibility (children’s books only), and the synchronicity of age-appropriate subject matter with target audience, as the Editor determines appropriate and necessary after reviewing the entire manuscript. It is not a word-by-word, line-by-line “Line Edit.”

Okey-dokey, that covers it. After the giveaway I’ll announce the winner and then get back to answering great reader questions, featuring great guest editor posts, and planning a whopping virtual book launch for the Dummies book. Seriously, the launch will be big: multiple days filled with daily giveaways, features, and free downloads. More on that as the July 5, 2011, pub date nears.

Happy writing!

The Editor

 



Editorial Services

DEBORAH HALVERSON has been working with authors—bestsellers, veterans, debut, and aspiring—for over twenty years. The books she’s edited have garnered top industry awards, and many of the aspiring writers she’s coached have landed agent representation and lucrative book deals.

“Deborah’s feedback is smart and focused. She makes the kind of comments you can really do something with. My manuscript was sold at auction for a 2-book deal.”–Jeff Hirsch, author

“Deborah’s perceptive editorial remarks helped me look at my manuscript in a whole new way and gently pushed me and my book to a higher level. After implementing Deborah’s suggestions, I received a 2-book publication deal. Her concise, discerning suggestions taught me many skills I have carried over in the crafting of other novels.”–Kristen Landon, author

“My manuscript received two offers and both publishers agreed to have a two-book offer…. Your touch brought the book to a higher level. I couldn’t thank you enough for that.”–Ji-li Jiang, author

“Deborah is an insightful editor who goes above and beyond what I expected. She has a way of communicating her thoughts in a gently constructive way that makes sense. I incorporated her comments into the revision of my manuscript, LARA’S GIFT, and landed a contract with Knopf.”–Annemarie O’Brien, author

“Deborah is not only an excellent, discerning, and responsive editor, she is also a great pleasure to work with. She has a fine command of language and a great sense of story.”–Jean Ferris, author

“Deborah is a crackerjack editor–creative, caring, and clever–and those are just the C’s.”–Kathleen Krull, author

“In addition to being a keen editor with discerning tastes and inspired vision, Deborah is also an enormously talented writer who is tuned in to the interests and issues that engage young readers. Her energy, experience, enthusiasm, and knowledge make her an extraordinary teacher. She is a clear and engaging communicator, and her sly sense of humor sparkles.”–Robin Cruise, publisher, author

“I feel like I just got a personalized graduate course in writing!”–Meghan Hill, author

By conducting word-by-word line editing or more general substantive editing, Deborah Halverson (“The Editor”) helps authors hone their storytelling voices, synchronize age-appropriate language and subjects, and develop stories that appeal simultaneously to young readers and to adults such as parents, teachers, and librarians. With Deborah’s guidance, improve your manuscript’s…

Narrative voice
Plot development / narrative arc
Pacing
Organization
Characterization
Point of view
Setting
Delivery of background info
Visual storyline (picture books)
Age-appropriate subject matter and target audience
Word choice
Rhythm
Sentence variety
Dialogue
Chapter / section breaks
Grammar / mechanics

$125 per hour for substantive or line editing. Email Deborah@DeborahHalverson.com for a free estimate of total hours required or to discuss other editorial services such as query letter review. For an in-depth look at Deborah’s editorial process, read this printer-friendly pdf: “Editorial Processes and Fees.”

 

NEWSFLASH: a DearEditor.com Giveaway – a FREE YA/MG EDIT

Dear Readers…

To celebrate the completion of her manuscript for Writing Young Adult Fiction for Dummies, the Editor is giving away a FREE Substantive Edit of one YA or MG fiction manuscript. Deadline: January 31, 2011. Read on for rules….

Dear Readers…

I always urge writers to celebrate when they complete a draft because that’s a really big deal, and today I’m taking my own advice: I just sent the manuscript for Writing Young Adult Fiction for Dummies to my editor and I’m celebrating with everyone by giving away a free Substantive Edit* of one Young Adult or Middle Grade fiction manuscript. Here are the rules:

1. Your manuscript must be YOUNG ADULT OR MIDDLE GRADE FICTION.

2. Your manuscript must be COMPLETE.

3. Your manuscript SHALL NOT EXCEED 80,000 WORDS.

4. Manuscripts that do not meet these requirements will be disqualified.

5. Deadline: MIDNIGHT, JANUARY 31, 2011, PST.

6. Winner will be randomly selected and announced on February 1, 2011.

TO ENTER:

One entry –  SEND EMAIL to DearEditor.com using the “Write to The Editor” button at the top of this blog. Type “YA Dummies Celebration Giveaway” in the subject line. In the body of the email, include TITLE of manuscript, YA or MG, WORD COUNT, and YOUR FULL NAME.

Bonus entry – SUBSCRIBE. DearEditor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title, YA or MG, word count, and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of this blog and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this giveaway to get additional entries. Send an email to DearEditor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title, YA or MG, word count, and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

*In a “Substantive Edit,” the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, delivery of background information, adult sensibility (children’s books only), and the synchronicity of age-appropriate subject matter with target audience, as the Editor determines appropriate and necessary after reviewing the entire manuscript. It is not a word-by-word, line-by-line “Line Edit.”

So how’s that for a celebration? Well, that and a big order of something chocolate. See’s Candies, here I come. Par-TAY!

Happy writing!

The Editor

Is Branding Wicked or Wise?

//

Dear Editor…

I’m sort of eclectic when it comes to my YA novel genres. But I know “branding” is really important for a writer. When I’m creating my urban fantasy followed by my light, contemporary romance followed by my edgy issue novel, how concerned should I be about consistency as a writer in the market?

Sincerely,

Heather

Dear Heather…

“Branding” calls to mind glowing coals and sizzling iron Xs, and some writers resist the term as if it means just that. The idea of sticking to one kind of story, genre, or audience seems antithetical to the creativity that drives them to write. Branding yourself as a writer of something specific is a valuable strategy because it helps readers discover and stay with you long-term. They know what they’re getting—and they want more of it. Fortunately, eschewing branding doesn’t mean sabotaging your career. Plenty of MG/YA writers enjoy careers where their consistency is not in genre but in the quality of their writing. Look at M.T. Anderson, author of the cyberpunk YA Feed (a National Book Award Finalist), the two-volume YA historical fiction The Astonishing Life of Octavian Nothing (both volumes are Michael L. Printz Honor Books; the first also being a National Book Award Winner), the wacky, satirical middle grade series “Pals in Peril” (of which Whales on Stilts is my personal favorite), and the lauded “Norumbegan Quartet” fantastical adventure series (upcoming: The Empire of Gut and Bone), among others. Anderson’s brand is his name, which has become synonymous with brilliant writing. Now there’s a brand worth cultivating.

Happy writing!

The Editor

NEWSFLASH!: a Dear-Editor.com Giveaway – a FREE picture book edit!

Dear Readers…

By popular request, to celebrate the six-month anniversary of Dear-Editor.com, the Editor is giving away a FREE EDIT of one picture book manuscript. Deadline: October 10, 2010. Read on for rules….

Dear Readers…

To celebrate the six-month anniversary of Dear-Editor.com (woo-hoo!), the Editor is giving away a free edit* of one picture book manuscript. Scroll down using the blue sidebar on the right for all the rules:

1. Your manuscript must be a PICTURE BOOK MANUSCRIPT (target audience ages 3 to 8), text only.

2. Your manuscript must be COMPLETE.

3. Your manuscript SHALL NOT EXCEED 2,000 WORDS.

4. Manuscripts that do not meet these requirements will be disqualified.

5. Deadline: MIDNIGHT, OCTOBER 10, 2010, PST.

6. Winner will be randomly selected.

TO ENTER:

One entry –  SEND EMAIL to Dear-Editor.com using the “Write to Dear Editor” button at the top of this blog. Type “6-Month Anniversary Giveaway” in the subject line. In the body of the email, include TITLE of manuscript, WORD COUNT, and YOUR FULL NAME.

Bonus entry – SUBSCRIBE. Dear-Editor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title, word count, and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of this blog and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this giveaway to get additional entries. Send an email to Dear-Editor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your Twitter address or your Facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title, word count, and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion. The winner will be chosen randomly, using www.Random.org.

*The edit may be a line-by-line “Line Edit” or a “Substantive Edit” in which the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, age appropriateness, and delivery of background information, as the Editor determines appropriate and necessary after reviewing the entire manuscript.

As promised, friends, this one’s for picture book manuscripts. Thanks to everyone for a fun first six months!

Happy writing!

The Editor

NEWSFLASH: a Dear-Editor.com Giveaway – a Free YA/MG Edit!

Dear Readers…

To celebrate the one-month anniversary of Dear-Editor.com, the Editor is giving away a FREE Substantive Edit of one YA or MG fiction manuscript. Deadline: April 14, 2010. Read on for rules….

Dear Readers…

To celebrate the one-month anniversary of Dear-Editor.com, the Editor is giving away a free Substantive Edit* of one Young Adult or Middle Grade fiction manuscript. Here are the rules:

1. Your manuscript must be YOUNG ADULT OR MIDDLE GRADE FICTION.

2. Your manuscript must be COMPLETE.

3. Your manuscript SHALL NOT EXCEED 85,000 WORDS.

4. Manuscripts that do not meet these requirements will be disqualified.

5. Deadline: MIDNIGHT, APRIL 14, 2010, PST.

6. Winner will be randomly selected.

TO ENTER:

One entry –  SEND EMAIL to Dear-Editor.com using the “Write to Dear Editor” button at the top of this blog. Type “1st Month Anniversary Giveaway” in the subject line. In the body of the email, include TITLE of manuscript, YA or MG, WORD COUNT, and YOUR FULL NAME.

Bonus entry – SUBSCRIBE. Dear-Editor.com subscribers get a bonus entry by sending a second email with “Subscriber’s Bonus Giveaway Entry” in the subject line and your title, YA or MG, word count, and full name in the body. (Note: the Editor will verify!) Not a subscriber yet? Then subscribe now by clicking on the “Subscribe” button at the top of this blog and then email your second entry.

Extra bonus entries – SPREAD THE WORD. Blog, tweet, or otherwise electronically tell others about this giveaway to get additional entries. Send an email to Dear-Editor.com with “I Spread the Word!” in the subject line, and in the body include a link to your blog post or your twitter address or your facebook wall or whatever social media you used to spread the word. Don’t send screen-shots; attachments won’t be accepted. Include your title, YA or MG, word count, and full name in the body. Spread the word more than once? Then send an “I Spread the Word!” email for each one!

Anyone who doesn’t follow these rules will be disqualified, at the Editor’s discretion.

*In a “Substantive Edit,” the author receives general feedback about the manuscript’s overall pacing, organization, narrative voice, plot development/narrative arc, characterization, point of view, setting, delivery of background information, adult sensibility (children’s books only), and the synchronicity of age-appropriate subject matter with target audience, as the Editor determines appropriate and necessary after reviewing the entire manuscript. It is not a word-by-word, line-by-line “Line Edit.”

So there you have it—an anniversary, a giveaway, a bunch of rules, and even some italicized fine print. Sounds like a party to me!

Happy writing!

The Editor

Confusing Rejection Letters from Editors

Dear Editor…

I have received a couple of rejection notices from editors that confuse me. They write they like the premise and voice, but say the execution fell short.  What do editors mean when they talk about execution? Pace? Plot?

Thanks!
Author in Waiting

Dear Author in Waiting…

Pace? Plot? Possibly. The fact is, the editors didn’t specify exactly what they thought fell short, so you’re left to do exactly what you are doing: guessing. Bleh. Alas, useful feedback takes time, something beleaguered editors are hard-pressed to find even for the books they already have under contract. BUT they did slip you some very valuable feedback: that your premise and voice are The Goods. That’s huge. Two of the toughest critics you’ll face just told you 1) that your concept is engaging enough—and shows enough market potential—to get them to stop their hectic day to read your manuscript, and 2) that they bought into your narrative voice. They didn’t have to tell you that; they could’ve just whipped out one of those generic “It’s not for me” replies. So, while those editors didn’t give you a blueprint for revision, they did confirm that your manuscript has key strengths. That should put well-deserved pep in your step. For your revision, I suggest you focus on more abstract items like tension, pace, and character arcs, as those are harder to explain in quick rejection letters than dialogue (“the characters didn’t sound natural”) or plot (“the storyline didn’t hold up”), and thus are more likely to fall into the grab bag that is “execution.”

Happy writing!

The Editor

About

Meet The Editor…

Deborah Halverson was an editor at Harcourt Children’s Books before becoming the award-winning author of Writing Young Adult Fiction for Dummies, Writing New Adult Fiction, two teen novels (Honk If You Hate Me and Big Mouth with Random House), the picture book Letters to Santa, and three books in Remix  series for struggling readers. She has been working with authors—bestsellers, veterans, debut, and aspiring—for over twenty years. The books she’s edited have garnered awards and rave reviews, and many of the aspiring writers she’s coached have landed agent representation and lucrative book deals.

In addition to founding DearEditor.com, Deborah is now a freelance editor, author, and writing instructor. She speaks extensively at workshops and conferences for writers and edits adult fiction and nonfiction while specializing in teen fiction and picture books. For more about Deborah, visit www.DeborahHalverson.com.

What writers say about Deborah:

“Deborah’s feedback is smart and focused. She makes the kind of comments you can really do something with. My manuscript was sold at auction for a 2-book deal.”–Jeff Hirsch, author

“Deborah’s perceptive editorial remarks helped me look at my manuscript in a whole new way and gently pushed me and my book to a higher level. After implementing Deborah’s suggestions, I received a 2-book publication deal. Her concise, discerning suggestions taught me many skills I have carried over in the crafting of other novels.”–Kristen Landon, author

“My manuscript received two offers and both publishers agreed to have a two-book offer…. Your touch brought the book to a higher level. I couldn’t thank you enough for that.”–Ji-li Jiang, author

“Deborah is an insightful editor who goes above and beyond what I expected. She has a way of communicating her thoughts in a gently constructive way that makes sense. I incorporated her comments into the revision of my manuscript, DANCE WITH BORZOIS, and landed a contract with Knopf.”–Annemarie O’Brien, author

“Deborah is not only an excellent, discerning, and responsive editor, she is also a great pleasure to work with. She has a fine command of language and a great sense of story.”–Jean Ferris, author

“Deborah is a crackerjack editor–creative, caring, and clever–and those are just the C’s.”–Kathleen Krull, author

“In addition to being a keen editor with discerning tastes and inspired vision, Deborah is also an enormously talented writer who is tuned in to the interests and issues that engage young readers. Her energy, experience, enthusiasm, and knowledge make her an extraordinary teacher. She is a clear and engaging communicator, and her sly sense of humor sparkles.”–Robin Cruise, publisher, author

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