Submissions - Page 2

How to Get to Editors

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Dear Editor…

How do you get a manuscript to an editor when so many are not taking submissions at all?

Sincerely,

Sally

Dear Sally…

Get to editors by getting in the loop. Join the main writer’s group(s) for your category/genre, then actively monitor the group’s online forums and newsletters and attend its events. Suddenly you’ll have chances to connect with editors. At group chapter meetings, guest editors may invite attendees to submit a manuscript, bypassing their houses’ “no unsolicited submissions” policies. At group conferences, faculty editors do one-on-one critiques (for a fee). At small group workshops, faculty editors work directly with the attendees on their manuscripts. And in group newsletters, editors post alerts whenever they suspend the “no unsolicited submissions” policy (usually when they’re switching houses). Get in a loop.

Happy writing!

The Editor

Smoothing a Choppy Synopsis

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Dear Editor…

I had an editor comment that my synopsis doesn’t read as “smoothly” as my sample pages. Have you got any ideas for how I should rework it?

Sincerely,

Sue

Dear Sue…

The choppiness may result from jumping around in an effort to account for all the details and characters. Synopses aren’t exhaustive, particularly if the story is a complicated one with a large cast. When the editor is ready for the full skinny, she’ll read the manuscript itself. For now, she’s looking for a summary of your main plot and main character arc. That’s it. So, in two or three pages, tell her what the main character needs or wants to achieve, what threatens the MC enough to kick-start the story, what steps the MC takes to achieve that goal, and what challenges the MC overcomes to get there. Walk the editor through those chapter by chapter, using direct statements. You’re telling at this point, not showing: “In this chapter, MC does X and it worsens her problem by X.” If you’re well short of 2 to 3 pages, you can trace a subplot through the chapters, too. But only do that if the subplot is essential to understanding the main plot’s path. After that framework’s in place, go back and massage the chapter rundown into a smooth story of your story. A hint of your narrative tone can sneak in now, and you can work in sentence variety. The result is a synopsis that does its job and shows off your writing mastery at the same time.

Happy writing!

The Editor

Which Tense Is Best for Synopses?

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Dear Editor…

What tense should be used when writing a synopsis?  Does it matter what tense is used in the manuscript?

Sincerely,

Mary

Dear Mary…

No matter which tense you use in your story, apply literary present tense to your synopsis. Literary present describes your story as if it were happening right now: “When Khalel’s secret is revealed, he assumes his night daemon shape and escapes into the darkness.” Feel free to inject a hint of your story’s narrative voice into your synopsis, but don’t get wonky with the tense. Sticking with this standard lets your prospective agent or editor focus the content instead of the form.

Happy writing!

The Editor

Can Online Critiquing Hurt My Pub Chances?

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Dear Editor…

Will posting my pb manuscript on online discussion boards for peer critiques hurt my chances of publication?  I have commented on several on SCBWI’s discussion board, but always hesitate.  What are the pros and cons of this?

Sincerely,

Wendy

Dear Wendy….

Editors and agents don’t care if your material has been posted in online critique forums. In fact, some publishers are actively searching for unknowns online, as evidenced with publisher-founded writing communities such as Authonomy (HarperCollins) and the brand new Book Country (Penguin; see today’s Publishers Weekly). But don’t post in online critique communities with the goal of being “discovered.” No one can attest to the odds of that happening or even to the likelihood that publishing companies can realistically maintain such a communal ideal. Post because you seriously want critiques and you seriously intend to give them. Because when all is said and done, the reason such forums exist is to serve your very real need for constructive, objective input on your writing. Before you commit to any critique community, follow it for a bit to get a feel for the quality of participants’ criticism. Then work to build relationships within that community that are built on respect, dependability, and trust.

Happy writing!

The Editor

Feeling Tense about Tense in Synopses

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Dear Editor…

What tense should be used when writing a synopsis?  Does it matter what tense is used in the manuscript?

Sincerely,

Mary

Dear Mary…

The get-to-the-point answer: Regardless of which tense you use within your manuscript, your synopsis should be written in present tense.

The nifty technical-mumbo-jumbo answer: Characters and events in fiction exist in an eternal Now called the literary present. Thus, any writing (such as a synopsis) that describes a piece of fiction should be written as if the events are happening now, this very moment—in present tense.

Happy writing!

The Editor

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